The tale of three unlikely heroes - a misfit mouse who prefers reading books to eating them, an unhappy rat who schemes to leave the darkness of the dungeon, and a bumbling servant girl with cauliflower ears - whose fates are intertwined with that of the castle's princess.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
In this animated comedy from the folks at Disney, the vain and cocky Emperor Kuzco is a very busy man. Besides maintaining his "groove", and firing his suspicious administrator, Yzma; he's also planning to build a new waterpark just for himself for his birthday. However, this means destroying one of the villages in his kingdom. Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination courtesy of Yzma's right-hand man, Kronk, Kuzco is magically transformed into a llama. Now, Kuzco finds himself the property of Pacha, a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne, only if he promises to move his water park. Written by
The room where Kuzco looks at prospective brides has a peacock feather motif. Peacocks are Asian, however the "modernized" pseudo-Incan society depicted here does have commerce with the rest of the world, as shown in the sequel The Emperor's New Groove 2: Kronk's New Groove (2005). See more »
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[holds up the vial of human extract]
[Kuzco and Pacha gasp]
No! It can't be! How did you get back here before us?
...how *did* we, Kronk?
Well, ya got me. By all accounts, it doesn't make sense.
[Kronk holds up a map of the two parties' trails, showing Yzma's and Kronk's falling down a canyon halfway through]
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Although my affection for other Disney movies of the 1990s has decidedly waned, my love for "The Emperor's New Groove" is still as strong as ever. In fact, I'm now beginning to think it's a work of genius. It's clever, unpretentious, fast-paced, and- like "Lilo and Stitch"- you don't feel that the vision of the film was muddled up by the suits. The characters are not constantly breaking into song, and there is a welcome lack of cloying sentiment. No cutesy talking teacups here! The lightning- fast comic timing, sharp writing and constant loony non sequiturs (i.e. "For the last time, we did not order a giant trampoline!") improves upon each viewing, and the voice work is uniformly excellent, from David Spade's hilariously bratty emperor to Patrick Warburton's dim boy-toy Kronk to Eartha Kitt's Yzma (an over-the-top screeching Erte-style villainess with an alleged "secret lab" who is also "scary beyond all reason"). You get the impression that everyone involved had lots of fun making this. The art direction, with its whirling cartoon Inca motifs, is simultaneously goofy and gorgeous- and it shows what marvels can be done with nary a pixel in sight. I even love all the local L.A. humor, with even Bob's Big Boy making an appearance. Although I was initially dismayed when I heard that the project, originally entitled, "The Kingdom of the the Sun," was to be changed to "The Emperor's New Groove," I think in the end the changes were a good thing. Did the world really need yet another bombastic Disney musical?
No, I didn't think so either.
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