The tale of three unlikely heroes - a misfit mouse who prefers reading books to eating them, an unhappy rat who schemes to leave the darkness of the dungeon, and a bumbling servant girl with cauliflower ears - whose fates are intertwined with that of the castle's princess.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
In this animated comedy from the folks at Disney, the vain and cocky Emperor Kuzco is a very busy man. Besides maintaining his "groove", and firing his suspicious administrator, Yzma; he's also planning to build a new waterpark just for himself for his birthday. However, this means destroying one of the villages in his kingdom. Meanwhile, Yzma is hatching a plan to get revenge and usurp the throne. But, in a botched assassination courtesy of Yzma's right-hand man, Kronk, Kuzco is magically transformed into a llama. Now, Kuzco finds himself the property of Pacha, a lowly llama herder whose home is ground zero for the water park. Upon discovering the llama's true self, Pacha offers to help resolve the Emperor's problem and regain his throne, only if he promises to move his water park. Written by
David Spade was in his mid-thirties when he was voicing the role of the seventeen- then eighteen-year old Emperor Kuzco. See more »
While carrying the unconscious Kuzco in a sack, Kronk presses himself against the castle wall to "hide" himself from the old couple who slowly walk by him. In the next shot, it is clear that the only way the couple could have gone after walking by Kronk is up a huge stairway to the top of the castle, which would have taken considerable time at their pace, yet the couple has completely vanished. See more »
[Yzma and Kuzco never see each other. When one exits, the other enters]
Make me the special. And hold the gravy!
You know what? On second thought, make my omelette a meat pie.
Meat pie. Check.
Kronk! Can I order the potatoes as a side dish?
I'll have to charge you full price.
Hey, how about a side of potatoes, my buddy?
You got it. Want cheese on those potatoes?
[...] See more »
Hard to see why it wasn't a wildly popular mega-hit - I have two theories, one charitable, one not. The charitable theory is that people were put off by the title. MY heart certainly sank when I heard it. I mean, just say it out loud - "The Emperor's New Groove" - now how could a good movie POSSIBLY have a title like that?
Yet now, I rather like the title. It fits the story; it doesn't care if it's fashionable or not; it's just so pleasingly RIGHT - but in an almost indescribable way you'll have to watch the film to find out. Maybe it WAS a marketing mistake. Who cares? I never took seriously the charge that Disney's artistic decisions were made by its marketing department, anyway.
That was the charitable explanation for why it made considerably less, inflation adjusted, than every other one of Disney's animated features from "Beauty and the Beast" on, and failed to even get nominated for a "Best Picture" Oscar in a year in which they had difficulty coming up with half-plausible candidates. The uncharitable explanation is probably closer to the truth. People are idiots. This is a classic - but it's also animated - by pencil on paper rather than finger on keyboard - so who will ever notice?
Doubt me? You won't once you've seen it. Everyone to speak of who did reports that it's very, very funny, and they're right - and trust me, nothing is ever THIS funny unless it's clever and witty as well. It goes without saying that their character animation is unmatched in its brilliance and ... I've already used the words "humour" and "wit"? Well, I'll use them again. In addition there's a charming dottiness that a merely hip film could never quite capture. Art direction is perfectly judged and consistent throughout, with a pleasing absence of because-we-can computer effects.
Here's just ONE example of what I'm talking about. One side of the emperor's palace consists of this HUGE golden face, and we find out in a funny scene (but they're all funny) that all excess water is drained out through the nostrils. But that's not all we see. We see characters crawling out of the nostrils, we see someone dangling like a big booger on a rope out of one of the nostrils - one snot gag after another - yet no explicit camerawork ever draws our attention to them. Not only do the characters deliver their lines perfectly deadpan, the camera delivers its images perfectly deadpan. It's just perfect.
Two more things I should mention. Unlike Disney's other recent features, it never, not even for a second, feels as though the story has been unduly compressed - and at 78 minutes it's a trifle shorter than most.
Also, despite the constant hilarity, it's rather touching.
No movie I've seen in the past six months has filled me with such joy. Well, perhaps there have been a few others, but they were all made long ago.
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