Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
As the Clone Wars near an end, the Sith Lord Darth Sidious steps out of the shadows, at which time Anakin succumbs to his emotions, becoming Darth Vader and putting his relationships with Obi-Wan and Padme at risk.
Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
The evil Trade Federation, led by Nute Gunray is planning to take over the peaceful world of Naboo. Jedi Knights Qui-Gon Jinn and Obi-Wan Kenobi are sent to confront the leaders. But not everything goes to plan. The two Jedi escape, and along with their new Gungan friend, Jar Jar Binks head to Naboo to warn Queen Amidala, but droids have already started to capture Naboo and the Queen is not safe there. Eventually, they land on Tatooine, where they become friends with a young boy known as Anakin Skywalker. Qui-Gon is curious about the boy, and sees a bright future for him. The group must now find a way of getting to Coruscant and to finally solve this trade dispute, but there is someone else hiding in the shadows. Are the Sith really extinct? Is the Queen really who she says she is? And what's so special about this young boy? Written by
The opening logo for 20th Century Fox is static (to match the opening of Episodes 4, 5 and 6), instead of the animated 3-D logo used in Fox films at the time. The Fox logo also fades out halfway through the fanfare, and the final flourish is played over the Lucasfilm logo. Modern Fox films keep the company logo on-screen throughout the entire fanfare. See more »
I have been a 'Star Wars' fan since first seeing it back in 1977 at the age of thirteen. I've seen 'A New Hope' at least twenty times, 'The Empire Strikes Back' about a dozen, and 'Return of the Jedi' more than once. I've read many of the novels and to this day still collect toys and action figures. I spent eight hours in line for tickets and a seat, finally seeing 'The Phantom Menace' on the first day at 3:00 AM. I desperately wanted to like it, and made every attempt to make allowances and keep an open mind.
But I couldn't do it. It was just too pathetic.
Had this movie been made by someone else, I might not be so critical. But George Lucas has always insisted that cutting-edge effects are secondary to a good story. Too bad someone close to him doesn't remind him of this. I've heard Lucas say he hates to write. Well, it shows. Most scenes are just tedious, obligatory filler material between spectacular effects sequences. Rather than illustrate character through action and behavior, the script delegates that task to other characters to say aloud.
Even though the first movies appealed to both children and adults, many defend 'The Phantom Menace' by saying it was made just for kids. But I find it hard to imagine children caring about trade disputes. And the level of violence is more suitable for teens and adults. Besides, how will these children in the audience react in a few years when their hero 'Ani' grows up, turns evil and kills everyone?
Perhaps George Lucas' biggest crime is his attempt to explain the Force in scientific terms. This not only contradicted what had been established in the other films, but it eliminated the one thing that distinguished 'Star Wars' from standard science fictions films - an element of fantasy.
Although all the archetypes of the original are here: a wide-eyed youth, a wise mentor, an alien sidekick and a royal damsel in distress, this time it doesn't work. Keen characters and witty dialog have been replaced by potty humor and pratfalls. This will be the last 'Star Wars' film I ever see.
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