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Fantasia 2000 (1999)

An update of the original film with new interpretations of great works of classical music.

Writers:

(story), (story "The Steadfast Tin Soldier") | 10 more credits »

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4 wins & 6 nominations. See more awards »

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Cast

Credited cast:
...
Himself - Introductory Host
...
Himself - Host (segment "Pines of Rome")
...
Himself - Host (segment "Rhapsody in Blue")
...
Herself - Host (segment "Piano Concerto No. 2, Allegro, Opus 102")
...
Himself - Host (segment "Carnival of the Animals")
...
Himself - Host (segment "The Sorcerer's Apprentice") (as Penn)
...
Himself - Host (segment "The Sorcerer's Apprentice")
James Levine ...
Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
...
Herself - Host (segment "Firebird Suite - 1919 Version")
...
...
...
Rest of cast listed alphabetically:
Michael George ...
Musician
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Storyline

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to "The Pines of Rome." Next is the humourous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

15 years before 2018


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

16 June 2000 (USA)  »

Also Known As:

Fantasia '99  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£49,825 (UK) (2 January 2000)

Gross:

$60,655,420 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| | |

Color:

Aspect Ratio:

1.78 : 1 / (high definition)
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Did You Know?

Trivia

When Eric Goldberg first approached cartoonist Al Hirschfeld about adopting his visual style for the "Rhapsody in Blue" segment, Hirschfeld told him that if he was 50 years younger he would have been on a train the next day to come work on the project. Eric Goldberg showed "Rhapsody in Blue" to Al Hirschfeld shortly before the artist's 96th birthday. Hirschfeld's wife Louise called it the best birthday present he could have received. See more »

Goofs

Before Symphony 5 at the very beginning the sound of a conductor tapping his baton can be heard. The conductor has no stand and in fact nothing at all between them and the orchestra. See more »

Quotes

Bette Middler: Hi. You may not know this, but over the years, the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some of them made it to the big screen this time. But others, lots of others - how could I put this politely - didn't. For example, the Danish illustrator Kay Nielsen drew these sketches for a segment inspired by Wagner's "Ride of the Valkyries." Here they are, and there they go. Now, Salvador Dali, you know, the "limp watches" guy, he got into the act with an idea that ...
See more »

Crazy Credits

Credits are superimposed over preliminary artwork. See more »

Connections

References The Rescuers (1977) See more »

Soundtracks

The Sorcerer's Apprentice
Written by Paul Dukas
Performed by Leopold Stokowski and the Philadelphia Orchestra
See more »

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User Reviews

 
Music expertly portrayed in film
4 January 2000 | by (Southern California) – See all my reviews

Fantasia 2000 presents us with a visual voyage into music that, in my opinion, excels that of the original Fantasia. Not only is the animation itself extremely fluid, colorful, and highly diverse from segment to segment, but the representation of the music is, in itself, sheer genius. As I have come to expect from Disney, at least some research has been done into the texture of the music as well as thematical studies and tonal structure. This much, I believe, is made in evidence of both blatant and subtle use of contrast on screen to highlight the contrast of the music.

In all, this film is of extremely high value and is of an excellent nature. I highly recommend seeing it on the IMAX screen for full effect of sound and light and to be ready for a sonic experience that will have you whistling tunes all week long.


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