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Fantasia/2000 (1999)

7.3
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Ratings: 7.3/10 from 23,745 users   Metascore: 59/100
Reviews: 180 user | 129 critic | 27 from Metacritic.com

An update of the original film with new interpretations of great works of classical music.

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(story), (story), 9 more credits »
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Title: Fantasia/2000 (1999)

Fantasia/2000 (1999) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
Himself - Conductor (segment "The Sorcerer's Apprentice") (archive footage)
Ralph Grierson ...
Pianist (segment "Rhapsody in Blue")
Kathleen Battle ...
Featured Soprano (segment "Pomp and Circumstance") (singing voice)
...
Himself - Introductory Host
...
Himself - Host (segment "Pines of Rome")
...
Himself - Host (segment "Rhapsody in Blue")
...
Bette Midler (segment "Piano Concerto No. 2, Allegro, Opus 102")
...
Himself - Host (segment "Carnival of the Animals")
...
Himself - Host (segment "The Sorcerer's Apprentice") (as Penn)
...
Himself - Host (segment "The Sorcerer's Apprentice")
...
Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
...
Angela Lansbury (segment "Firebird Suite - 1919 Version")
...
Tony Anselmo ...
...
Edit

Storyline

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to "The Pines of Rome." Next is the humourous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

16 June 2000 (USA)  »

Also Known As:

Fantasia '99  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£49,825 (UK) (31 December 1999)

Gross:

$60,507,228 (USA) (5 January 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| | |

Color:

Aspect Ratio:

1.44 : 1
See  »
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Did You Know?

Trivia

Director Pixote Hunt spent two years writing and creating the Ludwig van Beethoven's Fifth segment which opens the film. See more »

Goofs

In "Rhapsody in Blue", a sign inside Monica's cafe reads "2 EGGS ANY STYLE 25c". A sign outside the cafe reads "2 EGGS 10c". See more »

Quotes

Mickey Mouse: [Pulling on Stokowski's coat] Mr. Stokowski! Mr. Stokowski!
[Mickey whistles to get Stokowski's attention]
Mickey Mouse: Just wanna offer my congratulations, sir!
Himself - Conductor: [shaking hands with Mickey] Congratulations to you, Mickey!
Mickey Mouse: Aww, gee, thanks! Hehe! Well, I gotta run now! So long!
See more »

Crazy Credits

Credits are superimposed over preliminary artwork. See more »

Connections

Edited into Disney Princess: A Christmas of Enchantment (2005) See more »

Soundtracks

Symphony No. 5
Written by Ludwig van Beethoven
Performed by James Levine and the Chicago Symphony Orhcestra
See more »

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User Reviews

 
The Power Of Animation
4 January 2000 | by (Brampton, Ontario) – See all my reviews

Probably the best animation film I have ever seen. There are no dialogues and it is not really a feature film. It is an assimilation of 8 short stories. The stories are all beautiful, my favorite ones being the one on New York City, "Rhapsody in Blue", and the one on life, death and renewal, "Firebird Suite". The film is about everything beautiful in life; amazingly entertaining. Each score is given a brilliant visual concept. And the animation speaks so much more than 'real life' films or any dialogues could for that matter. Animation, though usually aimed at kids is probably much more necessary for us adults as we lose that sense of imagination, beauty and observation. Kids are so wonderfully innocent, imaginative and creative; everything that does matter to them has an animated feel to it anyway.


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