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Fantasia 2000 (1999)

An update of the original film with new interpretations of great works of classical music.

Writers:

(story), (story "The Steadfast Tin Soldier") | 10 more credits »

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4 wins & 6 nominations. See more awards »

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Cast

Credited cast:
...
Himself - Introductory Host
...
Himself - Host (segment "Pines of Rome")
...
Himself - Host (segment "Rhapsody in Blue")
...
Herself - Host (segment "Piano Concerto No. 2, Allegro, Opus 102")
...
Himself - Host (segment "Carnival of the Animals")
...
Himself - Host (segment "The Sorcerer's Apprentice") (as Penn)
...
Himself - Host (segment "The Sorcerer's Apprentice")
James Levine ...
Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
...
Herself - Host (segment "Firebird Suite - 1919 Version")
...
...
...
Rest of cast listed alphabetically:
Michael George ...
Musician
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Storyline

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to "The Pines of Rome." Next is the humourous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

15 years before 2018


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

16 June 2000 (USA)  »

Also Known As:

Fantasia '99  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£49,825 (UK) (31 December 1999)

Gross:

$60,507,228 (USA) (5 January 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| | |

Color:

Aspect Ratio:

1.78 : 1 / (high definition)
See  »
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Did You Know?

Trivia

The working title was "Fantasia Continued". See more »

Goofs

Before Symphony 5 at the very beginning the sound of a conductor tapping his baton can be heard. The conductor has no stand and in fact nothing at all between them and the orchestra. See more »

Quotes

James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: "What is man's relationship to nature?"
[is handed a piece of paper]
James Earl Jones: Oh, sorry... That age old ...
[...]
See more »

Crazy Credits

Credits are superimposed over preliminary artwork. See more »

Connections

References Destino (2003) See more »

Soundtracks

Pines of Rome
Written by Ottorino Resphighi
Performed by James Levine and the Chicago Symphony Orchestra
See more »

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User Reviews

 
The Power Of Animation
4 January 2000 | by (Brampton, Ontario) – See all my reviews

Probably the best animation film I have ever seen. There are no dialogues and it is not really a feature film. It is an assimilation of 8 short stories. The stories are all beautiful, my favorite ones being the one on New York City, "Rhapsody in Blue", and the one on life, death and renewal, "Firebird Suite". The film is about everything beautiful in life; amazingly entertaining. Each score is given a brilliant visual concept. And the animation speaks so much more than 'real life' films or any dialogues could for that matter. Animation, though usually aimed at kids is probably much more necessary for us adults as we lose that sense of imagination, beauty and observation. Kids are so wonderfully innocent, imaginative and creative; everything that does matter to them has an animated feel to it anyway.


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