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Fantasia/2000 (1999)

G  |   |  Animation, Family, Fantasy  |  16 June 2000 (USA)
7.3
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Ratings: 7.3/10 from 24,637 users   Metascore: 59/100
Reviews: 180 user | 128 critic | 27 from Metacritic.com

An update of the original film with new interpretations of great works of classical music.

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(story), (story), 9 more credits »
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Title: Fantasia/2000 (1999)

Fantasia/2000 (1999) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
Himself - Conductor (segment "The Sorcerer's Apprentice") (archive footage)
Ralph Grierson ...
Pianist (segment "Rhapsody in Blue")
Kathleen Battle ...
Featured Soprano (segment "Pomp and Circumstance") (singing voice)
...
Himself - Introductory Host
...
Himself - Host (segment "Pines of Rome")
...
Himself - Host (segment "Rhapsody in Blue")
...
Bette Midler (segment "Piano Concerto No. 2, Allegro, Opus 102")
...
Himself - Host (segment "Carnival of the Animals")
...
Himself - Host (segment "The Sorcerer's Apprentice") (as Penn)
...
Himself - Host (segment "The Sorcerer's Apprentice")
...
Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
...
Angela Lansbury (segment "Firebird Suite - 1919 Version")
...
Tony Anselmo ...
...
Edit

Storyline

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to "The Pines of Rome." Next is the humourous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

16 June 2000 (USA)  »

Also Known As:

Fantasia '99  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£49,825 (UK) (31 December 1999)

Gross:

$60,507,228 (USA) (5 January 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| | |

Color:

Aspect Ratio:

1.78 : 1 / (high definition)
See  »
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Did You Know?

Trivia

The Firebird sequence depicts the eruption of the volcano Mount Saint Helens in 1980. See more »

Goofs

When we first see the drumming construction worker in his room, his alarm clock is standing up straight, but when the closeup happens, the clock is face flat on the table. See more »

Quotes

Angela Lansbury: Walt Disney described the art of animation as a voyage of discovery, into the realms of color, sound, and motion. The music from Igor Stravinsky's ballet "The Firebird" inspires such a voyage. And so we conclude this version of "Fantasia" with a mythical story of life, death, and renewal.
See more »

Crazy Credits

Credits are superimposed over preliminary artwork. See more »

Connections

Referenced in The Nostalgia Teen: Top 11 Animated Movies (2011) See more »

Soundtracks

Pomp and Circumstance, Marches #1, 2, 3, & 4
Written by Edward Elgar (as Sir Edward Elgar)
Performed by James Levine, the Chicago Symphony Orchestra, the Chicago Symphony Chorus and Kathleen Battle
See more »

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User Reviews

 
Music expertly portrayed in film
4 January 2000 | by (Southern California) – See all my reviews

Fantasia 2000 presents us with a visual voyage into music that, in my opinion, excels that of the original Fantasia. Not only is the animation itself extremely fluid, colorful, and highly diverse from segment to segment, but the representation of the music is, in itself, sheer genius. As I have come to expect from Disney, at least some research has been done into the texture of the music as well as thematical studies and tonal structure. This much, I believe, is made in evidence of both blatant and subtle use of contrast on screen to highlight the contrast of the music.

In all, this film is of extremely high value and is of an excellent nature. I highly recommend seeing it on the IMAX screen for full effect of sound and light and to be ready for a sonic experience that will have you whistling tunes all week long.


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