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Fantasia/2000 (1999)

7.3
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Ratings: 7.3/10 from 22,240 users   Metascore: 59/100
Reviews: 175 user | 128 critic | 27 from Metacritic.com

An update of the original film with new interpretations of great works of classical music.

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(story), (story), 9 more credits »
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Title: Fantasia/2000 (1999)

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Edit

Cast

Cast overview, first billed only:
...
Himself - Conductor (segment "The Sorcerer's Apprentice") (archive footage)
Ralph Grierson ...
Pianist (segment "Rhapsody in Blue")
Kathleen Battle ...
Featured Soprano (segment "Pomp and Circumstance") (singing voice)
...
Himself - Introductory Host
...
Himself - Host (segment "Pines of Rome")
...
Himself - Host (segment "Rhapsody in Blue")
...
Herself - Hostess (segment "Piano Concerto No. 2, Allegro, Opus 102")
...
Himself - Host (segment "Carnival of the Animals")
...
Himself - Host (segment "The Sorcerer's Apprentice") (as Penn)
...
Himself - Host (segment "The Sorcerer's Apprentice")
...
Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
...
Herself - Hostess (segment "Firebird Suite - 1919 Version")
...
Tony Anselmo ...
...
Edit

Storyline

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to "The Pines of Rome." Next is the humourous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

31 December 1999 (USA)  »

Also Known As:

Fantasia '99  »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£49,825 (UK) (31 December 1999)

Gross:

$60,507,228 (USA) (5 January 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| | |

Color:

Aspect Ratio:

1.44 : 1
See  »
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Did You Know?

Trivia

In the "Carnival of the Animals" segment, the flamingo with the yo-yo is named "Our Hero"; the six flamingos who oppose him are called "The Snotty Six." See more »

Goofs

In "Pomp and Circumstance", the first time Donald takes out a picture of him and Daisy, both (in the picture) are looking towards the "camera". The next time he looks at it, Daisy is looking at him instead. See more »

Quotes

James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: What is man's relationship to nature?
[is handed a note]
James Earl Jones: Oh, sorry... That age old question: What would...
[...]
See more »

Crazy Credits

Credits are superimposed over preliminary artwork. See more »


Soundtracks

Firebird Suite - 1919 Version
Written by Igor Stravinsky
Performed by James Levine and the Chicago Symphony Orchestra
See more »

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User Reviews

 
Music expertly portrayed in film
4 January 2000 | by (Southern California) – See all my reviews

Fantasia 2000 presents us with a visual voyage into music that, in my opinion, excels that of the original Fantasia. Not only is the animation itself extremely fluid, colorful, and highly diverse from segment to segment, but the representation of the music is, in itself, sheer genius. As I have come to expect from Disney, at least some research has been done into the texture of the music as well as thematical studies and tonal structure. This much, I believe, is made in evidence of both blatant and subtle use of contrast on screen to highlight the contrast of the music.

In all, this film is of extremely high value and is of an excellent nature. I highly recommend seeing it on the IMAX screen for full effect of sound and light and to be ready for a sonic experience that will have you whistling tunes all week long.


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if they made a new fantasia, what would you have put in it? envyofthestone
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