| Photos (See all 27 | slideshow) | Videos |
| Jennifer Jason Leigh | ... | Allegra Geller | |
| Jude Law | ... | Ted Pikul | |
| Ian Holm | ... | Kiri Vinokur | |
| Willem Dafoe | ... | Gas | |
| Don McKellar | ... | Yevgeny Nourish | |
| Callum Keith Rennie | ... | Hugo Carlaw | |
| Christopher Eccleston | ... | Seminar Leader | |
| Sarah Polley | ... | Merle | |
| Robert A. Silverman | ... | D'Arcy Nader | |
| Oscar Hsu | ... | Chinese Waiter | |
| Kris Lemche | ... | Noel Dichter | |
| Vik Sahay | ... | Male Assistant | |
| Kirsten Johnson | ... | Female Assistant | |
| James Kirchner | ... | Landry | |
| Balázs Koós | ... | Male Volunteer | |
| Stephanie Belding | ... | Female Volunteer | |
| Gerry Quigley | ... | Trout Farm Worker |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| David Cronenberg | (written by) | |
Produced by | |||
| Bradley Adams | .... | co-producer | |
| Damon Bryant | .... | co-producer | |
| David Cronenberg | .... | producer | |
| Andras Hamori | .... | producer | |
| Robert Lantos | .... | producer | |
| Michael MacDonald | .... | co-producer | |
| Sandra Tucker | .... | associate producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | |||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| Tamara Deverell | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Carol Davidson | .... | assistant makeup artist | |
| Stephan Dupuis | .... | special makeup designer | |
| Réjean Goderre | .... | hair stylist: Ms. Leigh (as Rejean Goderre) | |
| Mary-Lou Green-Benvenuti | .... | hair stylist (as Mary Lou Green) | |
| Debra Hawkes | .... | assistant hair stylist | |
| Shonagh Jabour | .... | makeup artist | |
| Micheline Trépanier | .... | makeup artist: Ms. Leigh (as Micheline Trepanier) | |
| Doug Morrow | .... | special makeup effects lab technician (uncredited) | |
Production Management | |||
| Michael MacDonald | .... | production manager | |
| Tammy Quinn | .... | assistant production manager | |
| Lori A. Waters | .... | post-production supervisor (as Lori Waters) | |
Second Unit Director or Assistant Director | |||
| Penny Charter | .... | second assistant director | |
| Cassandra Cronenberg | .... | third assistant director | |
| Walter Gasparovic | .... | first assistant director | |
| Kirsteen McLean | .... | third assistant director | |
| Leo Scherman | .... | trainee assistant director | |
Art Department | |||
| John Bannister | .... | key scenic artist | |
| Jerry Beaudrow | .... | carpenter | |
| Gordon Becker | .... | assistant head carpenter | |
| Dexter Bonaparte | .... | set dresser | |
| J. Tracy Budd | .... | lead man (as Tracy Budd) | |
| Flavian Bulfon | .... | carpenter | |
| Kerry Bullis | .... | laborer | |
| Jean-Pierre Charbonneau | .... | head carpenter | |
| Dan Christov | .... | laborer | |
| Janet Cormack | .... | scenic artist | |
| Joe Curtin | .... | construction coordinator | |
| Kevin Curtin | .... | carpenter | |
| Scott Donais | .... | scenic artist | |
| Danielle Fleury | .... | assistant set decorator | |
| Christopher Geggie | .... | property master (as Chris Geggie) | |
| Jason Graham | .... | art department trainee | |
| Arvinder Grewal | .... | first assistant art director | |
| Kevin Haeberlin | .... | on-set dresser | |
| Paul Jefferson | .... | carpenter | |
| Marc Kuitenbrouwer | .... | assistant head carpenter | |
| Jacques Lamarre | .... | carpenter | |
| Sabri Lariani | .... | lead carpenter | |
| Mari Laughlen | .... | assistant property master | |
| Rupert Lazarus | .... | second assistant art director | |
| Alois Ledinek | .... | on-set carpenter | |
| Peter Legault | .... | assistant head carpenter | |
| Carole Lord | .... | scenic artist | |
| Michael Madden | .... | first assistant art director | |
| Stephen Magill | .... | carpenter | |
| Bradley McInnis | .... | scenic artist | |
| Richard McStay | .... | assistant head carpenter | |
| Melissa Morgan | .... | head painter | |
| Peter P. Nicolakakos | .... | buyer | |
| Brian Patrick | .... | property assistant | |
| Jim Peters | .... | greensman | |
| Dusty Reeves | .... | art department coordinator | |
| Paul Renaut | .... | lead man | |
| Doug Rennie | .... | scenic artist | |
| Mila Rolicz | .... | scenic artist | |
| Sam Santoro | .... | laborer | |
| Michael Smolski | .... | carpenter | |
| Mark Stafford | .... | on-set painter | |
| Robert H. Steiner | .... | construction cost administrator (as Robert Steiner) | |
| Kim Wagner | .... | additional food preparation (uncredited) | |
Sound Department | |||
| Eric Apps | .... | adr recordist | |
| Tom Bjelic | .... | sound effects editor | |
| Gregory Martin Clayton | .... | cable operator (as Greg Clayton) | |
| Ed Colyer | .... | adr mixer | |
| Graham Daniel | .... | sound re-recording mixer | |
| Joseph Doane | .... | assistant sound effects editor | |
| David Evans | .... | supervising sound effects editor | |
| Glen Gauthier | .... | sound mixer | |
| Paul Germann | .... | assistant sound effects editor | |
| Mark Gingras | .... | adr editor | |
| Mark Gingras | .... | dialogue editor | |
| Wayne Griffin | .... | supervising dialogue editor | |
| Punam Khosla | .... | assistant sound effects editor | |
| Goro Koyama | .... | foley artist | |
| John Laing | .... | dialogue editor | |
| Mishann Lau | .... | assistant dialogue editor | |
| Andy Malcolm | .... | foley artist | |
| Ron Malligers | .... | foley mixer (as Ron Mellegers) | |
| Ray Merrin | .... | sound re-recording mixer | |
| Lyle Scott-Darling | .... | assistant sound re-recording mixer | |
| Paul Shikata | .... | sound effects editor | |
| Steve Switzer | .... | boom operator | |
| David Tyler | .... | assistant adr mixer | |
| Tony Van den Akker | .... | foley mixer | |
| Nick Watson | .... | stereo sound consultant: Dolby, UK | |
| Rebecca Wright | .... | foley assistant | |
| Sharon Zupancic | .... | foley assistant | |
| Gren-Erich Zwicker | .... | assistant dialogue editor | |
| Ryan Shore | .... | sound (uncredited) | |
Visual Effects by | |||
| Jerry Andrews | .... | motion control specialist: Toybox | |
| Alex Boothby | .... | digital effects compositor: Toybox | |
| Jeff Campbell | .... | digital effects compositor: Toybox | |
| John Coldrick | .... | compositor: opening titles | |
| Kenn Elliott | .... | additional scanning: Toybox | |
| Mike 'Fuzzy' Ellis | .... | digital film supervisor: Toybox (as Mike Ellis) | |
| Raymond Gieringer | .... | 3D animator: Toybox | |
| Mark Goldberg | .... | digital effects compositor: Toybox | |
| Derek Grime | .... | 3D animator: Toybox | |
| Rob Gyorgy | .... | digital effects compositor: Toybox | |
| James Isaac | .... | visual and special effects supervisor (as Jim Isaac) | |
| Shawn Maher | .... | camera operator: Toybox | |
| Michael Manza | .... | 3D animator: Toybox | |
| Jesh Murthy | .... | 3D animator: Toybox | |
| Josa Leah 'SDB' Porter | .... | in-house coordinator: Toybox | |
| Paul Rigg | .... | digital effects compositor: Toybox | |
| Jim Rutherford | .... | lead 3D creature animator: Toybox | |
| Ralph Sevazlian | .... | 3D animator: Toybox | |
| Chris Stoyan | .... | motion control grip: Toybox | |
| Andy Sykes | .... | executive producer: Toybox | |
| Tony Willis | .... | motion control supervisor: Toybox | |
| Emily Wong | .... | production coordinator: Toybox | |
| Nelson Yu Lik-wai | .... | 3D technical support: Toybox | |
| Kenn Elliott | .... | film assistant: Toybox (uncredited) | |
Stunts | |||
| Peter Cox | .... | stunts | |
| Jamie Jones | .... | stunts | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunts | |
| Regan Moore | .... | stunt performer (uncredited) | |
| Billy Oliver | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Jonathan Billings | .... | dolly grip | |
| Don Cochrane | .... | electrician | |
| Christopher Dean | .... | key grip | |
| Ava Gerlitz | .... | still photographer | |
| Dianne L. Haggarty | .... | grip (as Dianne Haggarty) | |
| Michael Hall | .... | first assistant camera | |
| Jeff Heintzman | .... | best boy grip | |
| Robert Hicks | .... | best boy | |
| Vanessa Ireson | .... | second assistant camera | |
| Delroy P. Jarrett | .... | electrician (as Delroy Jarrett) | |
| Chris Kalbfleisch | .... | camera trainee | |
| Martin Lake | .... | grip | |
| Philip Lanthier | .... | grip (as Philip 'Buck' Lanthier) | |
| Jim MacCammon | .... | electrician (as James MacCammon) | |
| Steven Morrisson | .... | rigging gaffer (as Steve Morrisson) | |
| David Moxness | .... | gaffer | |
| Andrew W. Peart | .... | video playback operator (as Andrew Peart) | |
| Adam Pill | .... | grip | |
| Michael Plant | .... | generator operator | |
| Peter Suschitzky | .... | camera operator | |
| Frank Teunissen | .... | rigging grip | |
| Mark D. Acheson | .... | grip (uncredited) | |
| Cinar Eryasar | .... | electrician (uncredited) | |
| Clement Lush | .... | tape operator (uncredited) | |
Casting Department | |||
| Elizabeth Gray | .... | casting assistant | |
| Eleanor Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Christina Cattle | .... | assistant costume supervisor | |
| Brenda Gilles | .... | costume supervisor | |
| Christopher Hargadon | .... | assistant costume designer (as Chris Hargadon) | |
| Lisette Lefevre | .... | seamstress | |
| Angie Vastagh | .... | wardrobe assistant | |
Editorial Department | |||
| Christopher Donaldson | .... | first assistant editor: film | |
| Gary Fluxgold | .... | first assistant editor: film | |
| Andrew MacRitchie | .... | assistant editor: UK | |
| Aaron Marshall | .... | trainee assistant editor | |
| Sean Moriarity | .... | post-production assistant | |
| Ricardo Olivero | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
| Tad Seaborn | .... | first assistant editor: avid | |
| Peter Watson | .... | first assistant editor: film | |
| Bill Holley | .... | colorist (uncredited) | |
Music Department | |||
| Nancy Allen | .... | associate music editor | |
| Rowan Collier | .... | assistant music recording engineer | |
| Robert Cotnoir | .... | score mixer | |
| Jennifer L. Dunnington | .... | assistant music editor (as Jennifer Dunnington) | |
| Dan Evans Farkas | .... | music editor | |
| Isobel Griffiths | .... | music contractor | |
| Lydia Kavina | .... | musician: theremin | |
| Dick Lewzey | .... | music recording engineer | |
| Suzana Peric | .... | music editor | |
| Howard Shore | .... | conductor | |
| Howard Shore | .... | orchestrator | |
| Ryan Shore | .... | music copyist | |
| Susan Shufro | .... | assistant music editor (as Sue Shufro) | |
| Ruth Cornes | .... | orchestra contractor: LPO (uncredited) | |
Transportation Department | |||
| Matthew Garland | .... | driver | |
| Bill Hagan | .... | transportation captain | |
| Richard Higgins | .... | driver | |
| Bill Leeking | .... | head driver | |
| Don Morley | .... | driver | |
| Joe Norris | .... | driver | |
| Dave Puddister | .... | driver: construction department | |
| Don Retzer | .... | transportation coordinator | |
| Brad Winans | .... | driver | |
| Dean Wittaum | .... | driver | |
| John Bekavac | .... | driver (uncredited) | |
Other crew | |||
| Debra Beers | .... | location manager | |
| John 'Frenchie' Berger | .... | gun wrangler | |
| Deanna Bolton | .... | assistant: Mr. Hamori | |
| Bruce Buchanan | .... | technical advisor | |
| Mark Bukator | .... | production accountant | |
| Cherri Campbell | .... | executive assistant to Robert Lantos | |
| Jane Conway | .... | animal wrangler | |
| Robert Cotnoir | .... | synclavier programmer | |
| Chris Cozens | .... | auricle operator | |
| Tony Desmond | .... | assistant production accountant | |
| Katherine Doyle | .... | accountant: special effects unit | |
| Prudence Emery | .... | unit publicist | |
| Tammy Fitzgerald | .... | stand-in: Ms. Leigh | |
| Andrea Franks | .... | assistant production coordinator | |
| Vic Fraser | .... | librarian | |
| David Garnett | .... | office assistant | |
| Simon Goldberg | .... | legal services: Natural Nylon, UK | |
| Anthony F. Grani | .... | office assistant (as Anthony Grani) | |
| Bob Hall | .... | shop foreman | |
| Tomas Hartl | .... | purchasing agent | |
| Linda Kang | .... | assistant: Mr. Hamori | |
| Beverley Kolbe | .... | assistant location manager | |
| Lacia Kornylo | .... | head of production: Alliance Atlantis | |
| Jeff Krebs | .... | technical advisor: avid (as Jeffrey Krebs) | |
| Jeff Kulbak | .... | finance | |
| Margaret Lee | .... | assistant title designer: opening titles | |
| Mark Logan | .... | location scout | |
| Luz Magcawas | .... | payroll clerk | |
| Kevin Mahonchak | .... | copyist | |
| Rafal Mickiewicz | .... | stand-in: Mr. Law | |
| Cathy Moore | .... | studio manager | |
| John Nelles | .... | dialect coach | |
| Rob Pilichowski | .... | title designer: opening titles | |
| Teresa Rogers | .... | production legal affairs | |
| Andrew Rosen | .... | production assistant: Alliance Atlantis | |
| Dug Rotstein | .... | script supervisor | |
| Marlene Schmidt | .... | producer: opening titles | |
| Elizabeth Senyi | .... | production coordinator (as Elizabeth Senyi-Potechin) | |
| Tracey Seward | .... | head of production: Natural Nylon | |
| Adam Shaheen | .... | executive producer: opening titles | |
| Kitty Stanbrook | .... | production coordinator: Natural Nylon | |
| James Steven | .... | location production assistant | |
| Vay Trong | .... | post-production accountant | |
| Ben Tucker | .... | office manager | |
| Andrea Wood | .... | business and legal affairs: Alliance Atlantis | |
| Ray McMillan | .... | rear projection supervisor (uncredited) | |
| Nick Veziris | .... | gun wrangler (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
The way you pronounce the name of this film is a little different. The story that is shown is certainly different, and after you have seen it, you will say it is movie that is definitely different in almost every aspect. Of course, I am talking about the 2000 sci-fi thriller, 'eXistenZ', which shows that going into the world of 'virtual reality', can be weird and dangerous. 'eXistenZ' also proves that virtual reality' can be a world that one cannot be sure of being in or out of.
During the first closed-door demonstration of an amazing new virtual reality game - called 'eXistenZ' - the system's brilliant designer, Allegra Geller, is violently attacked by a crazed assassin intent on killing her and destroying her creation. Forced to flee into hiding, Allegra enlists the help of young marketing trainee, Ted Pikul, to help her test the damaged system, by convincing him to join her inside a game of eXistenZ. The action then explodes as their world's real-life dangers begin to merge with the fantasy of the game.
This film has a most unique and unusual story, but in a good way. I have read on the internet, that eXistenZ 'makes the Matrix look like child's play', and I would have to agree. What I will say about this film's story, is that it gives the impression that its audience will understand where it actually is, and that they will believe who someone is, is truly that person, and that they are on a level par. I guess that is what is most inventive about the film, to make what is seemingly so true, to be actually not true at all. The writer/director of eXistenZ, David Cronenberg (from 'the Fly'), wrote a most inventive screenplay, that I am sure you will not see in along time.
This movies lead actors are Allegra Gellar (Jennifer Jason Leigh) and Ted Pikul (Jude Law). The pair share a most unique chemistry onscreen, as we see their game characters doing some very weird and wacky things as they keep going deeper and deeper into the game of 'eXistenZ' they are playing. I love the way that both Leigh and Law turn this movie into a very erotic kind of an experience to watch. Allegra says this is all part of the game and that the pair should not give into any of these so called 'bits'. I must mention that Jude Law suits this kind of movie genre. Law has also been a part of the Steven Spielberg movie 'AI', which was another unique movie that I did not mind.
The supporting cast of this film was also good. I like how we get to meet the guy at the gas station who affectionately known as Gas (Willem Defoe). The role that he took on in this film suits him down to the ground. However, I thought that his role of the 'Green Goblin' in the 2002 blockbuster 'Spiderman' was ordinary to say the least. Other supporting cast members include Kiri Vinokur (Ian Holm), the strange man at the trout factory Yevgeny Nourish (Don McKellar) and the Chinese waiter (Oscar Hsu).
I also like the way this movie looks. The 'virtual reality' world created for 'eXistenZ' looks so weird and wonderful, that part of me feels that I might be tempted to play the game. Then the creation of the funny creatures in the movie, the funny pods that are used to play the game and the surprise in the 'special' Chinese meal are interesting to see as we go further and further into the film. Then take the great parts of the film. I like how this movie starts, as it is one thing that needs to be looked at carefully, or you could misread what is happening for the entire movie. When the lead pair then start to play eXistenZ the movie becomes all the more interesting, as this is the part where you can start to realise that not everything is what it seems.
But here is a clue for you out there that are a little confused by the whole reality vs. virtual-reality parts of the film. The film does point out very subtle clues as to what mode both Allegra and Ted are actually in. However, if you are one person who is clever enough to work out the movie's entire plot, then you are one lucky person, as even I am still thinking up questions that I want to know the answers to (such as: was the entire movie just a game? What does the end of the film actually mean? Did those mean streaks that happened in the supposed 'game', turn out just to be glitches in the real life 'virtual reality' game? What should you make of the two lead characters after the end of the film?) I am sure I will think of more questions, but whether I find out there answers is another thing.
The whole world of 'virtual reality', is becoming realer and closer in the world that we live in. We can enter into many different aspects of virtual reality at the drop of the hat, thanks to technologies such as computers (the internet) computer games and the movies that we watch. However whether the whole idea of 'virtual reality' is good, that I am unsure of. My opinion is if we enter into a world that is outside of our reality, than we could be giving something of ourselves that we don't actually know we are giving, and could turn us into people that we might not normally be. That being said, this movie makes me so curious about the world that I have just criticised. If you want to experience a film that goes one step further than what the Matrix did in certain aspects, then I can only recommend that you dare yourself to enter into the game which is called 'eXistenZ'.
CMRS gives 'eXistenZ': 4.5 (Very Good - Brilliant Film)