When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In a world where both Mutants and Humans fear each other, Marie, better known as Rogue, runs away from home and hitches a ride with another mutant, known as Logan, a.k.a. Wolverine. Charles Xavier, who owns a school for young mutants, sends Storm and Cyclops to bring them back before it is too late. Magneto, who believes a war is approaching, has an evil plan in mind, and needs young Rogue to help him. Written by
Toad complains upon failing to kill Storm, "Don't you people ever die?" This is an allusion to the "X-Men" comics recurring gimmick of having a character die and then be brought back to life by supernatural or scientific means, which has been done for nearly every main character in the series. See more »
During the fight atop the Statue of Liberty, Sabretooth throws Wolverine away from the statue's crown. In the next shot, their positions are reversed, with Wolverine's back to the crown. See more »
Prof. Charles Francis Xavier:
Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward.
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The film title appears in a sequence of genes and chromosomes. See more »
GARB OF OLD GAUL
Performed by the Governor General's Horse Guards Band
Under the direction of Captain Frank J. Merlo, CD
Courtesy of the Governor General's Horse Guards Foundation See more »
There's no doubt about it, X-Men is not a stereotypical "comic-book film". Whenever a movie is made that is based on comic books, there is always a fear that it can and will be typically pigeonholed into the "comic book film" genre and that the movie is basically made for the fans of that comic book. Comic-book films are usually unrealistic and unappealing to the general audience.
Bryan Singer, however, did a wonderful job at making X-Men a movie that will not only overjoy the fans of the comic book, but also the general movie-goer as well. The movie is grounded, without the flighty unrealism of comic book material, and it delivers a message about prejudice that has always been what X-Men were about: fighting for a world that hates them.
The performances are outstanding, especially Hugh Jackman who, in my opinion, did a dead-on Wolverine, and Patrick Stewart, who never failed to show the peace and self-control that Professor Charles Xavier always strove to maintain.
Aside the characters, the plot was original (I couldn't tell you what was going to happen in the end by the middle of the movie) and most importantly: the world was REAL. The only suspension of disbelief that is required is the assumption that these genetic mutations can happen, and did, causing these extraordinary people. Honestly, I was a little disappointed that the colorful high-flare costumes were omitted, but I instantly forgave Singer when I realized why. It was simply to add to the realism.
All in all, X-Men was excellent. If you're a fan of the comic book series as I was, then you'll endlessly enjoy seeing these characters come to life. And if you've never been exposed to the comic book, this movie will give you an entertaining way to be exposed to its message about fear, hatred, and prejudice.
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