With problems appearing between FBI agents Fox Mulder and Dana Scully, a dangerous conspiracy is starting to appear. A deadly virus, which appears to be of extraterrestrial origin has appeared, which could destroy all life on Earth. With the help of a paranoid doctor, Alvin Kurtzweil, Mulder and Scully must act fast in order to save everyone on the planet. Written by
At the end of the scene with the chasing of the white trucks, Mulder and Scully have a talk. The cuts showing Mulder talking by the roadside had lights in the background that needed to be removed in post production. 24 frames per second, at about $1000 per frame. Director Chris Carter on the commentary admits this $25k/second mistake in filming. See more »
The film opens 35-40.000 years ago with Neanderthal men exploring an underground cavern. No scientific study every done suggest that human beings (even primitive ones) ever existed in the Americas prior to 18-20 thousand years ago.
And since there is a definitive trail of human settlement from what is now Alaska down to North and South America, human beings wouldn't have been in North Texas until 8-10 thousand years ago at the earliest. See more »
A laughable cult to be derided like The Invaders, Land of the Giants or, indeed, Lost In Space. Wrong.
When it began you may have thought this paranoid adventure's destiny, in say fifteen years time, was a slot after The Waltons on a Sunday afternoon. A laughable cult to be derided like The Invaders, Land of the Giants or, indeed, Lost In Space. Wrong. It has matured into the most revered SF phenomenon since Star Trek and as those champions of hair, ZZ Top, once proclaimed it's 'got legs'.
Forsaking opening credits or a slow build-up, director Rob Bowman propels us on to a roller-coaster ride of moderately daft spooky shenanigans and grand effects. All the same elements from the TV series are here, shadowy high-ranking figures controlling the planet - "These people have been secretly negotiating a planned Armageddon", plenty of furtive glances and hellish beasties from the dawn of time. Plus we have the two small box giants, Mulder (David 'Mondeo Man' Duchovny) and Scully (Gillian 'the FHM pin-up' Anderson), coming across marvellously well on the big screen.
In fact, for a show which thrives on a claustrophobic feel, this wide-screen treatment is cleverly handled. Bowman arms his two leads with a witty, edgy script, and pits them against the pervading evil through a combination of Aliens, James Bond and Alfred Hitchcock action sequences.
Ultimately, The X-Files is very entertaining and thankfully devoid of any product placing or blessed meteors.
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