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Spin-off of The X-Files featuring the trio of computer-hacking conspiracy geeks popularly known as The Lone Gunmen. Never ones to stray far from the center of corporate and government ... See full summary »
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
When the initial Cylon attack against the Twelve Colonies fails to achieve complete extermination of human life as planned, twin Number Ones (Cavils) embedded on Galactica and Caprica must improvise to destroy the human survivors.
Edward James Olmos
Edward James Olmos,
With problems appearing between FBI agents Fox Mulder and Dana Scully, a dangerous conspiracy is starting to appear. A deadly virus, which appears to be of extraterrestrial origin has appeared, which could destroy all life on Earth. With the help of a paranoid doctor, Alvin Kurtzweil, Mulder and Scully must act fast in order to save everyone on the planet. Written by
619 - the number on the "Office of Professional Review" door (where Scully is interrogated by the Assistant Directors). 06/19 is the date that the movie opened. See more »
At the railroad tracks, the car has its parking lights on as Mulder and Scully stand outside, watching the train pass. In the next shot, the headlights are on. See more »
[the Cigarette Smoking Man and Dr. Bronschweig climb down a ladder into the cave while wearing bio-haz-mats suits]
Ben Bronschweig, M.D.:
We brought the atmosphere back down to freezing in order to control the development of this latest Purity strain... which is nothing like we've ever seen before.
Cigarette Smoking Man:
Brought on by what?
Ben Bronschweig, M.D.:
Heat, I think. The subsequent invasion of a host, the fireman here, in an enviroment that raised his body temperate above 98.6 degrees.
[...] See more »
The X-Files movie really is as good a big screen adaptation as you could possibly hope for.
It helps that it's entirely controlled by the people behind the series, and that the programme had cinematic qualities in the first place. On repeat viewings, however, the story is revealed to be thin, and lacking in incident. Its need to tie into events of the series makes it not wholly satisfying as a stand-alone vehicle, though it should still be understandable to those that have never seen an episode.
David Duchovny as Mulder seems surprisingly at ease in his limited way, while Martin Landau is good as far as plot devices go. Gillian Anderson is unfortunately encouraged to overstate her lines, particularly in the beginning, while a cameo by The Lone Gunmen is perhaps the only indulgence that would be lost on non-fans.
There are inevitable concessions to the cinema format, of course. Not the touted mild use of expletives, which happened from time to time on TV anyway. But the alien presence that mutates to owe a debt to Ridley Scott's Alien, or the near-kiss between the two leads. Thankfully, the first point actually makes a logical sense and carries the story forward. The second is something that was also long overdue, and silly that it took so long. For two people who obviously feel about each other the way Mulder and Scully do, to go five years without even kissing is stretching credulity.
Ultimately, though, it lacks any clear focus for a casual film audience, and flits repetitively from action sequence to sloppy exposition and back again throughout its duration. Creator Chris Carter, like Gene Roddenberry with Star Trek before him, is not the smoothest writer of his own series, though he does adequately most of the time. Worst example is the opening Mulder/Scully scene which is laughably trite, and there are plenty more examples of Carter's trademark purple prose. Yet it does have a beginning, middle and end, and can be watched back-to-back with a TV episode with no noticeable jumps in style. In that sense, then, it is a most successful big-screen adaptation of a television series.
Hard-core X-File fans will be inclined to award an extra mark to the total, then. But for a non-committal audience, this is a "6" as they would have no idea from watching this that the frail, fag-smoking pensioner is the series' major villain.
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