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The X Files (1998)

PG-13 | | Drama, Mystery, Sci-Fi | 19 June 1998 (USA)
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Mulder and Scully must fight the government in a conspiracy and find the truth about an alien colonization of Earth.

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Cast

Cast overview, first billed only:
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Bronschweig (as Jeffrey De Munn)
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2nd Boy (as Chris Fennell)
Cody Newton ...
3rd Boy
Blake Stokes ...
4th Boy
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Storyline

With problems appearing between FBI agents Fox Mulder and Dana Scully, a dangerous conspiracy is starting to appear. A deadly virus, which appears to be of extraterrestrial origin has appeared, which could destroy all life on Earth. With the help of a paranoid doctor, Alvin Kurtzweil, Mulder and Scully must act fast in order to save everyone on the planet. Written by Film_Fan

Plot Summary | Plot Synopsis

Plot Keywords:

agent | fbi | bomb | government | alien | See All (73) »

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Fight See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some intense violence and gore | See all certifications »

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Details

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Language:

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Release Date:

19 June 1998 (USA)  »

Also Known As:

Blackwood  »

Box Office

Budget:

$66,000,000 (estimated)

Opening Weekend:

$30,138,758 (USA) (19 June 1998)

Gross:

$83,892,374 (USA) (9 October 1998)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The exterior location used for the London meeting of the Syndicate was Queen Alexandra's House, a hall of residence for female students studying in London. See more »

Goofs

After Scully gets stung by the bee in the hallway, Mulder rushes back into his apartment and dials 911, while through the windows you can see that it is still daylight. But when the paramedics load Scully into the ambulance waiting outside, it's now almost full dark. See more »

Quotes

Special Agent Dana Scully: I saw your face, Mulder. There was a definite moment of panic.
Special Agent Fox Mulder: You've never seen me panic. When I panic, I make this face.
[remains impassive]
See more »

Connections

Referenced in Argo (2004) See more »

Soundtracks

Beacon Light
(uncredited)
Written and performed by Ween
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Frequently Asked Questions

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User Reviews

 
As good as it possibly could be
3 August 2000 | by (England) – See all my reviews

The X-Files movie really is as good a big screen adaptation as you could possibly hope for.

It helps that it's entirely controlled by the people behind the series, and that the programme had cinematic qualities in the first place. On repeat viewings, however, the story is revealed to be thin, and lacking in incident. Its need to tie into events of the series makes it not wholly satisfying as a stand-alone vehicle, though it should still be understandable to those that have never seen an episode.

David Duchovny as Mulder seems surprisingly at ease in his limited way, while Martin Landau is good as far as plot devices go. Gillian Anderson is unfortunately encouraged to overstate her lines, particularly in the beginning, while a cameo by The Lone Gunmen is perhaps the only indulgence that would be lost on non-fans.

There are inevitable concessions to the cinema format, of course. Not the touted mild use of expletives, which happened from time to time on TV anyway. But the alien presence that mutates to owe a debt to Ridley Scott's Alien, or the near-kiss between the two leads. Thankfully, the first point actually makes a logical sense and carries the story forward. The second is something that was also long overdue, and silly that it took so long. For two people who obviously feel about each other the way Mulder and Scully do, to go five years without even kissing is stretching credulity.

Ultimately, though, it lacks any clear focus for a casual film audience, and flits repetitively from action sequence to sloppy exposition and back again throughout its duration. Creator Chris Carter, like Gene Roddenberry with Star Trek before him, is not the smoothest writer of his own series, though he does adequately most of the time. Worst example is the opening Mulder/Scully scene which is laughably trite, and there are plenty more examples of Carter's trademark purple prose. Yet it does have a beginning, middle and end, and can be watched back-to-back with a TV episode with no noticeable jumps in style. In that sense, then, it is a most successful big-screen adaptation of a television series.

Hard-core X-File fans will be inclined to award an extra mark to the total, then. But for a non-committal audience, this is a "6" as they would have no idea from watching this that the frail, fag-smoking pensioner is the series' major villain.


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