| Photos (See all 19 | slideshow) | Videos (see all 2) |
| Jude Law | ... | Steven Grlscz | |
| Elina Löwensohn | ... | Anne Labels | |
| Timothy Spall | ... | Inspector Healey | |
| Jack Davenport | ... | Sergeant Roche | |
| Colin Salmon | ... | Martin | |
| Hitler Wong | ... | Noodles Chan | |
| Kerry Fox | ... | Maria Vaughan | |
| Stuart Bowman | ... | Car Crash Mechanic | |
| C.J. December | ... | Car Crash Mechanic | |
| Anastasia Hille | ... | Karen | |
| Nicholas Lamont | ... | Toll Bridge Attendant (as Nick Lamont) | |
| Joseph O'Conor | ... | Mr. Nancarrow | |
| Ashley Artus | ... | Gang Leader | |
| Tom Wu | ... | Gang Member | |
| Hon Ping Tang | ... | Gang Member | |
| Antony Cotton | ... | Gang Member | |
| Richard Mylan | ... | Gang Member | |
| Carlton Headley | ... | Gang Member | |
| Neran Persaud | ... | Gang Member | |
| Julia Davies | ... | Girl in Operating Theatre | |
| Rupert Farley | ... | Priest | |
| Diane Howse | ... | Mrs. Healey | |
| Cliff Parisi | ... | Labourer | |
| Vincent Keane | ... | Injured Workman | |
| rest of cast listed alphabetically: | |||
| Carlton Jarvis | ... | Physician (uncredited) | |
Directed by | |||
| Po-Chih Leong | |||
Writing credits(in alphabetical order) | ||
| Paul Hoffman | writer | |
Original Music by | |||
| Orlando Gough | |||
| John Lunn | |||
Cinematography by | |||
| Oliver Curtis | |||
Film Editing by | |||
| Robin Sales | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Andy Harris | |||
Art Direction by | |||
| Ben Scott | |||
Costume Design by | |||
| Anna B. Sheppard | (as Anna Sheppard) | ||
Makeup Department | |||
| Pat Hay | .... | key makeup artist | |
| Helen Johnson | .... | makeup assistant | |
| Anne Oldham | .... | makeup artist | |
| Stephen Rose | .... | hair stylist | |
Production Management | |||
| Claire Tovey | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Sarah Dibsdall | .... | second assistant director | |
| Carlos Fidel | .... | third assistant director | |
| Simon Hinkly | .... | assistant director | |
Sound Department | |||
| Alastair Auld | .... | sound trainee | |
| Jeremy Child | .... | dialogue editor | |
| Tony Cook | .... | boom operator | |
| St. Clair Davis | .... | boom operator | |
| Bill Dodkin | .... | sound | |
| John Downer | .... | supervising sound editor | |
| Howard Eaves | .... | dialogue editor | |
| John Falcini | .... | dubbing mixer | |
| Rodney Glenn | .... | footsteps editor | |
| Colin Nicolson | .... | sound | |
| Aad Wirtz | .... | dubbing mixer | |
| Aad Wirtz | .... | sound re-recording mixer | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Mark Haddenham | .... | special effects technician | |
| Ian Lowe | .... | special effects technician | |
| Mike Tilley | .... | special effects technician | |
| Cliff Wallace | .... | special effects makeup | |
Visual Effects by | |||
| Sally Clayton | .... | digital artist | |
| Simon Giles | .... | digital effects supervisor | |
| Trevor Young | .... | scanning and recording: The Film Factory at VTR | |
Stunts | |||
| Stuart Clark | .... | stunts | |
| Danielle da Costa | .... | stunt double | |
| David Forman | .... | stunts (as Dave Foreman) | |
| Morgan Johnson | .... | stunts | |
| Tony Lucken | .... | stunt double | |
| Ray Nicholas | .... | stunts (as Ray L. Nicholas) | |
| Andreas Petrides | .... | stunts | |
| Nick Powell | .... | stunt coordinator | |
| Billy Riley Jr. | .... | stunt double (as Billy Reilley Jr.) | |
| Seon Rogers | .... | stunt double | |
Camera and Electrical Department | |||
| John Arnold | .... | grip | |
| Steven Cassidy | .... | focus puller | |
| Dick Conway | .... | electrician | |
| Graham Frake | .... | director of photography: second unit | |
| Jeremy Gee | .... | camera operator | |
| Stuart Godfrey | .... | grip | |
| Simon Harding | .... | Steadicam operator | |
| Darren Harvey | .... | best boy | |
| Gerry Higgins | .... | stand-by rigger | |
| Kevin Higgins | .... | grip | |
| Chris Hill | .... | grip | |
| Terry Hunt | .... | gaffer | |
| Bob Langridge | .... | grip | |
| Chaz Lyon | .... | camera trainee (as Chas Lyon) | |
| Keith Manning | .... | grip | |
| Chris Meadows | .... | camera trainee | |
| Jim Monks | .... | grip | |
| Gary Nagle | .... | generator operator | |
| Roberta Parkin | .... | still photographer | |
| Phil Penfold | .... | electrician | |
| Richard Potter | .... | electrician | |
| Tim Potter | .... | focus puller | |
| Steve Pugh | .... | grip | |
| Peter Richardson | .... | electrician | |
| Hilda Sealy | .... | clapper loader | |
| Jon Stephen | .... | focus puller | |
| Dean Thompson | .... | focus puller: second unit | |
| Alf Tramontin | .... | Steadicam operator | |
| Tammo van Hoorn | .... | clapper loader: second unit | |
| Matt Wesson | .... | clapper loader | |
Casting Department | |||
| Sarah Greenwood | .... | casting assistant | |
| Jane Quill | .... | casting assistant | |
| David Rubin | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Samantha Crouch | .... | wardrobe assistant | |
| Morgan Elliott | .... | costume design assistant | |
| Marco Scotti | .... | daily wardrobe assistant | |
Editorial Department | |||
| Alec Gibson | .... | color timer | |
| Jonathan Sales | .... | assistant editor | |
Music Department | |||
| Paul Golding | .... | music mixer | |
Other crew | |||
| Chris Allies | .... | title designer | |
| Morgan Blackmore | .... | assistant accountant | |
| Chris Catterall | .... | production executive | |
| Sarah Ewing | .... | assistant to producers | |
| John Field | .... | supervising rigger | |
| Sarah Garner | .... | script supervisor | |
| Stuart Hale | .... | stand-in: Jude Law | |
| Phil Hill | .... | floor runner | |
| Carlton Jarvis | .... | medical advisor | |
| Jeremy Johns | .... | location manager | |
| David Kellick | .... | location finder | |
| David Kerney | .... | production accountant | |
| Emily Lascelles | .... | production runner | |
| Kora McNulty-Klimov | .... | production coordinator (as Kora McNulty) | |
| Christian McWilliams | .... | location finder | |
| Liz Miller | .... | unit publicist | |
| Josephine Olive-O'Neill | .... | assistant accountant | |
| Tracy Rowe | .... | assistant production executive | |
| Buffy Rucker | .... | location finder | |
| Jo Schotting | .... | stand-in: Elina Löwensohn | |
| Fiona Wallace | .... | stand-in: Kerry Fox | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
The Wisdom if Crocodiles is a very well made, character driven vampire film, that does away with many of the clichés associated with vampire films for the better.
The film centres around it's central character, Steven Grlscz, his relationship with women, and the police, who eventually suspect him of murder.
Steven doesn't have fangs, (which incidentally, were first brought into the vampire myths by the Hammer films.) doesn't burn up in the sunlight, (or even worse, go around wearing sunglasses and black in the day.) he is not a poseur, he is a real vampire. He needs to drink blood to live, for reasons that are revealed gently throughout the film.
The films success lies in it's shedding of these usual clichés, to make something that is less a part of a fantasy world, a more grounded in reality. This is fully represented through the whole of the films strata, for example when a fight breaks out involving local thugs, we are not treated to a slow-motion fest set to some industrial metal or matrix-like techno, but a realistic scrap, with a weird white noise sound crossed with choral singing musical accompaniment.
The film is also successful in some small touches that make it worth re-watching. Some little things that seem normal on a first viewing, that take up perhaps a second, are seen in a different way on repeat viewings. I find this quite a admirable addition to the films quality.
To sum up, The Wisdom of Crocodiles is an inventive, intelligent vampire film, without the clichés, grounded in reality and definitely worth watching.