Prep school student Daisy and her European-born grandmother Nana share the sad stories of their lives: Daisy tells Nana of her romance with young Ethan and problems in school because she's ... See full summary »
The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »
Lone group of teens, led by recently released joyrider and his disenchanted Belfast girlfriend, strives to leave their mark on "a British city in the near future" while attempting to avoid ... See full summary »
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay and gets a yellow label (the one for Jews) instead of pink (the one for gays). ... See full summary »
Steven is multi-talented, handsome, and a expert seducer of women. He craves intimacy with women, literally cannot live without it, and is in search of the perfect woman. All of his relationships, however, end tragically. Eventually, he meets Anne, a strong woman who is different, better than the others. However, soon it becomes clear that this is a relationship that only one of them will survive. The title refers to a quote from Francis Bacon, who wrote about crocodiles, who shed tears when they devour their prey. Written by
The love poem quoted throughout movie is a love song taken from the bible - "The song of Solomon". See more »
When Steven is standing in the police lineup he has a bruise on the corner of his mouth. During his interrogation in the next scene, the bruise is gone. See more »
What's the matter?
Nothing's the matter.
Nothing's the matter?
I don't like you all over me all time. You're always touching me like I was. I don't like you grabbing me, okay?
I didn't think I was. I'm sorry. I won't do it again.
It's been a difficult day. I'm sorry. Problems at work. There's no excuse for taking it out on you. Is it alright for Saturday with Martin and Karen?
Sorry? Oh yes.
Actually can we not do this? I can't do it this quickly. Accept apologies when I'm still ...
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As a vampire-movie enthusiast I had some high hopes for this picture. Jude Law usually makes for pleasant watching and Elina Lowensohn matches perfectly. That's the first good thing about the movie that really stood out to me: the casting is perfect. Not stereotypical, but very believable and right on target.
The movie is a bit slow and doesn't offer a lot in the way of a horror-movie as most viewers might expect it to, but it tells an engaging story. The plot isn't overly original, but when you look at some of the details, it's obviously well thought out. I loved most of the dialogue: witty, to the point and original. No fake grandeur or excessive posing (like many vampire movies do have), subtle jokes and no giveaways by the characters.
The movie is a good one overall, but even on its strong points, it sometimes misses genius and excellence, so only a 7 for this one.
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