4.8/10
134,760
652 user 85 critic

Wild Wild West (1999)

PG-13 | | Action, Comedy, Sci-Fi | 30 June 1999 (USA)
The two best hired guns in the West must save President Grant from the clutches of a nineteenth-century inventor-villain.

Director:

Writers:

(story), (story) | 4 more credits »
Reviews
Popularity
2,863 ( 285)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
12 wins & 15 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Bad Boys (1995)
Action | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Two hip detectives protect a murder witness while investigating a case of stolen heroin.

Director: Michael Bay
Stars: Will Smith, Martin Lawrence, Lisa Boyle
Hitch I (2005)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

While helping his latest client woo the fine lady of his dreams, a professional "date doctor" finds that his game doesn't quite work on the gossip columnist with whom he's smitten.

Director: Andy Tennant
Stars: Will Smith, Eva Mendes, Kevin James
Bad Boys II (2003)
Action | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Two loose-cannon narcotics cops investigate the flow of Ecstasy into Florida from a Cuban drug cartel.

Director: Michael Bay
Stars: Will Smith, Martin Lawrence, Gabrielle Union
Action | Crime | Mystery
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A lawyer becomes a target by a corrupt politician and his NSA goons when he accidentally receives key evidence to a serious politically motivated crime.

Director: Tony Scott
Stars: Will Smith, Gene Hackman, Jon Voight
Men in Black (1997)
Adventure | Comedy | Family
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A police officer joins a secret organization that polices and monitors extraterrestrial interactions on Earth.

Director: Barry Sonnenfeld
Stars: Tommy Lee Jones, Will Smith, Linda Fiorentino
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
Amazonia (as Frederique van der Wal)
...
...
...
...
Girl in Water Tower
Mike H. McGaughy ...
Big Reb (as Mike McGaughy)
Jerry Wills ...
Other Reb
...
Hudson
...
Eye-Crossed Reb
Edit

Storyline

Jim West is a guns-a-blazing former Civil War hero. Artemus Gordon is an inventive U.S. Marshal who excels in disguise. When the United States is threatened by psychotic Confederate Arliss Loveless, President Ulysses Grant teams the duo up to bring him to justice. On a hazard-packed train journey from Washington D.C. to Utah, West and Gordon must combine their skills to best Loveless and his diabolical machines. Written by Chris Turner <theaten@earthlink.net> and J. Kyle

Plot Summary | Plot Synopsis

Taglines:

It's a whole new west. July '99. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for action violence, sex references and innuendo | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

30 June 1999 (USA)  »

Also Known As:

As Loucas Aventuras de James West  »

Filming Locations:

 »

Box Office

Budget:

$170,000,000 (estimated)

Opening Weekend:

$36,434,750 (USA) (2 July 1999)

Gross:

$113,745,408 (USA) (1 October 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Kevin Smith has said that the giant spider was producer Jon Peters' idea for the later-abandoned "Superman Lives" project with Nicolas Cage and Tim Burton. See more »

Goofs

Officials of the Central Pacific and Union Pacific railroads drove in the final spikes, not President Grant. See more »

Quotes

[Artemus is wearing a bulletproof vest]
Artemus Gordon: I only have one request: that you aim for my heart, my heart which has loved this country so much.
Dr. Arliss Loveless: Shoot him in the head.
Artemus Gordon: [quietly] Damn.
See more »

Connections

Referenced in The 88th Annual Academy Awards (2016) See more »

Soundtracks

Camptown Races
(uncredited)
Written by Stephen Foster
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Lame bloated blockbuster
30 April 2000 | by (United States) – See all my reviews

`Wild Wild West' joins an increasingly long list of big bloated blockbusters, movies made for no possible reason beyond grabbing a quick summer buck yet which, ironically, by their very cynical and slapdash nature, utterly fail to connect with even the least demanding of audiences. The result is a multi-multi-million dollar debacle that leaves studios searching for answers and audiences shell-shocked into seeking out their entertainment along the more audacious pathway of off-Hollywood, independent filmmaking – the single positive outcome of these dull, empty enterprises.

`Wild Wild West,' like so many films before it, looks to the relics of television's bygone era for inspiration – as sad a comment as any on the dismal state of current movie creativity. As one not familiar with the original series, I cannot say what justice, or lack of justice, this homage does to its source. What is evident, judging from the results on screen, is that `Wild Wild West' is, as with most current blockbusters, top-heavy with special effects and as weak in the nether limbs as its legless villain. Straight Westerns being hopelessly out of fashion, especially for a special effects-driven summertime extravaganza, the filmmakers obviously felt that what was needed was a tongue-in-cheek approach to the material, resulting in a bizarre, but completely unfunny amalgam of fantasy and science-fiction gilded onto a Western format. The disparate styles simply fight against each other, leaving no one in the audience - neither Western nor science-fiction fans - satisfied.

The alleged plot involves the attempts by James West (Will Smith) and Artemis Gordon (Kevin Kline) to foil an evil Confederate inventor's plan to kidnap all the world's most brilliant scientists and, ultimately, terrorize the Union and President Grant into submission. This he attempts to do by creating a giant mechanized spider which is, obviously, a last ditch, desperate attempt on the part of the filmmakers to fulfill the seemingly insatiable demands of the modern audience to be dazzled by impressive special effects, no matter how inappropriate they appear in context. Here, though, the miscalculation is fatal because even the audience is wise enough to know when it is being had. Kline and Smith never achieve a palpable rapport despite the usual abundance of lame wise cracks and sarcastic asides designed to make them `hip' and `trendy' – two qualities incongruous to the setting, which again shows the lack of real commitment to the spirit of the project. There is exactly one clever moment in the film – an astonishingly creative homage to the old RCA logo – that hints at what might have been had the moviemakers been willing to really let loose their anarchic imaginations and aimed for something truly sophisticated rather than simply pasting together a series of confused, poorly written blackout sketches.

Incidentally, even some of the expensive special effects come across as surprisingly crude, especially many of the shots utilizing rear-screen projection. Hence, this film strikes out even in the one ballpark in which it might have stood a chance of emerging victorious.


102 of 155 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?