| Photos (See all 114 | slideshow) | Videos |
| Kevin Bacon | ... | Ray Duquette | |
| Matt Dillon | ... | Sam Lombardo | |
| Neve Campbell | ... | Suzie Toller | |
| Theresa Russell | ... | Sandra Van Ryan | |
| Denise Richards | ... | Kelly Van Ryan | |
| Daphne Rubin-Vega | ... | Gloria Perez | |
| Robert Wagner | ... | Tom Baxter | |
| Bill Murray | ... | Ken Bowden | |
| Carrie Snodgress | ... | Ruby | |
| Jeff Perry | ... | Bryce Hunter | |
| Cory Pendergast | ... | Jimmy Leach | |
| Marc Macaulay | ... | Walter | |
| Toi Svane Stepp | ... | Nicole (as Toi Svane) | |
| Dennis Neal | ... | Art Maddox | |
| Diane Adams | ... | School Secretary | |
| Paulo Benedeti | ... | Kirk | |
| Eduardo Yáñez | ... | Frankie Condo (as Eduardo Yañez) | |
| Jennifer Taylor | ... | Barbara Baxter (as Jennifer Bini) | |
| Victoria Bass | ... | Judge | |
| Ted Bartsch | ... | Bailiff | |
| Leonor Anthony | ... | Ken's Secretary | |
| Antoni Corone | ... | Police Chief (as Antoni Cornacchione) | |
| Robert Deacon | ... | Prisoner | |
| Anthony Giaimo | ... | Dave (as Tony Giaimo) | |
| Manny Suárez | ... | Georgie (as Manny Suarez) | |
| Janet Bushor | ... | Barmaid | |
| Gina LaMarca | ... | Hooker | |
| Nancy Duerr | ... | Reporter #1 | |
| Margo Peace | ... | Reporter #2 | |
| Keith Wilson | ... | Reporter #3 | |
| Nelson Oramas | ... | Policeman #1 (as Nelson Oramos) | |
| Michael Dean Walker | ... | Policeman #2 | |
| Jesse Muson | ... | Policeman #3 | |
| Kimberly Lamaze | ... | Policewoman #1 | |
| Rebecca White | ... | Policewoman #2 | |
| rest of cast listed alphabetically: | |||
| Mark Cheek | ... | Student (uncredited) | |
| Christopher De Stefano | ... | Courtroom Observer (uncredited) | |
| Patrick Fox | ... | Courtroom Observer (uncredited) | |
| Pati Lauren | ... | Courthouse Reporter #2 (uncredited) | |
| Tonia Madenford | ... | Courtroom Spectator (uncredited) | |
| Laurie Wallace | ... | Bikini Girl (uncredited) | |
Directed by | |||
| John McNaughton | |||
Writing credits(WGA) | ||
| Stephen Peters | (written by) | |
Produced by | |||
| Kevin Bacon | .... | executive producer | |
| Steven Brown | .... | line producer | |
| Steven A. Jones | .... | producer | |
| Rodney Liber | .... | producer | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Jeffrey L. Kimball | (director of photography) | ||
Film Editing by | |||
| Elena Maganini | |||
Casting by | |||
| John Brace | |||
| Linda Lowy | |||
Production Design by | |||
| Edward T. McAvoy | |||
Art Direction by | |||
| William Hiney | (as Bill Hiney) | ||
Set Decoration by | |||
| William A. Cimino | (as Bill Cimino) | ||
Costume Design by | |||
| Kimberly A. Tillman | |||
Makeup Department | |||
| Jay Cannistraci | .... | additional makeup artist (as Jay S. Cannistraci) | |
| Jeni Lee Dinkel | .... | key makeup artist | |
| Rodger Jacobs | .... | makeup artist | |
| Sharon Kalb | .... | additional makeup artist | |
| Paulette Schoen | .... | additional hair stylist | |
| Betty Lou Skinner | .... | hair stylist | |
| Kathe Swanson | .... | key hair stylist | |
| Lee Grimes | .... | makeup artist (uncredited) | |
Production Management | |||
| Steven Brown | .... | unit production manager | |
| Taylor M. Favale | .... | production supervisor (as Taylor Favale) | |
| Nancy Kirhoffer | .... | post-production supervisor | |
| Mary Morgan | .... | assistant unit production manager | |
| Chantal Feghali | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | second assistant director | |
| Bruce Franklin | .... | first assistant director | |
| Michael Greenwood | .... | second second assistant director (as Michael Scott Greenwood) | |
| Kellie JoTackett | .... | additional second assistant director | |
| Artie Malesci | .... | second unit director | |
| Kevin Williams | .... | first assistant director: second unit | |
| John R. Woodward | .... | first assistant director | |
Art Department | |||
| Chris Alicia Jr. | .... | on-set dresser (as Chris Alicea Jr.) | |
| Bobby Amor | .... | set dresser | |
| Lewis Bowen | .... | lead scenic | |
| Harold Collins | .... | construction coordinator (as Harold F. Collins) | |
| Raymond Consing | .... | storyboard artist | |
| James P. Crapser | .... | propmaker gang boss | |
| Peter Damien | .... | propmaker gang boss (as Pete Damien) | |
| Henry Dando | .... | greensman (as Henry D. Dando) | |
| Mark Dane | .... | set dresser | |
| Charles S. Deaux | .... | leadperson (as Charlie Deaux) | |
| Colin Doherty | .... | assistant property master (as Colin F. Doherty) | |
| Gary Dunham | .... | set dresser | |
| Rod England | .... | set dresser | |
| Chris Gordon | .... | on-set dresser | |
| Ben Lowe | .... | assistant greensman (as Ben Lowe III) | |
| Carlos Menéndez | .... | set designer (as Carlos A. Menéndez) | |
| Susan Peterson | .... | stand-by painter (as Susan Wood Peterson) | |
| Genessa Goldsmith Proctor | .... | scenic foreperson | |
| Jeremy Alan Read | .... | assistant greensman | |
| Nicholas J. Romanac | .... | property master | |
| Christopher Scheetz | .... | construction foreman (as Christopher L. Scheetz) | |
| Nicholas Scott | .... | scenic artist | |
| Erin W. Sibley | .... | art department supervisor | |
| Frank A. Torres | .... | key set dresser | |
| John Balling | .... | scenic artist (uncredited) | |
| Don Dalstra | .... | set dresser (uncredited) | |
| Richard E. Kruder | .... | additional on-set dresser: second unit (uncredited) | |
| Arturo Mendez | .... | scenic art crew (uncredited) | |
| Alan S. Reynolds | .... | scenic artist (uncredited) | |
| Roger Sherman | .... | scenic artist (uncredited) | |
| Joseph E. Stone | .... | supplier (uncredited) | |
Special Effects by | |||
| Michael E. Doyle | .... | special effects foreman (as Michael Doyle) | |
| Kevin Harris | .... | special effects coordinator | |
| Durk Tyndall | .... | special effects technician | |
Visual Effects by | |||
| Russell Frazier | .... | digital artist: Digital Rezolution (uncredited) | |
| Paul McGhee | .... | film scanning and recording (uncredited) | |
| Mindy Minkow | .... | optical camera (uncredited) | |
| Janice Tso | .... | digital artist: Digital Rezolution (uncredited) | |
Stunts | |||
| Chick Bernhard | .... | stunt player (as Chick Bernhardt) | |
| Butch Brickell | .... | stunt player (as William O. Brickell) | |
| Jodi Lyn Brockton | .... | stunt player (as Jodi Lyn Wilson) | |
| Alex Edlin | .... | stunt player | |
| Cort Hessler | .... | stunt player (as Court Hessler III) | |
| Mike Kirton | .... | stunt player | |
| Barbara Peterson-Malesci | .... | stunt player (as Barbara Peterson) | |
| J.C. Robaina | .... | stunt player (as JC Robaina) | |
| William Scharpf | .... | stunt player (as Bill Scharpf) | |
| Patrick Selts | .... | stunt player | |
| Tom Shirley Jr. | .... | stunt player | |
| Tom Bahr | .... | marine stunt coordinator (uncredited) | |
| Kevin Ball | .... | stunt double: Matt Dillon (uncredited) | |
| Jodi Lyn Brockton | .... | stunt double: Neve Campbell/Denise Richards (uncredited) | |
| C. Ransom Walrod | .... | stunts (uncredited) | |
Casting Department | |||
| Terri Douglas | .... | adr voice casting | |
| Regan Forman | .... | casting assistant: Los Angeles | |
| Ken Lazer | .... | casting assistant | |
| Lori Wyman | .... | casting director: Florida | |
| Cheryl Faye | .... | extras casting (uncredited) | |
| Anna Liza Recto | .... | casting assistant: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Linda Benedict-Pierce | .... | costumer (as Linda Pierce) | |
| Virginia Burton | .... | costumer | |
| Mary Lou Byrd | .... | key costumer | |
| Ellen Falguiere | .... | costumer | |
| Allyson B. Fanger | .... | costume supervisor | |
Editorial Department | |||
| Richard Currie | .... | second assistant editor | |
| Mo Henry | .... | negative cutter | |
| Lisa Kramer | .... | apprentice editor | |
| George Papuashvili | .... | uncredited | |
| Bob Putynkowski | .... | color timer | |
| Michael L. Sale | .... | first assistant editor (as Michael Sale) | |
| Nicholas 'Nikko' Tsiotsias | .... | second assistant editor (as Nikko Tsiotsias) | |
Music Department | |||
| Sarah Bettens | .... | featured performer: score, K's Choice | |
| Greg Camp | .... | featured performer: score, Smash Mouth | |
| Budd Carr | .... | executive music producer | |
| George S. Clinton | .... | orchestrations | |
| Dana Colley | .... | featured performer: score, Morphine | |
| Geneviève Thomas Colvin | .... | music coordinator | |
| Debbi Datz-Pyle | .... | musicians contractor | |
| Mike Flicker | .... | music editor | |
| Matt Friedman | .... | assistant music editor | |
| Rick Giovinazzo | .... | orchestrations (as Rick Giovanazzo) | |
| Suzie Katayama | .... | orchestrations | |
| Tami Lester | .... | associate music supervisor | |
| Jill Meyers | .... | music clearance | |
| Mark Sandman | .... | featured performer: score, Morphine | |
| Jeff Shannon | .... | music recordist | |
| Paul Wertheimer | .... | music recordist | |
| Richard Whitfield | .... | music editor | |
| John Whynot | .... | music recordist | |
| John Whynot | .... | score mixer | |
| Patti Zimmitti | .... | musicians contractor | |
| Budd Carr | .... | music consultant (uncredited) | |
| Carlton Kaller | .... | music editor (uncredited) | |
| Jay B. Richardson | .... | music editor (uncredited) | |
Transportation Department | |||
| Rod Bearden | .... | transportation captain | |
| Connie Lee Brown | .... | transportation co-captain | |
| Charley Bob Burnham | .... | transportation coordinator | |
| Ronald Lowe | .... | transportation captain | |
Other crew | |||
| Mike Amici | .... | production assistant | |
| Nigel Arscott | .... | assistant location manager (as Nigel Nicholas Arscott) | |
| Tom Bahr | .... | marine coordinator | |
| Craig Bankey | .... | unit publicist | |
| Lori Byers | .... | assistant location manager | |
| Maria K. Chavez | .... | location manager | |
| James J. Cooney | .... | federal court liaison counsel | |
| Susan Dannelley | .... | courtroom procedure consultant | |
| Daniel R. De Cespedes | .... | production assistant (as Daniel R. DeCespedes) | |
| Patricia De Libero | .... | assistant location manager (as Patricia DeLibero) | |
| Darren DePalo | .... | production assistant (as Darren Depalo) | |
| Stacee E. Depalo | .... | production assistant | |
| Jason Dudek | .... | production assistant | |
| Terry Dunn | .... | production accountant | |
| Gillian Edelson | .... | production assistant | |
| Elizabeth Elwell | .... | location manager (as Elizabeth A. Elwell) | |
| Mayra Escobio | .... | production assistant | |
| Joey Federici | .... | craft service | |
| Thomas Gilbert | .... | marine | |
| Jon Glafcke | .... | production assistant | |
| Samantha Goodowens | .... | production coordinator (as Samantha Berger) | |
| Luke Halpin | .... | marine | |
| Nancy G. James | .... | craft service (as Nancy James) | |
| John G. Karliss | .... | key set production assistant | |
| Tim Koch | .... | production assistant | |
| Raymond Matty | .... | boat wrangler | |
| John C. McWhirter | .... | production secretary | |
| Kevin Mensching | .... | production assistant | |
| Susan Mieras | .... | assistant: Mr. Bacon | |
| Michael Moore | .... | consultant: judicial procedure (as Judge Michael Moore) | |
| Jonathan Morgan | .... | production assistant | |
| Stacy J. Morris | .... | assistant: Ms. Campbell | |
| Carla S. Nemec | .... | assistant: Mr. McNaughton (as Carla Nemec) | |
| Pattison Newberry | .... | medic (as Pattison A. Newberry RN) | |
| Nelson Oramas | .... | police procedure consultant (as Division Chief Nelson Oramas) | |
| J. Scott Pawlak | .... | craft service | |
| Karen Radzikowski | .... | set production assistant | |
| Christian Ramirez | .... | production assistant (as Cristian Ramirez) | |
| J.C. Robaina | .... | marine (as JC Robaina) | |
| Leah Sokolowsky | .... | assistant location manager (as Leah A. Weintraub) | |
| Stacie L. Speaker | .... | assistant: Mr. Liber | |
| Melinda Taksen | .... | script supervisor | |
| Amy Louise Tripodi | .... | assistant: Mr. Dillon | |
| John Uribe | .... | first assistant accountant | |
| Michael Christian Vecchio | .... | production assistant | |
| Irene Vukovich | .... | post-production accountant | |
| Pamela Lyn Weiss | .... | assistant: Mr. Jones | |
| Howard Young | .... | construction accountant | |
| Alitzah | .... | adr loop group (uncredited) | |
| Fabio M. Arber | .... | location scout (uncredited) | |
| Christian Byrd | .... | marine crew (uncredited) | |
| Larry Donahue | .... | chef (uncredited) | |
| Amy Eldridge | .... | payroll accountant (uncredited) | |
| Bennett Fidlow | .... | additional legal services (uncredited) | |
| Bill Gula | .... | photosonics operator (uncredited) | |
| P.J. Haines | .... | assistant chef (uncredited) | |
| Ryan R. Johnson | .... | assistant to head of production (uncredited) | |
| Kate Karpinski | .... | production assistant (uncredited) | |
| Dave Knight | .... | additional set production assistant (uncredited) | |
| Sean Lynn | .... | assistant chef (uncredited) | |
| Chris Miller | .... | technical consultant (uncredited) | |
| Nick Tabri | .... | production assistant: Miami (uncredited) | |
Thanks | |||
| Elliott Crick | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
During the very limited theatrical run that Wild Things recieved here (I think it was gone in about three weeks), a lot of the reviews and publicity created the impression that this was a soap opera sex thriller. I guess that's an easy approach to take when summing this film up, since its two female leads featured in Party Of Five and episodes of Doogie Howser (man what an awful show that was), not to mention that one of the male leads would be doing well to act his way out of a wet paper bag. The problem with that is that it is just too easy, and easy answer is exactly the sort of thing that this film goes out of its way to avoid. It is not trying to be a modern Hitchcock, it is not trying to be another Basic Instinct, it is just trying to tell a story.
The story, such as it is, seems to revolve around Blue Bay High School, the town it is located in, and its snobby, high-income elite, at least in the first reel. We are introduced to all four of the characters who will figure prominently in the story to come during a lecture to the students in their senior year. There's Sam the guidance counsellor, Ray the corrupt policeman, Kelly the daughter of the wealthiest real estate mogul in town, and Suzie the girl from the caravan park across town. All four of these characters have secrets they'd rather not share with any other inhabitant of the town, but that all comes apart when Kelly accuses Sam of raping her. Suzie corroborates her story at first, but then we get our first inkling that things are not all they seem, through the efforts of Bill Murray in one of his best cameos ever. The whole thing is seemingly a conspiracy between Sam, Suzie, and Kelly, but we are never shown whose idea it is until the very end.
This next passage will ruin a key surprise the film has in store, so don't read it if you haven't seen it. Unless things have radically changed in this regard during the last ten years, psychologists and other such professionals do not tell test subjects exactly what their IQ is. Even if Suzie or her mother did know exactly, this whole point is delivered with such sledgehammer force that it almost utterly ruins the subtle, slow buildup that the rest of the film exhibited. Were they just running out of money when it came time to film this spot and just decided to go with the quickest, simplest thing they could do? It would have been much more effective and satisfying if the ugly cop (I forget the name) had just spent five or ten minutes going through whatever Suzie had left behind on her run to the Carribean. Summing up this plot point in fifteen seconds was an exceptionally bad move.
Overall, however, you can't really go wrong with this film for an evening's entertainment. It doesn't feel the need to talk down at its audience, it doesn't resort to excess simplicity to make itself understood (except for the aforementioned ending), it just tells a story and tells it reasonably well. It is also another great example of DVD's utter superiority, especially during the threesome scene. When this part of the film is shown in its proper aspect ratio, you can make out every character and certain little details I'm sure that Denise Richards would appreciate not having available to horny teenage boys in a freezable and zoomable format. When was the last time you zoomed in on an actress' boobs with a VHS cassette, assuming they were left in frame after some jerk with an editing console chopped it down to fit those garbage 4:3 screens?