In south Florida, a high school counselor is accused of rape by a manipulative rich girl and her trailer trash classmate. The cop on the case begins to suspect a conspiracy and dives into an elaborate and devious web of greed and betrayal to find the truth. Written by
In the final scene of the movie when Daphne is talking to Walter (the alligator handler), he is hooking up the trailer to the boat and he doesn't secure the ball mechanism to the truck at all, only the safety chains. He then shakes the truck for assurance, and enters the truck and drives off. In reality, the trailer would almost immediately remove itself from the ball. See more »
You - you are gonna blow me over, aren't you?
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Interspersed with the credits are additional scenes that explain some of the plot twists. See more »
Wild Things is a fantastic example of what can be achieved by not worrying about substance and having a film play for straight entertainment value. Here we have a film that takes elements such as beautiful stars, beautiful locations and a bucket load of plot twists and blends it all into a highly enjoyable film experience. Of course, Wild Things doesn't always come across very realistically and, at times even, it's downright ridiculous; but it's done in such a way that it doesn't matter, and because of that we have a film that can do what it wants. The film is helmed by John McNaughton, who had his first success with the cult horror flick Henry: Portrait of a Serial Killer. It has to be said that the scene setting and way that the plot moves is somewhat ham-fisted, as sometimes it's painfully obvious that certain sections of the film exist only to give it another selling point; the argument that starts out between Denise Richards and Neve Campbell beside a swimming pool being a case in point. However, McNaughton makes good of these selling points, and for every three way sex scene and absurd plot twist, the film gains an extra point for trashy entertainment value.
It's not immediately obvious what Wild Things is going to be about, as the first twenty minutes serve only in setting the scene and from that base, the film could easily turn into any teenage school flick. However, it turns out that this time is well used; as by nulling the audience into a false sense of security, the film is able to make sure that every twist comes as a surprise. The film benefits from a great big name cast, which is anchored by Matt Dillon; who gives one of his best performances. Dillon clearly enjoys himself, and his persona is able to suit both the sleazy and upstanding nature of his character. Kevin Bacon sleepwalks and isn't really able to show his true talent, and similarly Neve Campbell looks out of place (sexy with it) in her role as a teenage junkie. However, Denise Richards rounds the piece of nicely with a charged performance and the ensemble is nicely topped off by the likes of Bill Murray, Theresa Russell and Robert Wagner. The settings that the movie takes place in look great, and ensure that there's more eye candy than just the female leads. Director McNaughton presents a fabulously mysterious atmosphere which obviously bodes well with the plot and, on the whole, if you want a couple of hours of entertainment; you can do a lot, lot worse than this twisty little flick.
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