|
| Craig Abele | .... | model crew: Cinema Production Services |
| Romulo Adriano Jr. | .... | visual effects assistant |
| Bernd Angerer | .... | character animator: bird, Digital Domain |
| Karen Ansel | .... | computer graphics supervisor: Mobility |
| Alison Armstrong | .... | visual effects associate producer: POP Film |
| Caleb Aschkynazo | .... | visual effects editor: P.O.P. Digital Film Group |
| Cheryl Bainum | .... | CG producer: POP Film |
| Chris Bayz | .... | rotoscope artist: Digital Domain (as Christopher Bayz) |
| Brian Begun | .... | scanning and recording technician: POP Film |
| Roy Berkowitz | .... | visual effects editor |
| Nancy Bernstein | .... | executive in charge of visual effects production: Digital Domain |
| George Borshukov | .... | software research & development |
| Alan Boucek | .... | digital compositor: Mass Illusion |
| Brian Boyle | .... | production assistant: Cinema Production Services |
| Robyn Breen | .... | visual effects assistant: Los Angeles |
| Nicholas Brooks | .... | visual effects supervisor |
| Kelly Bumbarger | .... | roto and paint artist |
| Justin Burdine | .... | data resource manager |
| Shannan Burkley | .... | digital matte painter: Digital Domain |
| Matthew E. Butler | .... | 3D effects artist: Digital Domain |
| Matthew E. Butler | .... | digital animator: tree, Digital Domain (as Matthew Butler) |
| Kirk Cadrette | .... | CG artist: POP Film |
| Grady Campbell | .... | compositor |
| Michael Carp | .... | producer: Lunarfish |
| Michael Carp | .... | visual effects: Painted World |
| Audrey Chang | .... | visual effects editor |
| Chris Ciampa | .... | digital compositor: Mass. Illusions |
| Timothy Clark | .... | matte painter: Pulse Imaging (as Tim Clark) |
| Thomas Clary | .... | visual effects production manager: POP Film (as Tom Clary) |
| Chad E. Collier | .... | technical assistant: Digital Domain |
| John Cornejo | .... | digital compositor: painted world sequence, Mass Illusions |
| Kimberly Covate | .... | digital imaging coordinator: POP Film (as Kim Covate) |
| J.D. Cowles | .... | lead compositor |
| David Crawford | .... | digital compositor: POP Film |
| Tim Crosbie | .... | lead compositor |
| Andrea D'Amico | .... | executive producer: POP Film |
| C. Marie Davis | .... | executive producer: CIS Hollywood |
| Denise Davis | .... | visual effects line producer |
| Edward Davis | .... | paint animator: Lunarfish |
| Dario De Gregorio | .... | visual effects production coordinator: POP Film (as Dario DeGregorio) |
| Paolo deGuzman | .... | digital matte painter: Digital Domain (as Paolo J. de Guzman) |
| Mark Dillon | .... | model crew: Cinema Production Services |
| Rob Doolittle | .... | video editor |
| Rick Dunn | .... | compositor: Digital Domain (as Richard Dunn) |
| Yanick Dusseault | .... | senior CG artist: POP Film (as Yannick Dusseault) |
| Jonathan Egstad | .... | digital compositor: Digital Domain (as Jonathan D. Egstad) |
| Miles Essmiller | .... | CG artist: POP Film |
| Todd Fellows | .... | model maker: Cinema Production Services |
| Deak Ferrand | .... | senior matte artist: POP Animation |
| Adam Francis | .... | motion control technician |
| Ayse Francis | .... | model crew: Cinema Production Services |
| Michael J. Frick | .... | rotoscope artist: Digital Domain |
| Robert A.D. Frick | .... | rotoscope artist: Digital Domain |
| John Gaeta | .... | location reality capture supervisor: Massive Illusions |
| Larry Gaynor | .... | digital rotoscope and paint artist: CIS Hollywood |
| Sandra Germain | .... | CG artist: POP Film |
| Brent Gilmartin | .... | digital compositor: POP Film |
| Steve Ginsberg | .... | systems manager |
| Rocco Gioffre | .... | matte painting supervisor: POP Animation |
| Bret Goldhorn | .... | visual effects production assistant: Digital Domain |
| Gary Goldstein | .... | digital rotoscope and paint artist: CIS Hollywood |
| Mitch Goldstrom | .... | systems admistrator: Digital Domain |
| Scott Gordon | .... | computer graphics supervisor: Painted World |
| Kelly Granite | .... | visual effects compositor |
| Darin K. Grant | .... | digital animator: tree, Digital Domain |
| Darin K. Grant | .... | software engineer: Digital Domain |
| Caroleen Green | .... | matte painter: Mass. Illusions (as Caroleen 'Jett' Green) |
| Greg Groenekamp | .... | visual effects compositor: POP Film |
| Craig Halperin | .... | digital compositor: Digital Domain (as Craig 'XRay' Halperin) |
| Brian Hanable | .... | digital compositor: POP Film |
| Scott Harper | .... | computer graphics animator |
| Simon Haslett | .... | digital compositor: Digital Domain |
| B. Ian Hayden | .... | computer graphics illustrator |
| Michael Hemschoot | .... | digital compositor: Mass. Illusions (as Michael FFish Hemschoot) |
| Claas Henke | .... | lead compositor: Digital Domain |
| Matt 'Chief' Hightower | .... | technical director: POP Film (as Matt Hightower) |
| L. Matt Hill | .... | post production assistant |
| Chris Hopkins | .... | model crew: Cinema Production Services |
| Joel Hynek | .... | visual effects supervisor: Mass. Illusions |
| Lilian Jacobs | .... | rotoscope artist: Digital Domain |
| John Jakubowski | .... | animator: Mass. Illusions |
| John Jakubowski | .... | previsualization artist |
| Hilery Johnson | .... | 2D preparation: Massive Illusions |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood (as Dr. Ken Jones) |
| Ginger Joyce | .... | model crew: Cinema Production Services |
| John Joyce | .... | lead model maker: Cinema Production Services |
| Mark Joyce | .... | model crew: Cinema Production Services |
| Michael Joyce | .... | model shop supervisor: Cinema Production Services |
| Jeffrey Kalmus | .... | color grading supervisor |
| Michael Kanfer | .... | film imaging supervisor: Digital Domain (as Michael D. Kanfer) |
| Severine Kelley | .... | visual effects production coordinator: POP Film |
| Greg Kimble | .... | digital optical supervisor: POP Film |
| Daniel Klem | .... | CG animator: Mass. Illusions (as Dan Klem) |
| Keith Kolder | .... | CG artist: POP Film |
| Chris Krumlauf | .... | production assistant: Cinema Production Services (as Christopher Krumlauf) |
| Linda Kurgpold | .... | CG artist: POP Film |
| Patti Kuwaye Mauck | .... | visual effects producer: CIS Hollywood |
| Donna Langston | .... | visual effects line producer: Painted World |
| Mark Larranaga | .... | digital compositor: Digital Domain (as Mark M. Larranaga) |
| Jacques Levesque | .... | digital compositor: POP Animation |
| Kim Libreri | .... | technology supervisor |
| Seth Lippman | .... | computer graphics artist: POP Film |
| Kenneth Littleton | .... | digital effects supervisor: POP Film (as Ken Littleton) |
| Lauren A. Littleton | .... | visual effects coordinator: Digital Domain (as Lauren Littleton) |
| Lawrence Littleton | .... | digital effects supervisor: POP Film |
| Michael Lloyd | .... | additional matte painter |
| Daniel Loeb | .... | digital animator: bird, Digital Domain (as Daniel W. Loeb) |
| Kevin Scott Mack | .... | visual effects supervisor: Digital Domain (as Kevin Mack) |
| Martha Snow Mack | .... | matte painting supervisor: Digital Domain (as Martha 'Snow' Mack) |
| Anthony Mark Viverito | .... | visual effects editor |
| S. Scott McCaulley | .... | facilities supervisor: Digital Domain |
| Christopher McCormick | .... | model crew: Cinema Production Services |
| John McCunn | .... | visual effects associate producer: POP Film |
| Laura McDermott | .... | digital effects coordinator: Digital Domain (as Laura E. McDermott) |
| Brandon McNaughton | .... | digital compositor: POP Film |
| Mimi Medel | .... | visual effects production manager: MASS.ILLUSIONS |
| Karl Mihail | .... | model crew: Cinema Production Services |
| Suzanne Mitus-Uribe | .... | digital artist: CIS Hollywood |
| Ann Monn | .... | digital compositor: POP Film |
| Amanda Morrison | .... | digital compositor: Mass. Illusions (as Amanda Evans) |
| Amanda Morrison | .... | painter |
| Heather J. Morrison | .... | visual effects assistant: Los Angeles (as Heather Morrison) |
| Karen M. Murphy | .... | visual effects consultant |
| Howie Muzika | .... | rotoscope supervisor: Digital Domain (as Howard Muzika) |
| Mark Nettleton | .... | compositor: Mass. Illusions |
| Grant Niesner | .... | animator: Mass. Illusions |
| Grant Niesner | .... | previsualization: Mass. Illusions |
| Timothy Niver | .... | model crew: Cinema Production Services (as Tim Niver) |
| Andre Nogueira | .... | model crew: Cinema Production Services |
| John P. Nugent | .... | lead digital compositor: Mass. Illusions |
| Candida Nunez | .... | data integration artist: Digital Domain (as Candida L. Nunez) |
| Mike O'Neal | .... | data integration supervisor: Digital Domain (as Michael C. O'Neal) |
| Peter Oberdorfer | .... | 3D technical director: Giant Killer Robots |
| Gregory Oehler | .... | digital artist: CIS Hollywood |
| Ingrid Overgard | .... | 2D preparation: Massive Illusions |
| Chris Paxson | .... | motion control technician |
| Claire Pegorier | .... | animator: Mass. Illusions |
| Claire Pegorier | .... | digital effects artist |
| Andrew Perkins | .... | systems administrator |
| Price Pethel | .... | visual effects compositing consultant: Digital Domain |
| Brian Peyatt | .... | technical coordinator |
| Nick Philip | .... | animator: Lunarfish |
| Gerard Benjamin Pierre | .... | 3D technical director: Mass. Illusions |
| Rudy Poat | .... | visual effects |
| Darren Poe | .... | digital compositor: Digital Domain (as Darren M. Poe) |
| Jeryd Pojawa | .... | lead modelmaker: Cinema Production Services, Inc. |
| David Prescott | .... | digital animator: tree, Digital Domain (as David William Prescott) |
| Derek N. Prusak | .... | motion control operator |
| Olivia Ramirez | .... | model crew: Cinema Production Services |
| John Rauh | .... | digital compositor: POP Film |
| Pat Repola | .... | digital imaging manager: POP Film |
| Gary Rhodaback | .... | modelmaker: Cinema Production Services, Inc. |
| Barry Robertson | .... | technical director: POP Film |
| Stuart Robertson | .... | visual effects supervisor: POP Film |
| Barnaby Robson | .... | lead compositor: Mass. Illusions (as Barnaby '2x' Robson) |
| Christopher Roda | .... | digital animator: bird, Digital Domain |
| Daniel P. Rosen | .... | compositor: Mass Illusions |
| Joshua Rosen | .... | visual effects art director |
| Jeff Ross | .... | executive vice-president: POP Film |
| Mark Ross-Sullivan | .... | lead modelmaker: Cinema Production Services, Inc. |
| Mark Sachse | .... | digital services technician: CIS Hollywood |
| Mike Schmitt | .... | 3D supervisor: Giant Killer Robots |
| Dennis Schultz | .... | model crew: Cinema Production Services |
| Donovan Scott | .... | digital compositor: Digital Domain (as Donovan A. Scott) |
| Jarmila Seflova | .... | 2D preparation: Massive Illusions |
| Carl Seibert | .... | visual effects producer |
| Stacey Shear | .... | visual effects assistant: San Francisco |
| Greg Shimp | .... | digital imaging operator |
| Ron Shock | .... | digital compositor: Digital Domain |
| Chris Simmons | .... | model crew: Cinema Production Services |
| Ellen Somers | .... | visual effects producer (as Ellen M. Somers) |
| Ellen Somers | .... | visual effects supervisor (as Ellen M. Somers) |
| Mark Spatny | .... | visual effects production manager: POP Film |
| Lisa Spence | .... | digital effects coordinator: Digital Domain (as Lisa K. Spence) |
| Sean Stanek | .... | production coordinator: Cinema Production Services |
| Siouxsie Stewart | .... | digital visual effects coordinator: POP Animation |
| Joe Stokes | .... | digital effects production manager: POP Film |
| Daryll Strauss | .... | software manager |
| Ken Swenson | .... | lead modelmaker: Cinema Production Services, Inc. |
| Michael J. Talarczyk | .... | systems administrator |
| Bill Taylor | .... | visual effects: Illusion Arts |
| Deborah Thomas | .... | tape operator |
| Jennifer J. Thomas | .... | visual effects plate producer (as Jennifer Thomas) |
| Messrob Torikian | .... | video I/O |
| Marc Toscano | .... | paint animator |
| Peter G. Travers | .... | computer graphics supervisor: ShadowCaster |
| Ed Ulbrich | .... | senior vice-president: Digital Domain |
| Michael Van Himbergen | .... | visual effects producer: Mass. Illusions |
| Sarma Vanguri | .... | computer animator: Mass Illusions |
| John Vegher | .... | 3D technical director: Giant Killer Robots |
| Grant Viklund | .... | digital technical assistant |
| Carey Villegas | .... | digital compositing supervisor: Digital Domain (as Carey G. Villegas) |
| John Volny | .... | 3D technical director: Mobility |
| Timothy N. Walker | .... | motion control operator |
| Garry Waller | .... | models cinematography |
| Talmage Watson | .... | paint animator |
| Talmage Watson | .... | technical director: Mass Illusions |
| Byron Werner | .... | rotoscope artist: Digital Domain (as Byron D. Werner) |
| Bob Wiatr | .... | digital compositor: POP Film |
| Vernon R. Wilbert Jr. | .... | digital animator: bird, Digital Domain |
| Jayme Wilkinson | .... | digital effects artist |
| Kieran Woo | .... | production controller: pre-production, Digital Domain |
| Dean Wright | .... | visual effects producer: Digital Domain (as Dean A. Wright) |
| Chuck Young | .... | model crew: Cinema Production Services |
| Tonia Young | .... | rotoscope artist: Digital Domain |
| Mark Breakspear | .... | digital artist (uncredited) |
| Lisa de la Garza | .... | visual effects senior staff: Digital Domain (uncredited) |
| Chris DeAngelis | .... | visual effects editor: EFilm (uncredited) |
| Ralph Denson | .... | digital operations manager (uncredited) |
| Mark Edwards | .... | visual effects coordinator: EFilm (uncredited) |
| Frank Gallego | .... | visual effects (uncredited) |
| Molly Hansen | .... | visual effects business affairs (uncredited) |
| Stephen Jennings | .... | i/o technical specialist (uncredited) |
| Lu Kondor | .... | data manager: Digital Magic (uncredited) |
| Brion Porter | .... | archive editor (uncredited) |
| Scott Ross | .... | general manager: Digital Domain (uncredited) |
| Eric Wilson | .... | visual effects coordinator (uncredited) |
| |
I am not that crazy about Robin Williams, though I don't dislike him. But he was adequate in this movie, because it called for a real sensitive and really nice guy. I feel that, from almost every one of the actors, there was a luminous glow emanating from their faces, like there was some sort of special lighting used. (There probably was!) As a result, the audience has empathy toward the characters and actually cares about what is happening to them. I've heard so many complaints about how it tries to pull at your heartstrings. Excuse me, but if there WAS a movie out there that made people cry without trying to, I would stay as far away from it as possible...
.....YES, I believe there IS merit to be deserved by a movie if it creates any kind of obvious emotion. I think that crying at a movie either scares or annoys some people.
I like how the movie made me feel awed during the first half, and even more awed during the second half; all the while making me feel sad throughout the movie at the same time. However, there is a difference between 'sad' and 'depressing'. I think the sadness helps any audience realize some parts of their inner-selves.
While very memorable, curiously, the movie never intends for its audience to be close-minded enough to think that this is, with certainty, what happens after you die. It is more of a suggestion, an analogy, of how precious life is, and how deep the bond of love is between some people, no matter what happens.
Rent this one today.