A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven. Written by
Scott Huntsman <email@example.com>
The last scene in which we see Annie alive, sitting on a bed writing in her journal, there is a triptych, or panel painting, by Early Netherlandish painter Hieronymus Bosch. The painting, called "The Garden of Earthly Delights", features three panels. The first being Bosch's interpretation of Heaven, the second, Earth, and the last, Hell. See more »
At the end of the movie when Chris and Annie are reunited in "heaven", Annie has nicely tweezed eyebrows but then in the next shot she has thick eye brows. See more »
To hell with the critics and the cynics. I absolutely love this movie - it's in my top ten (or maybe even top five) list of favorite movies (I saw it at least 3 times in the theater and own it on DVD). I have to admit, I'm one of those non- (almost anti-) elitist, "I don't know art, but I know what I like" type people. I also truly love positive, upbeat movies with happy endings. Not to say that "realistic" movies aren't also great, but there is room for everything in the moviemaking genre. Isn't there enough depressing "realism" on the evening news to satisfy even the most jaded cynic?
I can't say exactly what it is that strikes me about this movie. The incredible color-saturated visuals and special effects certainly help. The acting talents of Robin Williams and Max Von Sydow help. And I loved the story. Emotionally manipulative it may be, but this is one of those films where I WANTED to be manipulated, where I willingly participated. Apparently some people resented it, but I was sobbing through much the movie, and glad to be doing so. Laugh if you please, say whatever you want... this movie touches my heart.
"Deep" it isn't, not terribly. On a metaphysical level, it goes only slightly beyond new-age kitsch. Very few of the afterlife scenes and concepts agree with the spiritual outlook of any known religion. But I don't care. Again, if a movie touches my heart in just the right place, I can forgive it almost anything. This one did. 9/10.
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