A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven. Written by
Scott Huntsman <firstname.lastname@example.org>
The "Hell" scenes were shot on the decrepit, rusted hulk of the Essex class aircraft carrier USS Oriskany (CV-34). The ship was later sunk to make room for an artificial reef on 17 May, 2006. The "Hell" scenes were shot at the Alameda Naval Air Station in an indoor swimming pool surrounded by blue screen so that the FX could be later added in. Extras spent two 12 hour days in the water as Ghouls. See more »
As the supposedly invisible Chris walks down the aisle of his own funeral, one of the extras can be seen watching him. See more »
[delivering a eulogy for Ian]
There's a man Ian never got to know: the man he was growing up to be. He's a good looking clear-eyed young fellow, about 25. I can see him. He's the type of guy that men want to be around, because he has integrity, you know? He has character. You can't fake that. And he's a guy women want to be around too, because there's a tenderness in him. Respect, and loyalty, and courage, and women respond to that. Makes him a terrific husband, this guy. I see him as a father. ...
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"The persons and events in this production are fictitious. No similarity to actual persons, living, dead or reincarnated is intended or should be inferred." See more »
To hell with the critics and the cynics. I absolutely love this movie - it's in my top ten (or maybe even top five) list of favorite movies (I saw it at least 3 times in the theater and own it on DVD). I have to admit, I'm one of those non- (almost anti-) elitist, "I don't know art, but I know what I like" type people. I also truly love positive, upbeat movies with happy endings. Not to say that "realistic" movies aren't also great, but there is room for everything in the moviemaking genre. Isn't there enough depressing "realism" on the evening news to satisfy even the most jaded cynic?
I can't say exactly what it is that strikes me about this movie. The incredible color-saturated visuals and special effects certainly help. The acting talents of Robin Williams and Max Von Sydow help. And I loved the story. Emotionally manipulative it may be, but this is one of those films where I WANTED to be manipulated, where I willingly participated. Apparently some people resented it, but I was sobbing through much the movie, and glad to be doing so. Laugh if you please, say whatever you want... this movie touches my heart.
"Deep" it isn't, not terribly. On a metaphysical level, it goes only slightly beyond new-age kitsch. Very few of the afterlife scenes and concepts agree with the spiritual outlook of any known religion. But I don't care. Again, if a movie touches my heart in just the right place, I can forgive it almost anything. This one did. 9/10.
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