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Wag the Dog (1997)

R  |   |  Comedy, Drama  |  9 January 1998 (USA)
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Ratings: 7.1/10 from 64,966 users   Metascore: 73/100
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Shortly before an election, a spin-doctor and a Hollywood producer join efforts to fabricate a war in order to cover up a presidential sex scandal.



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Nominated for 2 Oscars. Another 3 wins & 16 nominations. See more awards »



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Cast overview, first billed only:
CIA Agent Charles Young
John Levy
Michael Belson ...
Amy Cain


After being caught in a scandalous situation days before the election, the president does not seem to have much of a chance of being re-elected. One of his advisers contacts a top Hollywood producer in order to manufacture a war in Albania that the president can heroically end, all through mass media. Written by Christy

Plot Summary | Plot Synopsis


Why does a dog wag its tail? Because a dog is smarter than its tail. If the tail were smarter, the tail would wag the dog. See more »


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:






Release Date:

9 January 1998 (USA)  »

Also Known As:

Bite the Bullet  »

Box Office


$15,000,000 (estimated)

Opening Weekend:

$92,079 (USA) (26 December 1997)


$43,022,524 (USA) (1 May 1998)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The name of Schumann's medication, "Prozalium", is a combination of Prozac and Valium. See more »


The small private jet which the main characters and Sgt. Schumann board has two engines. When the jet is about to crash, a shot of the cockpit shows throttle and engine controls for a four-engine plane. See more »


CIA Agent Mr. Young: When the fit hits the shan somebody's going to have to stay behind after school.
See more »

Crazy Credits

Dustin Hoffman's main title credit is faded in over a close up of a vacuum cleaner. See more »


References The Greatest Show on Earth (1952) See more »


Written and Performed by Mark Knopfler
See more »

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User Reviews

Spinning a Yarn
19 March 2004 | by (Tunbridge Wells, England) – See all my reviews

Hollywood is sometimes able to produce satirical films that, in retrospect, appear to predict future developments in American politics. `Being There', the story of a simple man whose homespun philosophy is taken for profound wisdom and who, as a result, becomes a candidate for President, may look like a satire on the Reagan administration, but in fact it was actually released in 1979, during the Carter years. `Dave', which features a womanising President called Bill whose marriage is in trouble because of his adulterous relationships and his trimming of his radical principles, came out in 1993, just after Bill Clinton had taken office. It must, however, have been planned well in advance and was presumably not actually intended as anti-Clinton satire, but that is how it tends to come across today.

`Wag the Dog' is another film that proves to have been unintentionally prophetic. Shortly before an election, the President is embroiled in a potentially explosive sex scandal which threatens to end his presidency in disgrace. In order to distract the public's attention, his advisers concoct a wholly fictitious military crisis in the Balkans and hire a Hollywood producer to provide the necessary harrowing footage of war scenes. When the Albanian government protest that their country is not in fact at war, the aides present this as a triumph of American diplomacy that has averted the threatened crisis, and, in order to keep the affair in the public's mind, concoct a further sub-plot involving a supposed military hero (in real life a convicted rapist in a military prison) held prisoner by a rebel faction.

All of this may seem very familiar, but bear in mind that this film was made in 1997, two years before President Clinton, faced with a potentially explosive sex scandal which for a time threatened to end his presidency in disgrace, took America to war over a crisis in the Balkans. At least he didn't need to concoct a fictitious war. The parallels with the more recent Iraq war are perhaps less exact, although the scenes involving the supposed hero `Old Shoe' were strongly reminiscent of the ballyhoo surrounding Private Jessica Lynch.

Like `Being There', `Wag the Dog' is not, of course, a work of social realism. In real life, a simpleton like Chance could not become President without being found out, and no administration could actually get away with inventing a bogus war. (That's why they have to provide real ones). In order to make a satirical point, both films exaggerate prevalent tendencies in modern political life. `Being There', among other things, is about self-deception- Chance never pretends to be anything he is not, but those around him deceive themselves by seeing him as what they want him to be. `Wag the Dog', on the other hand, is about political `spin' and the deliberate deception of the public. Politicians try and deceive as many of the people for as much of the time as they think they can get away with, and the media will go along with such deception for as long as it is in their interest.

`Wag the Dog' has some sharp points to make, and there is a very good performance from Dustin Hoffman as the Hollywood producer Stanley Motss. Motss is recognisably suffering from status anxiety in its most acute form- the form that afflicts the brilliantly successful and wealthy man who still feels undervalued by society and will do anything, however unethical or even dangerous to his own safety, to win public recognition. (He complains that there is no Academy Award specifically for producers, ignoring the fact that one is not needed because the producer traditionally receives the Best Picture award).

Despite that, however, I felt that the film as a whole was not as sharp or as funny as it could have been. I think the reason is that it is basically a one-joke film; once the war story has been exploded, the plot tends to lose direction. The idea of concocting a wholly bogus war is a brilliantly surreal satirical conceit; the idea of concocting a bogus hostage drama, although more inherently plausible, lacks the same inventiveness, so the `Old Shoe' scenes come as something of an anti-climax after what has gone before. I felt that Robert de Niro as the presidential aide Conrad Brean was less effective than Hoffman; I have never thought that comedy is his forte and that he is at his best in serious roles. (I may be judging unfairly, as there are several of his comedies that I have not seen). I also felt that it was a mistake not to show the President in the film- this may not be a realistic film, but the idea that a spin doctor could create a fictitious war without even the President being aware of what is going on strains credibility past its limits. Moreover, as we found out with Nixon and his attempted cover-up of the Watergate affair, the culture of spin involves our elected leaders themselves, not just members of their staff. Overall the film had its moments but could have been better. 6/10.

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A really BAD film!! teekay70
Please explain why it wasn't BORING + CHILDISH kag2-1
Patronising godels_sprog
Was DeNiro the 'real' president? mrbisco
They did this movie already in 1995 dreamerboi23
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