In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin ... See full summary »
Robert Sean Leonard,
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
London-based Emily Wang gained minor notoriety from her VJ-ing on cable television. She is now more renowned for being the longtime girlfriend and pseudo manager of rock musician Lee Hauser... See full summary »
1971: Glamrock explodes all over the world and challanges the seriousness within the flowerpower generation by means of glitter and brutal music. Brian Slade, a young rockstar, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discovers that the murder is a fake, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and grew up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened his old glamrock hero. Written by
The David Bowie song "Velvet Goldmine," though originally recorded for the "Hunky Dory" album, wasn't officially released until 1975, being the b-side to the re-issue of the "Space Oddity" single. See more »
When Brian is onstage at the Sombrero Club and the members of the audience are clapping along with him to the music, the motions of their hands do not match the rhythm in the music. See more »
I don't believe that there is much of a future to speak of.
We're in a bit of a decadent spiral, aren't we?
Big Brother, baby, all the way.
Which is why we prefer impressions to ideas.
Situations to subjects.
Brief flights to sustained ones.
Exceptions to types.
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I almost didn't want to comment, because I simply cannot match some of the wonderfully eloquent things that have already been said about this film, however, because it is an all time favourite of mine, I simply cannot resist.
How anyone can not like this film is beyond me, I have read a lot of reviews of this film, both positive and negative and the negative points people have made I couldn't disagree more with. The film isn't about Iggy Pop and David Bowie, it isn't even about two gay men, its about two people who are falling in love at the most inopportune and exploitable moments of their lives.
The characters aren't just engaging, they are addictive, the plot isn't just compelling, it's spellbinding. The acting cannot be faulted, the casting is perfect and the soundtrack is one that I have barely gone a week without listening to in the last ten years.
After badgering him for the last five years or so, I finally convinced a friend to watch this film. At the end I asked him what he thought and he just looked quite pensive for a moment and then turned to me and said: I wish I had watched this film years ago when you first told me about it.
I don't allow myself to watch it often, even though I own 3 copies of it, I save it for special occasions when I want to be completely glued to my TV screen. If you have never seen the film, I urge you to watch it this minute and allow it to become deep-set in your heart. If you have seen the film and didn't find it as wonderful as I do, then I actually, genuinely feel physically sorry for you, that you are unable to enjoy this cinematic masterpiece.
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