In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
Bobby Platt is a mentally slow young man who escapes an abusive, hateful stepfather who has killed his pets one by one. To save himself, Bobby runs away and meets a strange old man who ... See full summary »
This re-telling of Hamlet goes back to the original Danish source material. The opening scenario remains the same: Hamlet's father murdered by his brother who then weds the widowed mother. ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin ... See full summary »
Robert Sean Leonard,
London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian goverment, an agent ... See full summary »
An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discover that the murder is not real, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by
I don't think I've ever seen a movie that has polarized people as much as this one, or at least very few. Some people have put down every single thing about it. As for me, when my roommate (who had already seen it) asked me what I'd thought of it I replied in all honesty, "I loved every single frame of it." She concurred, and we've both seen it again since. I plan to buy it as soon as I can find it for sale. It's heavy on metaphors, which seems to have annoyed a lot of people. As for it's structural resemblance to 'Citizen Kane', that was one of the points. Glam rock was in part about copying others for copying's sake, like Brian Slade copied from Curt Wild, and everyone copied from Jack Fairy. The performances are all great. Some may nitpick about how the characters were portrayed, but I think they were all apt. Ewan McGregor has gotten plenty of slobbering, ecstatic praise from me in the past, and this only encouraged the worship. Toni Collette, so mired in ugly duckling roles since 'Muriel's Wedding', is wonderful, as is Christian Bale's brittle, disillusioned reporter role. Jonathan Rhys-Meyers is, as Brian Slade, a glittering void, as cloaked in mystery at the end as he was at the beginning. Some of have criticized his role, but I think he did it just right, with a grand coldness. One believes that only such a creature could be the idol of an era that was, in the end, about glittering emotional voids and icy hipness. Why did he do what he did? We never know. That's one of the best parts. (I must embarrass myself here by noting, also, that Rhys-Meyers is so shockingly beautiful it's disgusting, like eating too much honey. Kinda makes you wanna puke on his shoes, doesn't it?) I suppose that not everyone can be expected to love this movie as much as I did, but I'm still a little surprised at some of the venom that's been spit at it. Then again, it is a truly enigmatic film, delicious for those who can appreciate a glorious feast of sight and sound, but just plain confusing and annoying for those who lack the imagination to appreciate it.
90 of 111 people found this review helpful.
Was this review helpful to you?