In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin ... See full summary »
Robert Sean Leonard,
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
1971: Glamrock explodes all over the world and challanges the seriousness within the flowerpower generation by means of glitter and brutal music. Brian Slade, a young rockstar, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discovers that the murder is a fake, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and grew up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened his old glamrock hero. Written by
The Curt Wild character is mainly inspired by David Bowie's relationship with two American 1960's underground rockers whose careers Bowie resurrected, 'Iggy Pop(I)' and Lou Reed. Iggy Pop hailed from Michigan and shared Wild's long blond locks, while Reed underwent shock therapy for bisexuality as a teen and was rumored to have had an affair with Bowie before their falling out after Bowie produced Reed's album Transformer. Much central to the film is fictionalized such as the mythical, mysterious decade-long disappearance of "Slade", although he reincarnated himself as Tommy Stone, a blonde with a white suit (the 'thin white duke'). Bowie wasn't as huge of a star as Slade is depicted here and never withdrew for so long from the public-eye as did the film's character. See more »
When Brian Slade is being introduced to Curt Wild by "Rodney from Elektra", his cigarette is hanging out of the side of his mouth. After a quick shot on Brian, Curt is shown with the cigarette hanging out of the center of his mouth. See more »
That man sitting over there in the white suit... is the biggest thing to come out of this country sinced sliced Beatles.
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Slash Fanfiction is when a person writes a story involving two (usually) males characters from a television show or movie in a homoerotic romantic relationship. And this is what Velvet Goldmine is. A visually stunning, incredibly tasty piece of slash fanfiction. But instead of Kirk & Spock or Mulder & Krycek, it's someone who's a lot like David Bowie and someone who's a lot like Iggy Pop. Perhaps that appeals to you. Perhaps it doesn't. But despite its fanfiction feeling, this movie is absolutely visually stunning. The imagery will last with you long after you leave the movie, your eyes blinking as you adjust to a rather grey drab world. The movie isn't about substance, it's about style; about creating and rearranging yourself to fit the time, to fit the world around you. It's about fluidity, fluidity of gender, personality, ideas, and romance. Because, like all Slash fanfiction, above everything else, it's a love story.
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