In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
Bobby Platt is a mentally slow young man who escapes an abusive, hateful stepfather who has killed his pets one by one. To save himself, Bobby runs away and meets a strange old man who ... See full summary »
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, ... See full summary »
1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discover that the murder is not real, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by
During the Festival sequence where Brian sees Curt perform for the first time, Ewan McGregor was only due to moon the disgruntled crowd. But inspired by the antics of Iggy Pop, he improvised, and ended up gesticulating wildly while flashing the audience, leaping about with his trousers around his ankles. See more »
In "New York City 1984" the cars are driving on the left-hand side of the road and there are British traffic signs. See more »
I love this movie because it is daring in content, partly non-fiction and partly fiction, delves into characters that would seem small or supporting, and it makes me want to wear glitter and find my sexy sassy side. Granted it will not be everyone's cup of tea, granted it's strange and dramatic, and granted it is sometimes assaulting to our senses. However, the cinematography is beautiful and memorable, the costumes are fantastic!, some of the acting is incredible, and the directing makes you feel like a stranger as well as an insider in the spectacular world of glam rock. It's worth watching just for the experience, even if you end up hating it. The first time I watched it I was thinking "Okay, too much hype and too little point." Isn't that sorta what glam rock's about though? Not entirely, obviously, but to some extent...yes. And the movie does start somewhere and end somewhere else. Several characters change drastically in the course of this film. DO NOT watch this film if you don't like films with homosexuality, drugs, nudity, or anything else interesting like that. DO watch it if you are interested in glam rock and interested in watching a film that is anything but conventional.
31 of 45 people found this review helpful.
Was this review helpful to you?