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Velvet Goldmine (1998)

 -  Drama | Music  -  23 October 1998 (UK)
7.0
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Ratings: 7.0/10 from 24,169 users   Metascore: 65/100
Reviews: 312 user | 95 critic | 25 from Metacritic.com

In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

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Nominated for 1 Oscar. Another 4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Cecil
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Female Narrator (voice)
Mairead McKinley ...
Wilde Housemaid (as Maraid McKinley)
Luke Morgan Oliver ...
Osheen Jones ...
Micko Westmoreland ...
Damian Suchet ...
BBC Reporter
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Kissing Sailor
...
Young Man
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Storyline

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discover that the murder is not real, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by Jack Fairy

Plot Summary | Add Synopsis

Taglines:

A man's life is his image See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

23 October 1998 (UK)  »

Also Known As:

Bálványrock - Velvet Goldmine  »

Filming Locations:

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Box Office

Opening Weekend:

$301,787 (USA) (6 November 1998)

Gross:

$1,043,487 (USA) (11 December 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Rankcolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Courtney Love considered supplying music to the film's soundtrack, however after viewing a rough cut she withdrew, claiming that the character of Curt Wild too closely resembled her late husband Kurt Cobain both in character and physicality. The Wild/Cobain parallel later became a much-discussed point among critics, and while director Todd Haynes and actor Ewan McGregor have noted similarities between Cobain and Wild, both claim the resemblance was unintended. Haynes, for his part, notes that Cobain borrowed many style traits from Iggy Pop, who served as partial basis for the Wild character. See more »

Goofs

When Brian is onstage at the Sombrero Club and the members of the audience are clapping along with him to the music, the motions of their hands do not match the rhythm in the music. See more »

Quotes

Cecil: Style always wins out in the end.
See more »

Connections

Featured in Shakespeare in Love and on Film (1999) See more »

Soundtracks

Gimme Danger
Written by Iggy Pop and James Williamson
Performed by The Venus in Furs
Vocal by Ewan McGregor
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Put The Blame On Wilde
17 April 2006 | by (United States) – See all my reviews

It is quite an extraordinary experience to sit through this film years after its controversial outing back in the distant 1998. Like many of the great pieces of art, or wine for that matter, time gives it that extra something that evolves its taste into something that you crave. The erotic innocence of the story is very much Oscar Wilde territory. Innocence, yes. - I've been arguing about it with some people about the inclusion of the word, if not the feeling, innocence in this context. I insist the word is perfectly fitting because at the end of this rainbow there is the longing for love. Ewan McGregor's cock is already famous the world over - and with reason - here it dangles across his frame like a child, unaware of his own nakedness. Jonathan Rhys Mayer is a delight. Strange to see him in feathers after "Match Point" and yet it makes a lot of sense. Christian Bale one day, will leave behind the pouting arrogance that is rapidly becoming his trademark - even as Batman - and come back to the glorious promise he insinuated here. All in all a triumph, Todd Haynes style.


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