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Velvet Goldmine (1998)

 -  Drama | Music  -  23 October 1998 (UK)
7.0
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Ratings: 7.0/10 from 24,399 users   Metascore: 65/100
Reviews: 312 user | 95 critic | 25 from Metacritic.com

In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

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Title: Velvet Goldmine (1998)

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Nominated for 1 Oscar. Another 4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Cecil
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Female Narrator (voice)
Mairead McKinley ...
Wilde Housemaid (as Maraid McKinley)
Luke Morgan Oliver ...
Osheen Jones ...
Micko Westmoreland ...
Damian Suchet ...
BBC Reporter
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Kissing Sailor
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Young Man
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Storyline

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discover that the murder is not real, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by Jack Fairy

Plot Summary | Add Synopsis

Taglines:

Leave your exceptions at the door See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, language and drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

23 October 1998 (UK)  »

Also Known As:

Bálványrock - Velvet Goldmine  »

Filming Locations:

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Box Office

Opening Weekend:

$301,787 (USA) (6 November 1998)

Gross:

$1,043,487 (USA) (11 December 1998)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Rankcolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The Curt Wild character is mainly inspired by David Bowie's relationship with two American 1960's underground rockers whose careers Bowie resurrected, 'Iggy Pop(I)' and Lou Reed. Iggy Pop hailed from Michigan and shared Wild's long blond locks, while Reed underwent shock therapy for bisexuality as a teen and was rumored to have had an affair with Bowie before their falling out after Bowie produced Reed's album Transformer. Much central to the film is fictionalized such as the mythical, mysterious decade-long disappearance of "Slade", although he reincarnated himself as Tommy Stone, a blonde with a white suit (the 'thin white duke'). Bowie wasn't as huge of a star as Slade is depicted here and never withdrew for so long from the public-eye as did the film's character. See more »

Goofs

When Maxwell Demon gets shot in 1974, the bass player is holding a Gibson Thunderbird centennial reissue, a bass that didn't come out until 1976. See more »

Quotes

Freddi: The first duty in life is to assume a pose. What the second duty is, no one has yet found out.
See more »

Connections

Referenced in The Hole (2003) See more »

Soundtracks

The Ballad of Maxwell Demon
Written by Craig Wedren & Shudder to Think
Performed by Shudder to Think
Vocal by Jonathan Rhys Meyers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Stardust Memories
3 June 1999 | by (The Poppy Field, OZ 69666) – See all my reviews

I don't think I've ever seen a movie that has polarized people as much as this one, or at least very few. Some people have put down every single thing about it. As for me, when my roommate (who had already seen it) asked me what I'd thought of it I replied in all honesty, "I loved every single frame of it." She concurred, and we've both seen it again since. I plan to buy it as soon as I can find it for sale. It's heavy on metaphors, which seems to have annoyed a lot of people. As for it's structural resemblance to 'Citizen Kane', that was one of the points. Glam rock was in part about copying others for copying's sake, like Brian Slade copied from Curt Wild, and everyone copied from Jack Fairy. The performances are all great. Some may nitpick about how the characters were portrayed, but I think they were all apt. Ewan McGregor has gotten plenty of slobbering, ecstatic praise from me in the past, and this only encouraged the worship. Toni Collette, so mired in ugly duckling roles since 'Muriel's Wedding', is wonderful, as is Christian Bale's brittle, disillusioned reporter role. Jonathan Rhys-Meyers is, as Brian Slade, a glittering void, as cloaked in mystery at the end as he was at the beginning. Some of have criticized his role, but I think he did it just right, with a grand coldness. One believes that only such a creature could be the idol of an era that was, in the end, about glittering emotional voids and icy hipness. Why did he do what he did? We never know. That's one of the best parts. (I must embarrass myself here by noting, also, that Rhys-Meyers is so shockingly beautiful it's disgusting, like eating too much honey. Kinda makes you wanna puke on his shoes, doesn't it?) I suppose that not everyone can be expected to love this movie as much as I did, but I'm still a little surprised at some of the venom that's been spit at it. Then again, it is a truly enigmatic film, delicious for those who can appreciate a glorious feast of sight and sound, but just plain confusing and annoying for those who lack the imagination to appreciate it.


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