In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
The story of a close-knit group of young kids in Nazi Germany who listen to banned swing music from the US. Soon dancing and fun leads to more difficult choices as the Nazis begin ... See full summary »
Robert Sean Leonard,
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
1971: Glamrock explodes all over the world and challanges the seriousness within the flowerpower generation by means of glitter and brutal music. Brian Slade, a young rockstar, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discovers that the murder is a fake, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and grew up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened his old glamrock hero. Written by
The film was originally supposed to feature some of David Bowie's music, hence the title. However, when Bowie learned that the script for the film was partially based on the unauthorized biographies "Stardust: The David Bowie Story", written by Henry Edwards and Tony Zanetta and "Backstage Passes" written by Bowie's ex-wife Angie Bowie, he threatened the producers with a lawsuit. Hence, no Bowie songs were used, and the script was partially re-written to avoid unnecessary resemblance between Bowie and the Bowie-style character Brian Slade. See more »
During the "Death of Glitter" concert, an acoustic rhythm guitar can be heard playing throughout the song. There is however no one on stage playing an acoustic guitar. See more »
I don't believe that there is much of a future to speak of.
We're in a bit of a decadent spiral, aren't we?
Big Brother, baby, all the way.
Which is why we prefer impressions to ideas.
Situations to subjects.
Brief flights to sustained ones.
Exceptions to types.
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i really enjoyed this movie. the person who reviewed it so negatively seems to have missed the point. yes, it is over the top, campy & sometimes corny. but come on! you were expecting a restrained movie about david bowie and iggy pop?
i loved the camp, outfits, and excesses, and was unexpectedly moved by the story. using a queer, ex-fan reporter to frame the movie--so as to emphasize the effect that this bi-positive bi-posing rock star had on queer kids, and how upsetting his betrayal of them was--worked brilliantly. the use of arty-fairydust moments to capture the importance of fantasy to this scene worked wonderfully. i really appreciated jack fairy, as a character and as a link from glitter to the drag scene--this is not usually acknoledged. and whenever the movie veered too far into preciousness, the iggy pop/kurt wild character showed up to redeem it. his origin story--18 months of electroshock after being caught having sex with a boy--was a much-needed dose of reality in the midst of the glitter. and whenever the movie needed testosterone and directness, he appeared to supply it.
well, i think it's pretty clear that i'm the demographic for this movie--i'm the right age, i'm a fag, and i love both punk and glitter. but my straight boyfriend adored it too. if you ever enjoyed glitter or punk, keep an open mind & check it out, i think you'll like it. even if you don't, you can always look at the pretty outfits.
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