Valentino is an Ex Aldult film star very much in love with his girlfriend Mary Carmen....and boyfriend Gary. Things take a tragic turn when Valentino is rushed to the hospital after ... See full summary »
Based on the Nobel Prize Winner's novel, the Egyptian Naguib Mahfouz. The story, translated from El Cairo to Mexico City's downtown, narrates the life of the members of the neighbourhood ... See full summary »
Ernesto Gómez Cruz,
A teenage boy would like to meet with a very pretty, blonde girl who lives in the next door. His elder brother helps him with car and credit card to be successful. This simple story will be... See full summary »
Monica teaches, Steve's a photographer. They've dated more than two years. They're arguing, and she leaves for her apartment, only to return in a few minutes to say they should stop seeing ... See full summary »
In this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is... See full summary »
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Valentino is an Ex Aldult film star very much in love with his girlfriend Mary Carmen....and boyfriend Gary. Things take a tragic turn when Valentino is rushed to the hospital after collapsing on a city street and is diagnosed with HIV/AIDS...Forcing Mary Carmen and Gary to push aside their jealousy & differences to take care of the man they both love while he is dying. Ultimately finding comfort, understanding, and strength in the other. A beautiful modern love story with a fantastic cast. Vincent D'Onofrio is very charismatic, charming, and intense as Valentino..... Written by
A story with subtle poignancy, as charming as its weaknesses
What a pleasure it is to discover a little film which presents little pieces of your own life story. This is a film that I imagine many will question what the hell is the point. It feels like an exploratory independent film that doesn't try to be very clever or cool, just an ordinary story with plenty of room for randomness. As it fits in neither the energetic class of cinema characterized by Tarantino and Fellini, nor the understated class a la Hou Hsiao-Hsien and Gus Van Sant, it won't impress the entertainment seekers and may not work for the purists. That said, I personally liked it more than not.
The great Michelangelo Antonioni said that films are not to be understood; they are to be experienced. As a film VELOCITY may not score high, but viewing it was an experience which I will not forget soon. The scenes with the deaf boy in drag were simply poignant and memorable. I'll never forget the priceless look on his face when his wig was pulled away by the rascals. It was a look which captured a thousand unspoken words that few, if any, Hollywood star would be capable of replicating. His pursuit of Gary brings back traces of my own memory. For me, this character was the primary saving grace of the film; his "acting" was superb, so heart-felt that I'm not sure if it's acting or reality--probably a hybrid of both.
In summary, VELOCITY is a film where some fragments are better than the whole package. Whether or not you can enjoy the film probably depends on how much your life experience draws you to the characters.
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