At a time of international incident, the body of a young female staffer is found in a White House wash room. Homicide detective Harlan Regis is called in to investigate the murder only to ... See full summary »
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and save lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
Robert Downey Jr. did not enjoy working on the production, and in an interview shortly after its release, he said of the film "it's possibly the worst action movie of all time, and that's just not good for the maintenance of a good spiritual condition. You've had a traumatic year, you've been practically suicidal- what do you think would be really healing for you? How about like twelve weeks of running around as Johnny Handgun? I think that if you talk to a spirit guide, they would say, 'That'll kill you.' I thought maybe there was something I was missing, and what I really needed to do was to be in one of those films that I love taking my kid to. But it wound up being really depressing. I'd rather wake up in jail for a TB test than have to wake up another morning knowing I'm going to the set of U.S. Marshals." See more »
When Sheridan jumps onto the train from the roof of the station, an airbag is visible on the other side of the train. See more »
[Referring to the Glock as he is changing magazines]
These things are so cool.
They shoot underwater! You can pour sand in them and they'll shoot. Shoot every time. It's a good choice.
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I avoided this for years because it looked like a useless remake. However, I had forgotten that I thought The Fugitive was a useless remake of the TV series until I was dragged to it and found a fine, suspenseful feature filled with a plethora of colorful characters. So, I should have been tuned in more to my own personal history, but so it goes .I now have watched U.S. Marshalls a number of times, and I have to say the two companion films match each other in quality.
The pacing is fast without being frenetic. The use of repetition, i.e., recurring motifs such as Kimball diving off a dam to safety & Sheridan swinging down to hop a commuter train, work well though they could have been disastrous. The large cast is compelling down to the smallest roles (similar to The Fugitive in that regard). Jones, Snipes, and Downey all show range in their parts Downey, as always, illustrates why he is one of the best of his generation. And some of the secondary roles shine, in particular Tom Wood as Deputy Marshall Noah Newman. He receives more screen time than in the predecessor; and he makes use of it well. He has one of "those acting moments" in a confrontation with Downey's character: his intense expression of simultaneous fear & anger is a plum bit of acting chops. Like other IMDb readers, I wonder what has happened with this good actor. No screen credits since 2000. Stage work? Left the biz? If the former, and he's in NYC, then we'll probably see him on a Law & Order episode one of these days!
I recently found a DVD with tons of extras on it but I have not as yet delved into them. I look forward to doing that, as I do another viewing of the film.
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