A 25 year old female White House staffer, Carla Town is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find all evidence suppressed by the ... See full summary »
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York. There he meets Karen, they are attracted to each other and after they ... See full summary »
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and saves lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
US Marshals has a similar plot to The Fugitive. Both have innocent fugitives, crashed transportation vehicles, scheming perpetrators and the fugitives are exonerated at the end among many other parallels. Furthermore, both US Marshals and The Fugitive feature Tommy Lee Jones as one and the same character Samuel Gerard. See more »
The plane goes into the water just off the riverbank, yet when Gerard opens the door it looks to be at least 150 feet away from the shore. See more »
[watching some surveillance tapes]
Hey. it looks like your agent friends are intercepting this. What do you know about this Royce?
I don't know anything.
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The only reason we have a film called "U.S. Marshals" is the cold fact that somebody was simply dying to see Tommy Lee Jones returning into his Oscar-awarded role as a tough, bold and unhesitating Deputy Marshal Samuel Gerard. At first I was thinking "just another foolish sequel" and I have to admit that at one point it more or less even looked like "U.S. Marshals" is basically the same film than "The Fugitive" but only with Wesley Snipes in the shoes of Harrison Ford. But this is the real and the final truth: from what I remember "The Fugitive" was like I never considered it as all that great but since I was definitely on the edge of my seat with "U.S. Marshals" only logical thing would be to assume that this was naturally a better movie.
I tried to avoid "U.S. Marshals" for many years (I've no idea why) but now when I finally saw it I was stunned by it. Interesting detail about this film as well as "The Fugitive" too is the peculiar fact that during the movie audience can't never really decide who's side their sympathies actually are and which one do they want to succeed: the innocent fugitive or Tommy Lee Jones' eminent marshal because clearly they're both equally heroes. "U.S. Marshals" is not a special thriller but it works splendidly as what it is and it doesn't try to be anything it isn't. Tommy Lee Jones is the ultimate star of the movie but Snipes is also pretty excellent as Sheridan. When you think of "U.S. Marshals" the impressive scene where Sheridan jumps onto the roof of a moving subway is already a classic. Still I'm sure that's not necessarily the only scene audience remembers. I don't know what you think but "U.S. Marshals" was a fine experience for me.
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