Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and save lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
The scenes of the fuselage in the water were shot in the Ohio River, Illinois, whilst all the interiors of the plan were shot on stage in Chicago, with the fuselage rigged to a complex gimbal system so as to simulate the jolting motion of the crash. For the scenes where the plane is upside-down and sinking into the water, the scene was shot in the real upside-down fuselage, which could be submerged in a tank. See more »
Sam moves between cuts after he has been shot at the swamp. See more »
You still owe me for that jogging suit.
Of course. What you're going to need to do is make out a requisition form, in quadruplicate. You're going to need a white copy, yellow copy, pink copy...
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U.S. Marshals is the sequel to The Fugitive, but feels more like a remake. Again a victim of injustice is improperly imprisoned, this time Wesley Snipes in the Harrison Ford role. He's not a surgeon, but a deep undercover spy, the victim of a frame-up of an undisclosed nature. A catastrophic accident frees him (this time a plane crash) and again Tommy Lee Jones is sent to hunt him down. Big-budget, good special effects, A-list actors doing their jobs well; still U.S. Marshals fails to make a big impact. The first quarter starts out great, but by the end of the movie the plot devices are becoming very routine. Not a rip-off, but only C+ to me.
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