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John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
John McClane, officer of the NYPD and hero of the Nakatomi Hostage Crisis, attempts to avert disaster as rogue military officials seize control of Dulles International Airport in Washington, D.C.
Director:
Renny Harlin
Stars:
Bruce Willis,
Bonnie Bedelia,
William Atherton
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with a deadly Chinese crimelord trying to get his brother out of prison.
John McClane, officer of the NYPD, tries to save wife Holly Gennaro and several others, taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Director:
John McTiernan
Stars:
Bruce Willis,
Bonnie Bedelia,
Reginald VelJohnson
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
A secretive renegade counter-terrorist co-opts the world's greatest hacker (who is trying to stay clean) to steal billions in US Government dirty money.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and save lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
OBGriffiths@yahoo.com
For the scene where the marshals are following Chen (Michael Paul Chan) over 700 extras were used. See more »
Goofs
Camera equipment reflected in truck when first hijacked by Mark Sheridan. See more »
Quotes
John Royce:
[showing Marie pictures of the dead agents]
This is Sam Harmon, one of my friends, Sheridan killed him with his own bare hands. So was Neil Kazunski. Kazunski had three little kids.
Marie Bineaux, Mark's Girlfriend:
Stop Doing this to me. Even if I knew this man. It's not a crime, he's done nothing wrong. I haven't heard from him.
Deputy Marshal Noah Newman:
So, you *do* know him.
John Royce:
You just lied to us.
Deputy Marshal Noah Newman:
That's a federal offense.
See more »
I avoided this for years because it looked like a useless remake. However, I had forgotten that I thought The Fugitive was a useless remake of the TV series until I was dragged to it and found a fine, suspenseful feature filled with a plethora of colorful characters. So, I should have been tuned in more to my own personal history, but so it goes .I now have watched U.S. Marshalls a number of times, and I have to say the two companion films match each other in quality.
The pacing is fast without being frenetic. The use of repetition, i.e., recurring motifs such as Kimball diving off a dam to safety & Sheridan swinging down to hop a commuter train, work well though they could have been disastrous. The large cast is compelling down to the smallest roles (similar to The Fugitive in that regard). Jones, Snipes, and Downey all show range in their parts Downey, as always, illustrates why he is one of the best of his generation. And some of the secondary roles shine, in particular Tom Wood as Deputy Marshall Noah Newman. He receives more screen time than in the predecessor; and he makes use of it well. He has one of "those acting moments" in a confrontation with Downey's character: his intense expression of simultaneous fear & anger is a plum bit of acting chops. Like other IMDb readers, I wonder what has happened with this good actor. No screen credits since 2000. Stage work? Left the biz? If the former, and he's in NYC, then we'll probably see him on a Law & Order episode one of these days!
I recently found a DVD with tons of extras on it but I have not as yet delved into them. I look forward to doing that, as I do another viewing of the film.
16 of 18 people found this review helpful.
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I avoided this for years because it looked like a useless remake. However, I had forgotten that I thought The Fugitive was a useless remake of the TV series until I was dragged to it and found a fine, suspenseful feature filled with a plethora of colorful characters. So, I should have been tuned in more to my own personal history, but so it goes .I now have watched U.S. Marshalls a number of times, and I have to say the two companion films match each other in quality.
The pacing is fast without being frenetic. The use of repetition, i.e., recurring motifs such as Kimball diving off a dam to safety & Sheridan swinging down to hop a commuter train, work well though they could have been disastrous. The large cast is compelling down to the smallest roles (similar to The Fugitive in that regard). Jones, Snipes, and Downey all show range in their parts Downey, as always, illustrates why he is one of the best of his generation. And some of the secondary roles shine, in particular Tom Wood as Deputy Marshall Noah Newman. He receives more screen time than in the predecessor; and he makes use of it well. He has one of "those acting moments" in a confrontation with Downey's character: his intense expression of simultaneous fear & anger is a plum bit of acting chops. Like other IMDb readers, I wonder what has happened with this good actor. No screen credits since 2000. Stage work? Left the biz? If the former, and he's in NYC, then we'll probably see him on a Law & Order episode one of these days!
I recently found a DVD with tons of extras on it but I have not as yet delved into them. I look forward to doing that, as I do another viewing of the film.