Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
At a time of international incident, the body of a young female staffer is found in a White House wash room. Homicide detective Harlan Regis is called in to investigate the murder only to ... See full summary »
Los-Angeles commercials director Max visits his friend, artist Charlie, who was diagnosed with AIDS in New York. There he meets Karen, they are attracted to each other and after they meet ... See full summary »
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and save lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
For shooting the scenes on the plane, director Stuart Baird and production designer Maher Ahmad looked at real prisoner transfer planes but were disappointed to find that they looked just like regular planes. As such, they came up with the design of the plane seen in the film - the feet restraints, the cage door, the mechanical locking system, the open toilet etc. See more »
Shadow of camera when Sheridan sits down on the train. See more »
U.S. Marshals is the sequel to The Fugitive, but feels more like a remake. Again a victim of injustice is improperly imprisoned, this time Wesley Snipes in the Harrison Ford role. He's not a surgeon, but a deep undercover spy, the victim of a frame-up of an undisclosed nature. A catastrophic accident frees him (this time a plane crash) and again Tommy Lee Jones is sent to hunt him down. Big-budget, good special effects, A-list actors doing their jobs well; still U.S. Marshals fails to make a big impact. The first quarter starts out great, but by the end of the movie the plot devices are becoming very routine. Not a rip-off, but only C+ to me.
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