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John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
John McClane, officer of the NYPD and hero of the Nakatomi Hostage Crisis, attempts to avert disaster as rogue military officials seize control of Dulles International Airport in Washington, D.C.
Director:
Renny Harlin
Stars:
Bruce Willis,
Bonnie Bedelia,
William Atherton
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with a deadly Chinese crimelord trying to get his brother out of prison.
John McClane, officer of the NYPD, tries to save wife Holly Gennaro and several others, taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Director:
John McTiernan
Stars:
Bruce Willis,
Bonnie Bedelia,
Reginald VelJohnson
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
A secretive renegade counter-terrorist co-opts the world's greatest hacker (who is trying to stay clean) to steal billions in US Government dirty money.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and save lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
OBGriffiths@yahoo.com
Most of the exterior scenes in New York were shot in the business district of Chicago, as the production couldn't get permission to shut down the streets in New York. See more »
Goofs
Noah was shot first in the chest, then in the shoulder (blood visible on his jacket). Therefore, the report of "multiple gunshot wounds" is accurate. See more »
Quotes
[after killing Royce]
Sam Gerard:
Welcome home Mark, wanna start running again?
Mark J. Sheridan:
I think I'm going back to bed.
See more »
The only reason we have a film called "U.S. Marshals" is the cold fact that somebody was simply dying to see Tommy Lee Jones returning into his Oscar-awarded role as a tough, bold and unhesitating Deputy Marshal Samuel Gerard. At first I was thinking "just another foolish sequel" and I have to admit that at one point it more or less even looked like "U.S. Marshals" is basically the same film than "The Fugitive" but only with Wesley Snipes in the shoes of Harrison Ford. But this is the real and the final truth: from what I remember "The Fugitive" was like I never considered it as all that great but since I was definitely on the edge of my seat with "U.S. Marshals" only logical thing would be to assume that this was naturally a better movie.
I tried to avoid "U.S. Marshals" for many years (I've no idea why) but now when I finally saw it I was stunned by it. Interesting detail about this film as well as "The Fugitive" too is the peculiar fact that during the movie audience can't never really decide who's side their sympathies actually are and which one do they want to succeed: the innocent fugitive or Tommy Lee Jones' eminent marshal because clearly they're both equally heroes. "U.S. Marshals" is not a special thriller but it works splendidly as what it is and it doesn't try to be anything it isn't. Tommy Lee Jones is the ultimate star of the movie but Snipes is also pretty excellent as Sheridan. When you think of "U.S. Marshals" the impressive scene where Sheridan jumps onto the roof of a moving subway is already a classic. Still I'm sure that's not necessarily the only scene audience remembers. I don't know what you think but "U.S. Marshals" was a fine experience for me.
52 of 63 people found this review helpful.
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The only reason we have a film called "U.S. Marshals" is the cold fact that somebody was simply dying to see Tommy Lee Jones returning into his Oscar-awarded role as a tough, bold and unhesitating Deputy Marshal Samuel Gerard. At first I was thinking "just another foolish sequel" and I have to admit that at one point it more or less even looked like "U.S. Marshals" is basically the same film than "The Fugitive" but only with Wesley Snipes in the shoes of Harrison Ford. But this is the real and the final truth: from what I remember "The Fugitive" was like I never considered it as all that great but since I was definitely on the edge of my seat with "U.S. Marshals" only logical thing would be to assume that this was naturally a better movie.
I tried to avoid "U.S. Marshals" for many years (I've no idea why) but now when I finally saw it I was stunned by it. Interesting detail about this film as well as "The Fugitive" too is the peculiar fact that during the movie audience can't never really decide who's side their sympathies actually are and which one do they want to succeed: the innocent fugitive or Tommy Lee Jones' eminent marshal because clearly they're both equally heroes. "U.S. Marshals" is not a special thriller but it works splendidly as what it is and it doesn't try to be anything it isn't. Tommy Lee Jones is the ultimate star of the movie but Snipes is also pretty excellent as Sheridan. When you think of "U.S. Marshals" the impressive scene where Sheridan jumps onto the roof of a moving subway is already a classic. Still I'm sure that's not necessarily the only scene audience remembers. I don't know what you think but "U.S. Marshals" was a fine experience for me.