Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and save lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
At the cemetery, the taxi cab's hubcaps disappear and re-appear between shots. See more »
You still owe me for that jogging suit.
Of course. What you're going to need to do is make out a requisition form, in quadruplicate. You're going to need a white copy, yellow copy, pink copy...
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I avoided this for years because it looked like a useless remake. However, I had forgotten that I thought The Fugitive was a useless remake of the TV series until I was dragged to it and found a fine, suspenseful feature filled with a plethora of colorful characters. So, I should have been tuned in more to my own personal history, but so it goes .I now have watched U.S. Marshalls a number of times, and I have to say the two companion films match each other in quality.
The pacing is fast without being frenetic. The use of repetition, i.e., recurring motifs such as Kimball diving off a dam to safety & Sheridan swinging down to hop a commuter train, work well though they could have been disastrous. The large cast is compelling down to the smallest roles (similar to The Fugitive in that regard). Jones, Snipes, and Downey all show range in their parts Downey, as always, illustrates why he is one of the best of his generation. And some of the secondary roles shine, in particular Tom Wood as Deputy Marshall Noah Newman. He receives more screen time than in the predecessor; and he makes use of it well. He has one of "those acting moments" in a confrontation with Downey's character: his intense expression of simultaneous fear & anger is a plum bit of acting chops. Like other IMDb readers, I wonder what has happened with this good actor. No screen credits since 2000. Stage work? Left the biz? If the former, and he's in NYC, then we'll probably see him on a Law & Order episode one of these days!
I recently found a DVD with tons of extras on it but I have not as yet delved into them. I look forward to doing that, as I do another viewing of the film.
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