A 25 year old female White House staffer, Carla Town is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find all evidence suppressed by the ... See full summary »
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
When a prisoner transport plane crashes, one prisoner, Mark Sheridan, skillfully escapes and saves lives at the same time. Deputy Sam Gerard and his team of U.S. Marshals pursue relentlessly, but Gerard begins to suspect that there is more to the exceptional fugitive than what he has been told. Meanwhile, Sheridan struggles to avoid capture while seeking answers of his own. Until the final scene, both Gerard and Sheridan are in jeopardy of the unknown. Written by
For shooting the scene of the airplane crash, the production leased a real Boeing 727 from a Vegas casino owner, purchased two fuselages for the post-crash scenes and built a 1,000 pound model for the actual moment of impact. The scene of the crash was shot on a miniature road 1,200 feet long, with the 1000-pound model plane moving at 60 miles per hour. Because it was a one shot only situation, it was filmed by 9 cameras. The sequence was primarily directed by visual effects supervisor Peter Donen, and in total, the entire scene took 75 people 6 months to bring it all together. See more »
Mark Sheridan speaks without moving his lips when he visits the friend who grudgingly helps him out. See more »
The only reason we have a film called "U.S. Marshals" is the cold fact that somebody was simply dying to see Tommy Lee Jones returning into his Oscar-awarded role as a tough, bold and unhesitating Deputy Marshal Samuel Gerard. At first I was thinking "just another foolish sequel" and I have to admit that at one point it more or less even looked like "U.S. Marshals" is basically the same film than "The Fugitive" but only with Wesley Snipes in the shoes of Harrison Ford. But this is the real and the final truth: from what I remember "The Fugitive" was like I never considered it as all that great but since I was definitely on the edge of my seat with "U.S. Marshals" only logical thing would be to assume that this was naturally a better movie.
I tried to avoid "U.S. Marshals" for many years (I've no idea why) but now when I finally saw it I was stunned by it. Interesting detail about this film as well as "The Fugitive" too is the peculiar fact that during the movie audience can't never really decide who's side their sympathies actually are and which one do they want to succeed: the innocent fugitive or Tommy Lee Jones' eminent marshal because clearly they're both equally heroes. "U.S. Marshals" is not a special thriller but it works splendidly as what it is and it doesn't try to be anything it isn't. Tommy Lee Jones is the ultimate star of the movie but Snipes is also pretty excellent as Sheridan. When you think of "U.S. Marshals" the impressive scene where Sheridan jumps onto the roof of a moving subway is already a classic. Still I'm sure that's not necessarily the only scene audience remembers. I don't know what you think but "U.S. Marshals" was a fine experience for me.
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