Torrente has now moved to Marbella, where, after being wiped out of the money he had gained, has returned to private investigation. But in one of his cases he gets involved in the middle of a villain's missile plot to destroy the city and his own uncle's blackmail operation... and he knows nothing.
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Torrente is a lazy, rude, drunkard, sexist, racist, extreme-right-wing Madrid cop; a despicable character who only cares about himself. He lives in a decrepit slum with his wheelchair-bound father, whom he treats quite badly. One day, a new family of neighbours move in, and the sexy younger daughter, Amparito, catches his eye, so he becomes a friend of Rafi, her nerdy brother, to get closer to her. At the same time, he discovers that a band of drug traffickers are operating in a nearby chinese restaurant; he knows that if he cracks this case, it could make him regain the status he lost within the police department; but the only people he can count on to help him are Rafi and his equally nerdy friends. Written by
Pablo Montoya <firstname.lastname@example.org>
Santiago Segura has claimed that the inspiration for this movie was Cobra (1986), that he conceived as a parody of the 80s action movies. In fact, the own title is a spoof of Stallone's movie, since then in Spain Cobra was titled as "Cobra, el brazo fuerte de la ley" (Cobra, the strong arm of the law). See more »
[into the mirror]
You talkin' to me? You talkin' to me? You talkin' to me?
See more »
darker than dark comedy with no eleventh hour apologies
Spanish auteur Santiago Segura, who wrote, directed and stars in this film, creates a decent if overly dark comedy about corruption. Segura claims to be a member of the Madrid police force, but his outlandish behavior he drinks before going on duty and forces his wheelchair-bound father to beg to increase his income hardly demonstrates the qualities required of a representative of the law. When sleazy nymphomaniac Neus Asensi moves in next door, he befriends her cousin, extremely nerdy Javier Cámara. When Segura and his new sidekick accidentally discover a drug ring run through a Chinese restaurant, Cámara calls in his loser friends to help. As the cast gets significantly reduced in a flurry of bullets and tragedy, Segura concludes the film with a few plot twists and the unsettling suggestion that sometimes people are as bad as they seem. An inherently unfunny story gets injected with a dose of morbid wit through Segura's approach to the characters. His attitude toward humanity appears quite dark. Everyone in the film either takes advantage of others or finds himself exploited, and no one seems to wind up punished for their wrongdoings. True, a number of maniacal drug dealers get offed, but so do all of Cámara's awkward, endearing friends. Segura follows few conventions in his portrayal of the world of his deluded cop. Chus Lampreave, familiar from several of Pedro Almodóvar's films, has a nice role as Cámara's mother.
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