IMDb > Titus (1999)
Titus
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Titus (1999) More at IMDbPro »

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Titus -- This film is an adaptation of the Shakespeare play "Titus Andronicus." Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family. Who says revenge is sweet?

Overview

User Rating:
7.3/10   16,039 votes »
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Up 2% in popularity this week. See why on IMDbPro.
Director:
Writers:
William Shakespeare (play)
Julie Taymor (screenplay)
Contact:
View company contact information for Titus on IMDbPro.
Release Date:
11 February 2000 (USA) See more »
Genre:
Tagline:
If you think you know Shakespeare....Think again. See more »
Plot:
This film is an adaptation of the Shakespeare play "Titus Andronicus." Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family. Who says revenge is sweet? Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. Another 4 wins & 16 nominations See more »
User Reviews:
Shakespeare's play: brought to a beautiful and other - worldly stage. See more (286 total) »

Cast

  (in credits order) (verified as complete)
Osheen Jones ... Young Lucius
Dario D'Ambrosi ... Clown

Anthony Hopkins ... Titus Andronicus

Jessica Lange ... Tamora

Raz Degan ... Alarbus

Jonathan Rhys Meyers ... Chiron

Matthew Rhys ... Demetrius

Harry Lennix ... Aaron

Angus Macfadyen ... Lucius

Kenny Doughty ... Quintus

Blake Ritson ... Mutius
Colin Wells ... Martius
Ettore Geri ... Priest

Alan Cumming ... Saturninus

Constantine Gregory ... Aemelius

James Frain ... Bassianus

Colm Feore ... Marcus Andronicus

Geraldine McEwan ... Nurse

Laura Fraser ... Lavinia
Tresy Taddei ... Little Girl
Bah Souleymane ... Infant

Antonio Manzini ... Publius
Leonardo Treviglio ... Caius

Giacomo Gonnella ... Sempronius
Carlo Medici ... Valentin
Emanuele Vezzoli ... Goth Leader
Hermann Weisskopf ... Goth Soldier (as Herman Weiskopf)
Christopher Ahrens ... Goth Soldier (as Cristopher Aherns)
Vito Fasano ... Goth General
Maurizio Rapotec ... Goth Lieutenant
Bruno Bilotta ... Roman Captain

Directed by
Julie Taymor 
 
Writing credits
William Shakespeare (play "Titus Andronicus")

Julie Taymor (screenplay)

Produced by
Conchita Airoldi .... producer
Jody Allen .... producer (as Jody Patton)
Paul G. Allen .... executive producer
Stephen K. Bannon .... co-executive producer
Robert Bernacchi .... associate producer
Mark Bisgeier .... co-associate producer (as Mark D. Bisgeier)
Adam Leipzig .... co-producer
Ellen Dinerman Little .... co-executive producer (as Ellen Little)
Robert Little .... co-executive producer
Brad Moseley .... co-associate producer
Linda Reisman .... consulting producer: U.S.
Julie Taymor .... producer
Karen L. Thorson .... associate producer
Michiyo Yoshizaki .... co-producer
 
Original Music by
Elliot Goldenthal 
 
Cinematography by
Luciano Tovoli 
 
Film Editing by
Françoise Bonnot 
 
Casting by
Irene Lamb 
Ellen Lewis 
 
Production Design by
Dante Ferretti 
 
Art Direction by
Pier Luigi Basile (supervising art director)
Massimo Razzi 
Domenico Sica (co-art director)
 
Set Decoration by
Carlo Gervasi 
 
Costume Design by
Milena Canonero 
 
Makeup Department
Giusy Bovino .... key hair stylist (as Giusi Bovino)
Ana Bulajic-Crcek .... makeup artist
Jana Carboni .... assistant makeup artist
Maria Pia Crapanzano .... hair stylist
Tony Gardner .... special makeup effects artist
Paola Genovese .... assistant hair stylist
Vincenzo Mastrantonio .... makeup artist (as Enzo Mastrantonio)
Dorothy J. Pearl .... makeup artist: Jessica Lange (as Dorothy Pearl)
Luigi Rocchetti .... key makeup artist
Gino Tamagnini .... key makeup artist
Mauro Tamagnini .... key hair stylist
 
Production Management
Robert Bernacchi .... unit production manager
Pino Butti .... production supervisor
Dino Di Dionisio .... production supervisor
Marco Greco .... unit manager
Marco Olivieri .... unit manager
Stefano Sciarra .... assistant production manager
Gian Paolo Varani .... unit production manager
 
Second Unit Director or Assistant Director
Vanja Aljinovic .... co-first assistant director
Tony Brandt .... assistant director (as Antonio Brandt)
Gilles Cannatella .... third assistant director
Henrique Laplaine .... third assistant director (as Henrique de Araujo Laplaine)
Zdravko Madzarevic .... assistant director
Luigi Spoletini .... third assistant director
Bojana Sutic .... second assistant director
Guy Travers .... first assistant director
 
Art Department
Alessia Anfuso .... assistant set decorator
Carlo Avvisato .... props
Luigi Calvitti .... carpenter
Dimitri Capuani .... assistant art director
Roberto Casale .... assistant art director
Maria Rita Cassarino .... assistant set decorator
Roberto Cingolani .... draperies
Cristian De Mattheis .... storyboard artist
Cristiano Donzelli .... storyboard artist
Ludovica Ferrario .... additional props trainee
Biagio Fersini .... assistant art director
Ettore Guerrieri .... prop master
Barbel Elizabet Krisel .... assistant set decorator
Barnaba Pagliarini .... draperies
Ivan Pavletic .... props
Bruno Ranieri .... head painter
Luigi Sergianni .... construction manager
Luca Tranchino .... draftsman
Claudio Villa .... props
 
Sound Department
Jennifer Barin .... sound re-recordist
Benjamin Cheah .... supervising foley editor
Marko A. Costanzo .... foley artist (as Marko Costanzo)
Chris Fielder .... assistant sound editor
Jonathan Greber .... sound transfer supervisor
Gabriel Guy .... machine room operator
Lora Hirschberg .... sound re-recording mixer
Frank Kern .... foley editor
George A. Lara .... foley engineer (as George Lara)
Blake Leyh .... sound designer
Blake Leyh .... supervising sound editor
Skip Lievsay .... foley mixer
Debora Lilavois .... assistant adr editor
Debora Lilavois .... assistant sound editor
Kimberly R. McCord-Wilson .... dialogue editor (as Kimberly R. McCord)
Michael Miller .... adr recordist
Cate Montana .... sound intern
Igor Nikolic .... assistant sound editor
Tim O'Shea .... foley editor
Glenfield Payne .... sound effects editor
Jay Peck .... foley artist
Juan Peralta .... sound mix technician
Jen Ralston .... foley editor (as Jennifer Ralston)
Alessandro Rolla .... cable person
Alex Soto .... assistant sound editor
Daniel Sperry .... stereo sound consultant: Dolby (as Dan Sperry)
David Stephenson .... sound mixer
Gary Summers .... re-recording mixer
John Torrijos .... video services
Christian von Burkleo .... video services
Deborah Wallach .... adr supervisor
Colin Wood .... sound maintenance
Steve Romanko .... sound (uncredited)
John Soukup .... sound transfer (uncredited)
David Warzynski .... foley librarian (uncredited)
David Yonson .... adr recordist (uncredited)
 
Special Effects by
Renato Agostini .... special effects supervisor
Massimo Ciaraglia .... special effects technician
Germano Natali .... mechanical devices
Claudio Quaglietti .... special effects technician
Fabio Traversari .... special effects technician
David Bracci .... prosthetic effects (uncredited)
 
Visual Effects by
Andrea Adams .... CG animator
Stefano Ballirano .... senior digital artist
Martin Body .... optical cameraman
Eric Chauvin .... digital matte painter
Steve Cutmore .... digital compositor (as Stephen Cutmore)
Andrea D'Amico .... visual effects producer: POP Film
John Paul Docherty .... CG animator (as Paul Docherty)
Ditch Doy .... CG animator
Deak Ferrand .... senior matte painter/designer: POP animation
Lori Freitag-Hild .... digital compositor
Lauren Giordano .... special effects editor
Kent Houston .... visual effects supervisor
Arnon Manor .... CG animator
Tim Ollive .... CG animator (as Timothy Ollive)
Corrado Rizzo .... digital compositor
Gian Luca Rizzo .... digital compositor
Susi Roper .... visual effects producer
Julie Stark .... compositor
John Swinnerton .... digital compositor
Marc Twinam-Cauchi .... CG animator (as Mark Twinam-Cauchi)
Bob Wiatr .... digital effects compositor
Pat Wong .... digital compositor (as Patrick Wong)
Cheryl Bainum .... digital effects producer: POP Animation (uncredited)
Andy Davis .... digital compositor: Imaginary Forces (uncredited)
David Smith .... optical cameraman (uncredited)
 
Stunts
Alessandro Borgese .... stunt performer
Stefano Maria Mioni .... stunt coordinator (as Stefano Mioni)
Ivan Pavletic .... stuntman
 
Camera and Electrical Department
Fabrizio Ancillai .... assistant camera
Enrico Appetito .... still photographer
Roberto Bagalá .... best boy grip
Roberto Barbona .... grip
Eric Biglietto .... focus puller: "b" camera
Alessia Bulgari .... still photographer
Daniele Cafolla .... light board operator
Alessandro Cardelli .... electrician
Raffaele Chianese .... focus puller: "b" camera
Daniela Chioffi .... clapper loader
Fabio Ciotto .... assistant camera
Marco Contaldo .... best boy
Sergio De Luca .... assistant camera
Daniele Dessena .... grip
Francesco Di Giacomo .... second assistant camera
Roberto Emidi .... key grip
Stefano Falivene .... focus puller
Paolo Frasson .... grip
Samba Kosak .... assistant camera
Samba Koschak .... camera trainee
Simone Lucchetti .... electrician
Enrico Lucidi .... camera operator
Raffaele Massa .... first assistant camera
Valter Pavia .... grip
Ivan Pavletic .... grip
Francisco Pintore .... second assistant "a" camera
Andrea Quaglio .... clapper loader: "b" camera
Cristiano Sergioli .... grip diver
Marco Sticchi .... electrician
Tama Takahashi .... "a" camera first assistant camera
Giovanni Tancredi .... electrician
Giorgio Tasso .... video assist operator
Giorgio Toso .... second assistant camera
Lorenzo Tovoli .... focus puller
Massimiliano Trevis .... Steadicam operator
Massimiliano Trevis .... camera operator: "b" camera
Mario Tursi .... still photographer
Carlo Vinciguerra .... gaffer
Massimiliano Sardini .... electrician (uncredited)
 
Casting Department
Marcia DeBonis .... casting associate
Shaila Rubin .... casting: Rome
Gianfilippo Spoletini .... extras casting assistant
 
Costume and Wardrobe Department
Angela Anzimani .... seamstress
Alma Barbieri .... workshop tailor
Costanza Bastanti .... wardrobe
Mariella Dirindelli .... wardrobe assistant
Nicoletta Ercole .... associated costume designer
Annie Hadley .... chief costume cutter
Giovanni Lipari .... costumer
Gabriella Loria .... costume assistant
Olga Michalowska .... assistant costume designer
Arthur Rowsell .... dresser: Mr. Hopkins (as Arthur Roswell)
Marco Scotti .... wardrobe master
Lucilla Simbari .... costume assistant
Emanuele Zito .... costume workshop supervisor (as Emanuele Zito)
 
Editorial Department
Bob Allen .... assistant editor
Dale E. Grahn .... color timer (as Dale Grahn)
David Hamme .... assistant colorist
Mo Henry .... negative cutter
William Henry .... first assistant editor (as Bill Henry)
Ian Hochberg .... second assistant editor
Peter Phillips .... post-production coordinator
Anna DiNuovo Slaughter .... editing production assistant (as Anna DiNuovo)
Sara Thorson .... second assistant editor
Josh Wick .... editing production assistant
 
Music Department
Michael Connell .... music editor
Deaf Elk .... musician: guitar
Robert Elhai .... orchestrator
Matthias Gohl .... music producer (as Teese Gohl)
Elliot Goldenthal .... music producer
Elliot Goldenthal .... orchestrator
Page Hamilton .... musician: guitar
Joel Iwataki .... music mixer
Joel Iwataki .... music recordist
Joel Iwataki .... music score mixer
Todd Kasow .... music editor
Daryl B. Kell .... music editor (as Daryl Kell)
Lawrence Manchester .... music recordist
Richard Martinez .... electronic music producer
Curtis Roush .... music editor
Jonathan Sheffer .... conductor
Mark Stewart .... musician: guitar
John Thomas .... musician: trumpet
Bruce Williamson .... musician: saxophone
 
Transportation Department
Roberto Leone .... transportation captain
 
Other crew
Eleonora Baldwin .... assistant to director
Cicely Berry .... voice specialist
Giuseppe Cancellara .... armorer
Carmela Compagnone .... payroll accountant
Kyle Cooper .... designer/producer: Penny Arcade Nightmare sequences
Jennifer Zolten Freed .... post-production accountant
Linda Gamble .... unit publicist
Constantine Gregory .... dialogue coach
David S. Leong .... additional fight choreography
Norma Marie Mascia .... production coordinator
Paola Mengoni .... script supervisor
Claudia Moscatello .... production secretary
Brian O'Shea .... world sales executive
Anna Orieti .... production accountant
Rizia Ortolani .... production secretary
Alex G. Ortoll .... main title sequence designed and produced by
Giuseppe Pennese .... choreographer
Barbara Petrelli .... location manager
Patrizia Pierucci .... assistant payroll accountant
Katherine Profeta .... script researcher
Luigi Rocchetti .... prosthetic devices
Sergio Stivaletti .... prosthetic devices
Gino Tamagnini .... prosthetic devices
 
Thanks
Eileen Gregory .... thanks
Steven Spielberg .... thanks
Baby Walker .... thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
MPAA:
Rated R for strong violent and sexual images
Runtime:
162 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Australia:R | Australia:MA (TV rating) | Canada:18A (Alberta) | Canada:14A (British Columbia) | Canada:R (Manitoba/Ontario) | Canada:14 (Nova Scotia) | Canada:13+ (Quebec) | France:U | Germany:16 | Iceland:16 | Italy:T | Japan:R-15 | Netherlands:16 | Norway:15 | Peru:14 | Philippines:R-18 | Singapore:R(A) | Singapore:R21 | Singapore:R21 (re-rating) | South Korea:18 | Spain:18 | UK:18 | USA:R

Did You Know?

Trivia:
Production designer Dante Ferretti had to leave the film shortly after principal photography began to start work on Bringing Out the Dead (1999). However, he left detailed instructions and designs for art director Pier Luigi Basile to implement during shooting, and he returned to the set every two weeks to check everything was going OK.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): When Aaron speaks saying: "Come on, my lords, the better foot before: Straight will I bring you to the loathsome pit Where I espied the tiger fast asleep." His actually says "panther" as opposed to "tiger" (as is written in the original play).See more »
Quotes:
Lucius:[Last lines of the film] Go some of you, bear Saturninus hence, and give him burial in his father's grave. My father and Lavinia shall forthwith be closed in our household's monument. As for that ravenous tiger, Tamora, no funeral rite nor man in mourning weeds, no mournful bell shall ring her burial! But throw her forth to beasts and birds of prey! Her life was beast-like and devoid of pity. And being dead, let birds on her take pity!See more »
Movie Connections:

FAQ

How close to the play is the film?
What is the significance of the opening scene?
What is the significance of the boy?
See more »
46 out of 60 people found the following review useful.
Shakespeare's play: brought to a beautiful and other - worldly stage., 23 February 2001
Author: Doctor Froese (boo_@hotmail.com) from Calgary, AB, CANADA

This is something that I just cannot seem to express. First: There is a love for the artistic sense of the movie. Does that outdo William Shakespeare's wonderful scripts? Perhaps (?).

It is one of my favourite things. To sit down and watch a movie, that wants to express so much more through the characters and their surroundings, than simply what they have to say through word and expression. When they themselves are an expression. For me, it feels like a `perfectionist's movie'. I get the sense that every person's face was chosen for their look and how it could help the character's personality that they are meant to portray. While still taking into consideration the competence of the actor or actress.

Every scene is constructed meticulously. Of course, I cannot envy quite so completely, the full out patience and exacting eye that it took to look at the creative genius of each idea. For every room, each building, each camera angle of the few rundown humble city sidewalks, made to contrast the elegance of the royalty, or to add to it's persona. These things are created like any other movie must create its sets. But for me it seems that they may have found the perfect camera angle to film whichever character's scene it was.

Perhaps I delve too deeply into these things, like some attempt at creating meaning for an accidental painting, but I cannot say that this was an accident. Nor should it be compared to one.

The director, Julie Taymor, found perfection in this movie. Although the idea of bringing a Shakespearean play up to date, is definitely not unheard of, this was still a first for me. The artistic beauty of it, was in finding the plot come to life on a surreal and ambiguous stage. Set in no time and no space. We are first presented with an unwatched child, reeking havoc on a cluttered kitchen table, covered in toys and particular action-figures that we will later realize, slightly resemble a portion of our soon-to-be-introduced cast. An explosion abruptly interrupts the child, and a man comes inside, smudged dirty and looking like something that reminded me of a `troglodyte' from the French film `The Delicatessen'. He bundles the young boy into his arms, and takes him down an unrealistically long flight of stairs, into an expansive old Roman coliseum, where our play then begins. You are left pondering the happenings of the film, and I myself thought at one point, that perhaps the entire thing was happening inside of this child's head.

Whatever the case, it was brilliantly done. The unthought-of effect, is perhaps merely the setting of the stage: bringing us from our world, to another. So that we might witness the story completely, out of ourselves.

I will say nothing of the plot. Accept simply, that it is far more gruesome than what you would general expect of William Shakespeare's plays. The gore was somewhat unexpected , and my love for the movie would falter here, if not for the shockingly horrific scenes maintaining that perfect form throughout, that I was so drawn to. I could enjoy both the visually stimulating scenes, and the stimulating script, as completely separate things. Put together they held me in an even more profound state of wonder and. celebration, for sight and sound.

An absolutely fantastic movie. Very well done. Well envisioned and well realized, well filmed, well acted. yes, very well done. Quite artful.

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