| Photos (see all 26 | slideshow) | Videos (see all 2) |
| Osheen Jones | ... | Young Lucius | |
| Dario D'Ambrosi | ... | Clown | |
| Anthony Hopkins | ... | Titus Andronicus | |
| Jessica Lange | ... | Tamora | |
| Raz Degan | ... | Alarbus | |
| Jonathan Rhys Meyers | ... | Chiron | |
| Matthew Rhys | ... | Demetrius | |
| Harry Lennix | ... | Aaron | |
| Angus Macfadyen | ... | Lucius | |
| Kenny Doughty | ... | Quintus | |
| Blake Ritson | ... | Mutius | |
| Colin Wells | ... | Martius | |
| Ettore Geri | ... | Priest | |
| Alan Cumming | ... | Saturninus | |
| Constantine Gregory | ... | Aemelius | |
| James Frain | ... | Bassianus | |
| Colm Feore | ... | Marcus Andronicus | |
| Geraldine McEwan | ... | Nurse | |
| Laura Fraser | ... | Lavinia | |
| Tresy Taddei | ... | Little Girl | |
| Bah Souleymane | ... | Infant | |
| Antonio Manzini | ... | Publius | |
| Leonardo Treviglio | ... | Caius | |
| Giacomo Gonnella | ... | Sempronius | |
| Carlo Medici | ... | Valentin | |
| Emanuele Vezzoli | ... | Goth Leader | |
| Hermann Weisskopf | ... | Goth Soldier (as Herman Weiskopf) | |
| Christopher Ahrens | ... | Goth Soldier (as Cristopher Aherns) | |
| Vito Fasano | ... | Goth General | |
| Maurizio Rapotec | ... | Goth Lieutenant | |
| Bruno Bilotta | ... | Roman Captain |
Directed by | |||
| Julie Taymor | |||
Writing credits | ||
| William Shakespeare | (play "Titus Andronicus") | |
| Julie Taymor | (screenplay) | |
Produced by | |||
| Conchita Airoldi | .... | producer | |
| Paul G. Allen | .... | executive producer | |
| Stephen K. Bannon | .... | co-executive producer | |
| Robert Bernacchi | .... | associate producer | |
| Mark Bisgeier | .... | co-associate producer (as Mark D. Bisgeier) | |
| Adam Leipzig | .... | co-producer | |
| Ellen Dinerman Little | .... | co-executive producer (as Ellen Little) | |
| Robert Little | .... | co-executive producer | |
| Brad Moseley | .... | co-associate producer | |
| Jody Patton | .... | producer | |
| Linda Reisman | .... | consulting producer: U.S. | |
| Julie Taymor | .... | producer | |
| Karen L. Thorson | .... | associate producer | |
| Michiyo Yoshizaki | .... | co-producer | |
Original Music by | |||
| Elliot Goldenthal | |||
Cinematography by | |||
| Luciano Tovoli | |||
Film Editing by | |||
| Françoise Bonnot | |||
Casting by | |||
| Irene Lamb | |||
| Ellen Lewis | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Pier Luigi Basile | (supervising art director) | ||
| Massimo Razzi | |||
| Domenico Sica | |||
Set Decoration by | |||
| Carlo Gervasi | |||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Giusy Bovino | .... | key hair stylist (as Giusi Bovino) | |
| Ana Bulajic-Crcek | .... | assistant makeup artist | |
| Jana Carboni | .... | assistant makeup artist | |
| Maria Pia Crapanzano | .... | hair stylist | |
| Tony Gardner | .... | special makeup effects artist | |
| Paola Genovese | .... | assistant hair stylist | |
| Vincenzo Mastrantonio | .... | makeup artist (as Enzo Mastrantonio) | |
| Dorothy J. Pearl | .... | makeup artist: Jessica Lange (as Dorothy Pearl) | |
| Luigi Rocchetti | .... | key makeup artist | |
| Gino Tamagnini | .... | key makeup artist | |
| Mauro Tamagnini | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Vanja Aljinovic | .... | co-first assistant director | |
| Tony Brandt | .... | assistant director (as Antonio Brandt) | |
| Gilles Cannatella | .... | third assistant director | |
| Henrique Laplaine | .... | third assistant director (as Henrique de Araujo Laplaine) | |
| Zdravko Madzarevic | .... | assistant director | |
| Luigi Spoletini | .... | third assistant director | |
| Boyana Sutic | .... | second assistant director (as Bojana Sutic) | |
| Guy Travers | .... | first assistant director | |
Art Department | |||
| Alessia Anfuso | .... | assistant set decorator | |
| Carlo Avvisato | .... | props | |
| Dimitri Capuani | .... | assistant art director | |
| Roberto Casale | .... | assistant art director | |
| Maria Rita Cassarino | .... | assistant set decorator | |
| Roberto Cingolani | .... | draperies | |
| Cristiano Donzelli | .... | storyboard artist | |
| Biagio Fersini | .... | assistant art director | |
| Ettore Guerrieri | .... | prop master | |
| Barbel Elizabet Krisel | .... | assistant set decorator | |
| Barnaba Pagliarini | .... | draperies | |
| Bruno Ranieri | .... | head painter | |
| Luigi Sergianni | .... | construction manager | |
| Luca Tranchino | .... | draftsman | |
| Claudio Villa | .... | props | |
Special Effects by | |||
| Renato Agostini | .... | special effects supervisor | |
| Massimo Ciaraglia | .... | special effects technician | |
| Claudio Quaglietti | .... | special effects technician | |
| Fabio Traversari | .... | special effects technician | |
| David Bracci | .... | prosthetic effects (uncredited) | |
Visual Effects by | |||
| Andrea Adams | .... | CG animator: Peerless | |
| Stefano Ballirano | .... | senior digital artist | |
| Martin Body | .... | optical cameraman | |
| John Paul Docherty | .... | digital effects supervisor (as Paul Docherty) | |
| Ditch Doy | .... | visual effects | |
| Deak Ferrand | .... | senior matte painter/designer: POP animation | |
| Lori Freitag-Hild | .... | digital compositor | |
| Kent Houston | .... | visual effects supervisor | |
| Arnon Manor | .... | CG animator | |
| Gian Luca Rizzo | .... | digital compositor | |
| Susi Roper | .... | visual effects producer | |
| John Swinnerton | .... | compositor | |
| Marc Twinam-Cauchi | .... | CG artist: Peerless Camera (as Mark Twinam-Cauchi) | |
| Bob Wiatr | .... | digital effects compositor | |
| Pat Wong | .... | digital compositor | |
| Cheryl Bainum | .... | digital effects producer: POP Animation (uncredited) | |
| Andy Davis | .... | digital compositor: Imaginary Forces (uncredited) | |
Stunts | |||
| Alessandro Borgese | .... | stunt performer | |
| Stefano Maria Mioni | .... | stunt coordinator (as Stefano Mioni) | |
Casting Department | |||
| Marcia DeBonis | .... | casting associate | |
| Shaila Rubin | .... | casting: Rome | |
Costume and Wardrobe Department | |||
| Angela Anzimani | .... | seamstress | |
| Alma Barbieri | .... | workshop tailor | |
| Mariella Dirindelli | .... | wardrobe assistant | |
| Nicoletta Ercole | .... | associated costume designer | |
| Annie Hadley | .... | chief costume cutter | |
| Giovanni Lipari | .... | costumer | |
| Gabriella Loria | .... | costume assistant | |
| Arthur Rowsell | .... | dresser: Mr. Hopkins (as Arthur Roswell) | |
| Marco Scotti | .... | wardrobe master | |
| Lucilla Simbari | .... | costume assistant | |
| Emanuele Zito | .... | costume workshop supervisor (as Emanuele Zito) | |
Editorial Department | |||
| Bob Allen | .... | assistant editor | |
| Anna DiNuovo | .... | editing production assistant | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Mo Henry | .... | negative cutter | |
| William Henry | .... | first assistant editor (as Bill Henry) | |
| Peter Phillips | .... | post-production coordinator | |
| Sara Thorson | .... | second assistant editor | |
| Josh Wick | .... | editing production assistant | |
Music Department | |||
| Michael Connell | .... | music editor | |
| Deaf Elk | .... | musician: guitar | |
| Robert Elhai | .... | orchestrator | |
| Matthias Gohl | .... | music producer (as Teese Gohl) | |
| Elliot Goldenthal | .... | music producer | |
| Elliot Goldenthal | .... | orchestrator | |
| Page Hamilton | .... | musician: guitar | |
| Joel Iwataki | .... | music mixer | |
| Joel Iwataki | .... | music recordist | |
| Joel Iwataki | .... | music score mixer | |
| Todd Kasow | .... | music editor | |
| Daryl B. Kell | .... | music editor (as Daryl Kell) | |
| Lawrence Manchester | .... | music recordist | |
| Richard Martinez | .... | electronic music producer | |
| Stephen Mercurio | .... | conductor | |
| Curtis Roush | .... | music editor | |
| Jonathan Sheffer | .... | conductor | |
| Mark Stewart | .... | musician: guitar | |
| John Thomas | .... | musician: trumpet | |
| Bruce Williamson | .... | musician: saxophone | |
Transportation Department | |||
| Roberto Leone | .... | transportation captain | |
Other crew | |||
| Eleonora Baldwin | .... | assistant to director | |
| Cicely Berry | .... | voice specialist | |
| Giuseppe Cancellara | .... | armorer | |
| Carmela Compagnone | .... | payroll accountant | |
| Kyle Cooper | .... | producer: "Penny Arcade Nightmare" sequences | |
| Jennifer Zolten Freed | .... | post-production accountant | |
| Linda Gamble | .... | unit publicist | |
| Constantine Gregory | .... | dialogue coach | |
| David S. Leong | .... | additional fight choreography | |
| Norma Marie Mascia | .... | production coordinator | |
| Paola Mengoni | .... | script supervisor | |
| Claudia Moscatello | .... | production secretary | |
| Anna Orieti | .... | production accountant | |
| Alex G. Ortoll | .... | main title sequence designed and produced by | |
| Giuseppe Pennese | .... | choreographer | |
| Barbara Petrelli | .... | location manager | |
| Patrizia Pierucci | .... | assistant payroll accountant | |
| Katherine Profeta | .... | script researcher | |
| Luigi Rocchetti | .... | prosthetic devices | |
| Sergio Stivaletti | .... | prosthetic devices | |
| Gino Tamagnini | .... | prosthetic devices | |
Thanks | |||
| Eileen Gregory | .... | thanks | |
| Steven Spielberg | .... | thanks | |
| Baby Walker | .... | thanks | |
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| Caligola | Gladiator | The Tragedy of Macbeth | Beowulf | La terza madre |
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Titus Andronicus is the strangest of Shakespeare's tragedies and the tragedy which most underlines the modern day observation that his tragedies are often comic and his comedies fairly tragic. Particularly the final chain murder has always made me laugh in the theatrical renditions and this one is definitely up to par. As for the rest of the movie, it is a mix of beautiful images, wonderful acting, rotten acting and failed attempts to surrealize an already surreal play. Anthony Hopkins is almost perfect as Titus, Colm Feore pretty good as his righteous brother and Jessica Lange intolerable as Tamora, while most of the rest range from mildly indifferent to pretty okay. As for Aaron in the shape of Harry Lennix he is actually quite convincing albeit not quite in the same league as Kenneth Brannagh who did the all time finest Shakespeare mischievery playing Iago in Othello. But Brannagh as a Moor would be downright laughable - so a compromise well turned out.
The modernisation of Shakespeare is in my opinion an impossibility. Some of his plays have a plot which makes a good basis for a modern production, but Shakespeare's absolute forté is his language and his linguistic jokes and acting in old English requires settings true to the play. That said, I think some of the scenes worked better in this surrealistic environment than they would have - scenes like Titus assembling his men for the shot at the Gods, or the messenger returning his sons' heads in a theater truck. That was novel.
As for the overall feel of this movie, only one word suffices: Madness.
- Thomas Nielsen