This film is an adaptation of the Shakespeare play "Titus Andronicus." Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family. Who says revenge is sweet?
Chekovs Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquillity of a country house is disturbed by the arrival of the estates tyrannical owner and his ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Convicted gun runner, Las Vegas visionary, crusading newspaper publisher, target of the Watergate burglars, hero of Israels War of Independence...these are only some the highlights of Hank ... See full summary »
War begets revenge. Victorious general, Titus Andronicus, returns to Rome with hostages: Tamora queen of the Goths and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered emperor's crown, nominating Saturninus, the last ruler's venal elder son. Saturninus, to spite his brother Bassianus, demands the hand of Lavinia, Titus's daughter. When Bassianus, Lavinia, and Titus's sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There's irony in which two sons survive. Written by
In the scene where Saturninus (Alan Cumming) forgives Titus (Anthony Hopkins), a large stone hand can be seen in the background - hands are a major theme throughout the film. See more »
When Tamora leaves the party/orgy to join Aaron on the balcony, her hands are clasped across her chest. In the next shot she is holding a cigarette. See more »
In peace and honor live Lord Titus long. My noble lord and father, live in fame. Lo, at this tomb my tributary tears I render for my brethren's obsequies, and at thy feet I kneel with tears of joy shed on this earth for thy return to Rome. O bless me here with thy victorious hand.
Kind Rome, that hast thoust lovingly reserved the cordial of mine age to glad my heart! Lavinia, live, outlive thy father's days and fame's eternal date, for virtue's praise.
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Titus Andronicus is the strangest of Shakespeare's tragedies and the tragedy which most underlines the modern day observation that his tragedies are often comic and his comedies fairly tragic. Particularly the final chain murder has always made me laugh in the theatrical renditions and this one is definitely up to par. As for the rest of the movie, it is a mix of beautiful images, wonderful acting, rotten acting and failed attempts to surrealize an already surreal play. Anthony Hopkins is almost perfect as Titus, Colm Feore pretty good as his righteous brother and Jessica Lange intolerable as Tamora, while most of the rest range from mildly indifferent to pretty okay. As for Aaron in the shape of Harry Lennix he is actually quite convincing albeit not quite in the same league as Kenneth Brannagh who did the all time finest Shakespeare mischievery playing Iago in Othello. But Brannagh as a Moor would be downright laughable - so a compromise well turned out.
The modernisation of Shakespeare is in my opinion an impossibility. Some of his plays have a plot which makes a good basis for a modern production, but Shakespeare's absolute forté is his language and his linguistic jokes and acting in old English requires settings true to the play. That said, I think some of the scenes worked better in this surrealistic environment than they would have - scenes like Titus assembling his men for the shot at the Gods, or the messenger returning his sons' heads in a theater truck. That was novel.
As for the overall feel of this movie, only one word suffices: Madness.
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