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Titus (1999)

R  |   |  Drama, History, Thriller  |  11 February 2000 (USA)
7.3
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Ratings: 7.3/10 from 16,612 users   Metascore: 57/100
Reviews: 286 user | 92 critic | 29 from Metacritic.com

Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family.

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Title: Titus (1999)

Titus (1999) on IMDb 7.3/10

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Nominated for 1 Oscar. Another 4 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Osheen Jones ...
Dario D'Ambrosi ...
Clown
...
...
...
...
...
...
Aaron
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...
Quintus
...
Colin Wells ...
Ettore Geri ...
Priest
...
...
Aemelius
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Storyline

War begets revenge. Victorious general, Titus Andronicus, returns to Rome with hostages: Tamora queen of the Goths and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered emperor's crown, nominating Saturninus, the last ruler's venal elder son. Saturninus, to spite his brother Bassianus, demands the hand of Lavinia, Titus's daughter. When Bassianus, Lavinia, and Titus's sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There's irony in which two sons survive. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

The fall of an empire is nothing compared to the descent of man. See more »


Motion Picture Rating (MPAA)

Rated R for strong violent and sexual images | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

11 February 2000 (USA)  »

Also Known As:

Tit Andronik  »

Box Office

Opening Weekend:

$22,313 (USA) (24 December 1999)

Gross:

$1,921,350 (USA) (19 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Marcus (Colm Feore) finds Lavinia (Laura Fraser, the burnt branches surrounding her are a representation of how much she has been destroyed and mutilated from her original beauty. Taymor based the image of Lavinia on the tree trunk on an Edgar Degas' ballerina on a pedestal. See more »

Goofs

When Aaron speaks saying: "Come on, my lords, the better foot before: Straight will I bring you to the loathsome pit Where I espied the tiger fast asleep." His actually says "panther" as opposed to "tiger" (as is written in the original play). See more »

Quotes

Demetrius: Chiron, thy years wants wit, thy wit wants edge and manners, to intrude where I am graced, and may for aught thou knowest, affected be.
Chiron: Demetrius, thou dost overween it all and so in this, to bare me down with braves. 'Tis not the difference of a year or two makes me less gracious or thee more fortunate. I am as able and as fit as thou to serve and deserve my mistress' grace, and that my sword upon thee shall approve. And plead my passions for Lavinia's love.
Aaron: [to the camera] Clubs, clubs! These ...
[...]
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Connections

Featured in The Making of 'Titus' (2000) See more »

Frequently Asked Questions

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User Reviews

 
A "timeless" retelling
14 January 2004 | by (Little Rock, Arkansas) – See all my reviews

Titus. Where to begin? Oh yes, at the beginning. William Shakespeare wrote Titus Andronicus early in his career. VERY early in his career, and such is apparent. On stage, this script as a play must be awful. Character motivations are not explained, there are holes in the action, a character leaves the country and then comes back, seemingly only to set up the climax. There is little explanation of action, and it is less poetic than some of his masterworks (Midsummer, Hamlet, Lear). And yet, Julie Taymor, renowned for her fantastical vision of The Lion King on Broadway, chose this, possibly Shakespeare's most problematic play, to be her introduction to film.

This adaptation is wonderful. Why? Because it fills all the holes of the initial play. She adds scenes without dialogue, she makes the setting timeless and symbolic, and removes it from the realm of reality, wherein the play never worked to begin with. She tranforms a difficult play about revenge into much, much more. It is now a feast for the eyes, a commentary on revenge, power, theatre, film, and villiany.

To be fair, I am not giving Shakespeare enough credit. The play he wrote has many marvelous aspects, mainly the Aaron - possibly Shakespeare's greatest villian. He is unrelenting. And in the film, he is wonderfully acted. Titus is a good character too, and Anthony Hopkins acts him well enough.

It would be easy for a Shakespeare purist to say "eww, what was that," but I would call this retelling a gem. It is moody, gritty, passionate, clever, awe-inspiring, and true to the theme of the original script. It has only added to Shakespeare's words. Is it perfect? No. It does make you stretch yourself, the ending is a head-scratcher, but this will be my favorite Shakespeare adaptation for a long time to come. 9/10


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