Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
Joseph K. awakes one morning, to find two strange men in his room, telling him he has been arrested. Joseph is not told what he is charged with, and despite being "arrested," is allowed to ... See full summary »
David Hugh Jones
At an undisclosed location and time an Empress has seven years to provide her Emperor with an heir to his throne. If she does not succeed during this time, the Emperor is free to marry a ... See full summary »
Jonathan Rhys Meyers,
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
War begets revenge. Victorious general, Titus Andronicus, returns to Rome with hostages: Tamora queen of the Goths and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered emperor's crown, nominating Saturninus, the last ruler's venal elder son. Saturninus, to spite his brother Bassianus, demands the hand of Lavinia, Titus's daughter. When Bassianus, Lavinia, and Titus's sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There's irony in which two sons survive. Written by
Director Julie Taymor fought against an NC-17 rating for the film, but finally agreed to make cuts in the Roman orgy scene in order to obtain an R rating. None of the gruesome violence, however, was considered inconsistent with an R rating. See more »
The position of the spoon as Lucius jams it down Saturninus' throat. See more »
In peace and honor live Lord Titus long. My noble lord and father, live in fame. Lo, at this tomb my tributary tears I render for my brethren's obsequies, and at thy feet I kneel with tears of joy shed on this earth for thy return to Rome. O bless me here with thy victorious hand.
Kind Rome, that hast thoust lovingly reserved the cordial of mine age to glad my heart! Lavinia, live, outlive thy father's days and fame's eternal date, for virtue's praise.
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This film demonstrates how a stage director can combine the unique atmosphere of theater with the stark realism--and fantastic effects-- of film and make a beautiful, moving masterpiece. The words are Shakespeare, the staging is fabulous, the costumes and sets are remarkable and memorable. Jessica Lange and Anthony Hopkins and Alan Cummings radiate. Seeing Titus leaves one exhausted and exhilarated, believing one has seen true, gifted, timeless film making.
Titus is one of Shakespeare's little-known, earlier works, and it is a violent, disturbing tragedy. The producer and director took incredible risks to bring this remarkable experience to you. I know you will be moved.
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