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Titus (1999)

R  |   |  Drama, History, Thriller  |  11 February 2000 (USA)
7.3
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Ratings: 7.3/10 from 16,615 users   Metascore: 57/100
Reviews: 286 user | 92 critic | 29 from Metacritic.com

Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family.

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Title: Titus (1999)

Titus (1999) on IMDb 7.3/10

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Nominated for 1 Oscar. Another 4 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Osheen Jones ...
Dario D'Ambrosi ...
Clown
...
...
...
...
...
...
Aaron
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...
Quintus
...
Colin Wells ...
Ettore Geri ...
Priest
...
...
Aemelius
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Storyline

War begets revenge. Victorious general, Titus Andronicus, returns to Rome with hostages: Tamora queen of the Goths and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered emperor's crown, nominating Saturninus, the last ruler's venal elder son. Saturninus, to spite his brother Bassianus, demands the hand of Lavinia, Titus's daughter. When Bassianus, Lavinia, and Titus's sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There's irony in which two sons survive. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

The fall of an empire is nothing compared to the descent of man. See more »


Motion Picture Rating (MPAA)

Rated R for strong violent and sexual images | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

11 February 2000 (USA)  »

Also Known As:

Tit Andronik  »

Box Office

Opening Weekend:

$22,313 (USA) (24 December 1999)

Gross:

$1,921,350 (USA) (19 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Julie Taymor used anachronistic props and clothes throughout the film (eg chariots and tanks; swords and machine guns) because she wanted to symbolically depict 2,000 years of warfare and violence. See more »

Goofs

When Tamora leaves the party/orgy to join Aaron on the balcony, her hands are clasped across her chest. In the next shot she is holding a cigarette. See more »

Quotes

Tamora: The worst done to her the better loved of me.
See more »

Connections

Referenced in A.I. Artificial Intelligence (2001) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Shakespeare's play: brought to a beautiful and other - worldly stage.
23 February 2001 | by (Calgary, AB, CANADA) – See all my reviews

This is something that I just cannot seem to express. First: There is a love for the artistic sense of the movie. Does that outdo William Shakespeare's wonderful scripts? Perhaps (?).

It is one of my favourite things. To sit down and watch a movie, that wants to express so much more through the characters and their surroundings, than simply what they have to say through word and expression. When they themselves are an expression. For me, it feels like a `perfectionist's movie'. I get the sense that every person's face was chosen for their look and how it could help the character's personality that they are meant to portray. While still taking into consideration the competence of the actor or actress.

Every scene is constructed meticulously. Of course, I cannot envy quite so completely, the full out patience and exacting eye that it took to look at the creative genius of each idea. For every room, each building, each camera angle of the few rundown humble city sidewalks, made to contrast the elegance of the royalty, or to add to it's persona. These things are created like any other movie must create its sets. But for me it seems that they may have found the perfect camera angle to film whichever character's scene it was.

Perhaps I delve too deeply into these things, like some attempt at creating meaning for an accidental painting, but I cannot say that this was an accident. Nor should it be compared to one.

The director, Julie Taymor, found perfection in this movie. Although the idea of bringing a Shakespearean play up to date, is definitely not unheard of, this was still a first for me. The artistic beauty of it, was in finding the plot come to life on a surreal and ambiguous stage. Set in no time and no space. We are first presented with an unwatched child, reeking havoc on a cluttered kitchen table, covered in toys and particular action-figures that we will later realize, slightly resemble a portion of our soon-to-be-introduced cast. An explosion abruptly interrupts the child, and a man comes inside, smudged dirty and looking like something that reminded me of a `troglodyte' from the French film `The Delicatessen'. He bundles the young boy into his arms, and takes him down an unrealistically long flight of stairs, into an expansive old Roman coliseum, where our play then begins. You are left pondering the happenings of the film, and I myself thought at one point, that perhaps the entire thing was happening inside of this child's head.

Whatever the case, it was brilliantly done. The unthought-of effect, is perhaps merely the setting of the stage: bringing us from our world, to another. So that we might witness the story completely, out of ourselves.

I will say nothing of the plot. Accept simply, that it is far more gruesome than what you would general expect of William Shakespeare's plays. The gore was somewhat unexpected , and my love for the movie would falter here, if not for the shockingly horrific scenes maintaining that perfect form throughout, that I was so drawn to. I could enjoy both the visually stimulating scenes, and the stimulating script, as completely separate things. Put together they held me in an even more profound state of wonder and. celebration, for sight and sound.

An absolutely fantastic movie. Very well done. Well envisioned and well realized, well filmed, well acted. yes, very well done. Quite artful.


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