Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
Joseph K. awakes one morning, to find two strange men in his room, telling him he has been arrested. Joseph is not told what he is charged with, and despite being "arrested," is allowed to ... See full summary »
David Hugh Jones
War begets revenge. Victorious general, Titus Andronicus, returns to Rome with hostages: Tamora queen of the Goths and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered emperor's crown, nominating Saturninus, the last ruler's venal elder son. Saturninus, to spite his brother Bassianus, demands the hand of Lavinia, Titus's daughter. When Bassianus, Lavinia, and Titus's sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There's irony in which two sons survive. Written by
Before he came to America and won an Oscar, Anthony Hopkins had appeared in over 100 performances of King Lear (as Lear) and over 100 performances of Antony and Cleopatra (as Antony) and had vowed never to do Shakespeare again. Shortly before being offered the role of Titus by Julie Taymor, he was offered the same role for an English stage production and had turned it down. He also turned down Taymor at first. However, after seeing her stage production of The Lion King and a video of her production for Saito Kinen Orchestra in Japan of the operatic adaptation of Great Performances: Oedipus Rex (1993), Hopkins changed his mind and decided to do the project. See more »
When Tamora leaves the party/orgy to join Aaron on the balcony, her hands are clasped across her chest. In the next shot she is holding a cigarette. See more »
Villain, what hast thou done?
That which thou canst not undo.
Thou hast undone our mother.
Villain, I have done thy mother.
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This is a Shakespeare play, and this one is no comedy, I must say. Shakespeare liked the Rome background, and exploited it quite, though with some anachronysms, and, in this one, a victorious general, Titus, returns to Rome amidst the succession dispute following the death of the Caesar. Soon he will be entangled in a vicious plot.
Yes, Titus is the early, sensational, Shakespeare play, but, it displays to us what can be most dreadful in human nature. A story of vengeance like I've never seen, I felt myself tossed to the pits of utter filth when I first read it. It's violent, violent, violent and simple, yet, not cheesy. It's a kind of violence that you wouldn't ever see in action-packed movies with bullets afly.
The movie can hold you to your seat if you have watched other Shakespeare play based movies previously, for it is intense. The background and costumes are not genuine Rome, they were modified to something that resembles the movie "Dune", but nothing is ridiculously anachronic, like I thought of that DiCaprio "Romeo & Juliet", which made me leave the seat in the very beginning (the "Sword" scene). This movie Titus doesn't try to be historical or actual, it's more surreal-like, with original, abridged, text. The violence is quite explicit, so have your stomach ready.
Alas, the acting is great! Totally recommended, this story is the Centaurs' Feast! Our journey shall be a very long and ominous journey, but you shall part on it with me.
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