In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
A true story about four Allied POW's who endure harsh treatment from their Japanese captors during World War II while being forced to build a railroad through the Burmese jungle. Ultimately... See full summary »
David L. Cunningham
Taking place towards the end of WWII, 500 American Soldiers have been entrapped in a camp for 3 years. Beginning to give up hope they will ever be rescued, a group of Rangers goes on a dangerous mission to try and save them.
It's May 1943 at a US Air Force base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic captain, ... See full summary »
In World War II, the outcome of the battle of Guadalcanal will strongly influence the Japanese advance into the Pacific theater. A group of young soldiers is brought in as a relief for the battle-weary Marines. The exhausting fight for a strategically-positioned airfield that allows control over a 1000-mile radius puts the men of the Army rifle company C-for-Charlie through hell. The horrors of war form the soldiers into a tight-knit group; their emotions develop into bonds of love and even family. The reasons for this war get further away as the world for the men gets smaller and smaller until their fighting is for mere survival and the life of the other men with them. Written by
Julian Reischl <firstname.lastname@example.org>
Prior to the film's release, producers Robert Michael Geisler and John Roberdeau allegedly violated a confidentiality clause they had signed by giving an interview to Vanity Fair about their long involvement with Terrence Malick and the film. Malick was upset by this. Geisler and Roberdeau had to sign another agreement stating they would not attend the Oscars ceremony. If they violated that agreement, their names would be stripped from the film and video credits. See more »
When the men are preparing to climb down into the assault craft, there is a shot of Captain Staros thinking to himself. Over his shoulder he carries an M1 carbine which has a mounted bayonet lug (post war feature). When he arrives on the island, suddenly his weapon doesn't have a bayonet lug anymore. See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
The Thin Red Line has no real hero and no real plot to speak of. Due to its release the same year as Saving Private Ryan it will forever be linked to Spielberg's anti-war opus. Yet, "TRL" deserves to be compared to Stanley Kubrick's 2001 due to it's style and distance from the audience. The film's only character is the Charlie Company and the conflict is between humankind itself. Director Terrance Malik asks profound questions and unlike "Ryan," doesn't expect them to be answered because they simply can't be answered. Like 2001, the viewer is left with more questions than answers at the end of the film and is told in stunning visual fashion. Some critics have pointed out various flaws in the film; however, these traits are what sets TRL apart form it's peers. The stars like John Travolta and George Clooney have little screen time. They are the officers who command attention and are larger than life to the simple GI's who do the real work (and most of the acting in the film.) The characters are mostly unrecognizable and you know little about them save the main characters like Pvt. Bell. But, the faces are meant to be unrecognizable; to paraphrase the film they are simply flesh and meat made from the earth simply to return back to it. Those who criticise the lack of violence in some scenes while labeling the other scenes intense don't realize the intensity the fight scenes generalize are due to the fact that the soldiers don't know when their next battle will be and when their last breath will take place. The main character, Charlie Company, is fighting to stay alive, the only real driving force of the plot. All of the characters have different views of the war, shown through the use of random spoken narrative. There is no easy conclusion to the war and the film starts off where it began, among the animals of the pacific. Life is one huge circle and one could guess the battle for the bunker on top of the hill could be fought again and there is no possible way to stop it, (At least that is what I was able to muster of the film itself.) For myself the most haunting image was the scene when the Americans stare at their Japanese enemy after capturing the hill. Both sides seem to realize that they could be on the other side of the battle and that in war there really is no good vs. bad scenario, just what nation you're from and who you are trying to kill. Yet the question asked is why war occurs and why we must fight each other. On that note, we still have no answers. The acting and sound are superb. The direction, editing, and score are all Oscar caliber. I don't shrink from saying that TRL is the best film of 1998 and one of the greatest war films of all time; (and contrary to what some are trying to say it is a war film, that is at its core.) TRL is the only film to ever make my knees tremble and haunt me days after I saw it. If you see it, I'm sure your opinions will be just as strong as mine.
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