7.6/10
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The Thin Red Line (1998)

R | | Drama, War | 15 January 1999 (USA)
Terrence Malick's adaptation of James Jones' autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.

Director:

Writers:

(novel), (screenplay)
Popularity
1,343 ( 700)

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Nominated for 7 Oscars. Another 20 wins & 41 nominations. See more awards »

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Cast

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Storyline

U.S. Army Private Witt (AWOL) is found and imprisoned on a troop carrier by his company First Sergeant, Welsh.The men of C Company,1st Battalion,27th Infantry Regiment,25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. They arrive near Hill 210, a key Japanese position. Their task is to capture the hill at all cost. What happens next is a story developing about redemption and the meaningless of war. Regardless the outcome. Written by Frank Liesenborgs

Plot Summary | Plot Synopsis

Taglines:

Every man fights his own war.

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for realistic war violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

15 January 1999 (USA)  »

Also Known As:

La delgada línea roja  »

Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend:

$223,548 (USA) (25 December 1998)

Gross:

$36,385,763 (USA) (7 May 1999)
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Company Credits

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Technical Specs

Runtime:

| (rough cut)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Billy Bob Thornton recorded a narration for the three-hour-plus epic under the supervision of director Terrence Malick. However, the final print of the film has voice-overs by eight of the main characters in the film; none of the narration from Thornton is in the final print. In addition, several other stars who filmed scenes were left on the cutting-room floor, including Bill Pullman, Gary Oldman, Lukas Haas, Viggo Mortensen, Martin Sheen, Jason Patric, and Mickey Rourke. See more »

Goofs

During the earlier stages of the battle to reach the Japanese stronghold (at about 1:00 into the film), an entire camera crew of about 4 or 5 people, along with their microphones and camera, are fully visible along the left side of the shot. See more »

Quotes

[first lines]
Private Edward P. Train: What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Crazy Credits

Composer Wrangler. . . Moanike'ala Nakamoto See more »

Connections

Referenced in Mr. Nobody (2009) See more »

Soundtracks

Sit Back and Relax
Written & Performed by Francesco Lupica
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Theater of Ideology
30 June 2006 | by (Manhattan) – See all my reviews

When I was about 7, I first saw Rocky on TV and I didn't really understand it. It wasn't until I was 18 that I came to the conclusion, that it was the greatest movie ever made. At 22, that all changed when I first saw On The Waterfront. Fully aware now that Brando was a god. The ultimate male. Never not shocking, bruiting desire. At 24 it was a toss up between Eyes Wide Shut and Casablanca. Cruise controls a certain air and Bogart was the coolest guy to ever live. Now I am at the crossroads of life and The Thin Red Line.

This movie just does it for me. The fact that the whole story is told through poetry is quite a unique thing to do. To tell a story through words. And nowadays, by doing so they take a lot of risks. In all fairness this movie sacrifices capturing the general audience, for words that go together so beautifully. I wish more people could understand how great this movie really is and not try to compare it to other classics like Full Metal Jacket or Apocalypse Now. It's a different kind of war movie. This one's on humility's side.

Though it took me some time, The Thin Red Line has become my favorite war movie. I've always been a fan of Penn, this movie introduced me to Caviezel. He seems to capture his part with a justful beauty.

It's hard for me to pick a favorite scene. The dialog between Penn and Caviezel is powerful. I have to admit that the conversations between him and Penn made the movie for me. They seem to be trying to out act each other. For example, when Caviezel says that he is twice the man that Penn is in one of the opening scenes. Penn gives him this look. I can only describe as a peaceful calm. One of intelligence that comes with age. Instead of overreacting to the comment, he sits back and understands it. I guess that's more of the writer's doing, but it is a beautiful thing.


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