In World War II, the outcome of the battle of Guadalcanal will strongly influence the Japanese advance into the Pacific theater. A group of young soldiers is brought in as a relief for the battle-weary Marines. The exhausting fight for a strategically-positioned airfield that allows control over a 1000-mile radius puts the men of the Army rifle company C-for-Charlie through hell. The horrors of war form the soldiers into a tight-knit group; their emotions develop into bonds of love and even family. The reasons for this war get further away as the world for the men gets smaller and smaller until their fighting is for mere survival and the life of the other men with them. Written by
Julian Reischl <firstname.lastname@example.org>
In the final narration by Train (John Dee Smith), he says, "Darkness and Light. Strife and Love. Are they the workings of one mind, the features of the same face?" This is a slight misquote of William Wordsworth's Prelude: Book Six, lines 636-8: "Tumult and peace, the darkness and the light / Were all like workings of one mind, the features / Of the same face". See more »
When Welsh is talking to the scared young soldier in the shaving quarters at the beginning of the film, the soldier says, "Only two things that are permanent is dying and the Lord," and the camera and the operator's hand are reflected in the far left mirror (visible only in the widescreen release). See more »
Private Edward P. Train:
What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
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Composer Wrangler. . . Moanike'ala Nakamoto See more »
When I was about 7, I first saw Rocky on TV and I didn't really understand it. It wasn't until I was 18 that I came to the conclusion, that it was the greatest movie ever made. At 22, that all changed when I first saw On The Waterfront. Fully aware now that Brando was a god. The ultimate male. Never not shocking, bruiting desire. At 24 it was a toss up between Eyes Wide Shut and Casablanca. Cruise controls a certain air and Bogart was the coolest guy to ever live. Now I am at the crossroads of life and The Thin Red Line.
This movie just does it for me. The fact that the whole story is told through poetry is quite a unique thing to do. To tell a story through words. And nowadays, by doing so they take a lot of risks. In all fairness this movie sacrifices capturing the general audience, for words that go together so beautifully. I wish more people could understand how great this movie really is and not try to compare it to other classics like Full Metal Jacket or Apocalypse Now. It's a different kind of war movie. This one's on humility's side.
Though it took me some time, The Thin Red Line has become my favorite war movie. I've always been a fan of Penn, this movie introduced me to Caviezel. He seems to capture his part with a justful beauty.
It's hard for me to pick a favorite scene. The dialog between Penn and Caviezel is powerful. I have to admit that the conversations between him and Penn made the movie for me. They seem to be trying to out act each other. For example, when Caviezel says that he is twice the man that Penn is in one of the opening scenes. Penn gives him this look. I can only describe as a peaceful calm. One of intelligence that comes with age. Instead of overreacting to the comment, he sits back and understands it. I guess that's more of the writer's doing, but it is a beautiful thing.
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