The orphan and former surfer Chris Emerson and his sister Nicole Emerson move to Luna Bay expecting to initiate a new life without housing expenses with their Aunt Jillian, but she charges ... See full summary »
In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks ... See full summary »
Paul Andrew Williams
When an army of Graboids - giant, carnivorous underground worms - threaten the Petromaya oil refinery in Mexico, its owners call on Earl Bassett, who once helped kill four of the creatures ... See full summary »
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents.
Five criminals get together to rob a bank in Mexico. On his way to their rendezvous point, one of them gets into an accident, and stumbles upon the Titty Twister Bar. This little detour sets up the terror that awaits the outlaws and the officers on their trail. Written by
When one of the vampires are thrown on the horn (mounted on the grill of the Cadillac), one of the horns move with the body, revealing it is not attached to the car, but to the clothing of the actor. See more »
It goes the genre-blending of the original one better: it melds the heist movie, the vampire movie, and the good-ole-boy movie. The co-writer Duane Whitaker, who has made a number of witty and flavorfully scripted independent movies, is probably responsible for the Texas atmosphere, and the idiosyncracy of the gang of redneck layabouts who make up the cast. Despite the stripped-down special effects, you might feel grateful to the movie for being the first B picture in eons to feature actual characters. Robert Patrick is superb as the hero--who, in the fashion of the first film, seems convincingly about to be revealed as a hotheaded sociopath, then veers in a very different direction. Muse Watson as the safecracker C.W. and Bo Svenson, now ripened in late middle aged, is marvellous as the skeptical sheriff--he could play doubles with L.Q. Jones. The movie isn't much, but it has actors, characters and dialogue--three things that are by now extinct on the direct-to-video shelf.
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