When her surrogate father who owns the casino she works in gets murdered, Modesty Blaise takes on those that killed him and are now at the casino to rob it. It turns out she is more than just a modest worker.
Gabriella, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with ... See full summary »
Five criminals get together to rob a bank in Mexico. On his way to their rendezvous point, one of them gets into an accident, and stumbles upon the Titty Twister Bar. This little detour sets up the terror that awaits the outlaws and the officers on their trail. Written by
The movie's editor also plays Victor, the vampire who is shot by Luther at the side of the road. See more »
When one of the vampires are thrown on the horn (mounted on the grill of the Cadillac), one of the horns move with the body, revealing it is not attached to the car, but to the clothing of the actor. See more »
It goes the genre-blending of the original one better: it melds the heist movie, the vampire movie, and the good-ole-boy movie. The co-writer Duane Whitaker, who has made a number of witty and flavorfully scripted independent movies, is probably responsible for the Texas atmosphere, and the idiosyncracy of the gang of redneck layabouts who make up the cast. Despite the stripped-down special effects, you might feel grateful to the movie for being the first B picture in eons to feature actual characters. Robert Patrick is superb as the hero--who, in the fashion of the first film, seems convincingly about to be revealed as a hotheaded sociopath, then veers in a very different direction. Muse Watson as the safecracker C.W. and Bo Svenson, now ripened in late middle aged, is marvellous as the skeptical sheriff--he could play doubles with L.Q. Jones. The movie isn't much, but it has actors, characters and dialogue--three things that are by now extinct on the direct-to-video shelf.
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