| Brendan O'Carroll | ... | Rissolli | |
| Brendan Gleeson | ... | Sweety Barrett | |
| Tony Rohr | ... | Flick Hennessy | |
| Andrew Scott | ... | Danny | |
| Agnes Bernelle | ... | Mrs. Walsh | |
| Frankie McCafferty | ... | Arthur Meany | |
| Kevin Flood | ... | Fisherman | |
| Lynda Steadman | ... | Anne King | |
| Dylan Murphy | ... | Conor King | |
| Liam Cunningham | ... | Detective Bone | |
| Dawn Bradfield | ... | Mary the Waitress | |
| Cillian Murphy | ... | Pat the Barman | |
| Dean Griffin | ... | Hey-Horse Kid | |
| Raymond Kean | ... | Uniform One | |
| Mikel Murfi | ... | Uniform Two | |
| Andy Serkis | ... | Leo King | |
| Paraic Breathnach | ... | Cannolly (as Päraic Breathnach) |
Directed by | |||
| Stephen Bradley | |||
Writing credits(in alphabetical order) | ||
| Stephen Bradley | writer | |
Produced by | |||
| Friðrik Þór Friðriksson | .... | co-producer (as Fridrik Thór Fridriksson) | |
| Ed Guiney | .... | producer | |
| Gareth Jones | .... | executive producer | |
| Jan Roldanus | .... | co-producer | |
| Peter Rommel | .... | co-producer | |
Original Music by | |||
| Stephen McKeon | |||
Cinematography by | |||
| Thomas Mauch | |||
Film Editing by | |||
| Dermot Diskin | |||
Production Design by | |||
| Nathan Crowley | |||
| Paki Smith | |||
Costume Design by | |||
| Lorna Marie Mugan | |||
Makeup Department | |||
| Muriel Bell | .... | hair stylist | |
Production Management | |||
| Dara McClatchie | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Agnew | .... | first assistant director | |
| Karen Richards | .... | second assistant director | |
| Dermot Whelan | .... | third assistant director | |
Art Department | |||
| Olivia Barratier | .... | poster designer | |
| Graeme Bird | .... | art department assistant | |
| Lindsay Campbell | .... | art department trainee | |
| Julie Ochipinti | .... | assistant art director | |
Sound Department | |||
| Róbert Bjarnason | .... | sound editor | |
| Kieran Curtin | .... | trainee sound | |
| John Fitzgerald | .... | adr mixer | |
| Kjartan Kjartansson | .... | supervising sound editor | |
| Steven McLoughlin | .... | sound trainee | |
Stunts | |||
| Eamon A. Kelly | .... | stunts | |
| Philippe Zone | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Darryl Byrne | .... | clapper loader: dailies | |
| Donal Caulfield | .... | focus puller: additional camera | |
| Wendy Dixon | .... | still photographer | |
| Anthony D. Guzman | .... | best electric | |
| Michael Hain | .... | assistant camera | |
| Davie Mayes | .... | generator operator | |
| James McGuire | .... | gaffer | |
| Pat Miller | .... | electrician | |
| Eoin O'Hagan | .... | best boy | |
Costume and Wardrobe Department | |||
| Jessica O'Leary | .... | wardrobe supervisor | |
Music Department | |||
| Kevin Townend | .... | score orchestrator | |
Other crew | |||
| Andrew Lowe | .... | production accountant | |
| John McKenna | .... | armorer | |
| Lisa Parker | .... | production coordinator | |
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| Croupier | The General | I Went Down | Intermission | Disco Pigs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Ireland section |
I should qualify my remarks by saying that the person sitting nearest me (that's "nearest" as opposed to "next to" or "beside") cried profusely at the film's denouement. This tale of a recently unemployed circus worker who gets involved with some poteen smugglers (poteen, in the unlikely event of this movie getting an international release, is an illegal liquor) left me wanting to cry only for the hour and a half of my life I had wasted. It's clear form the start of the film that Sweety, played competently by Brendan Gleeson, is a Gentle giant, and anyone who's seen _Slingblade_ or any other gentle giant movies know what eventually happens to them, especially when it's so clear who the bad guys are. If I had to think of something good to say about this film, it's that it deals with Irish crime without referring to the IRA, but this could also be said of _I Went Down_ also starring Gleeson, as well as including some wit and irony. With its emphasis on the sordid and moribund, it aspires to the profundity of Italian neo-realism but ends up looking more like a tacky British TV movie. How this film can headline at Irish multiplexes when witty, intelligent films like _Separation Anxiety_ and _Pete's Meteor_ await a release is a secret film distributors will probably keep under their cloven hooves.