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Sweety Barrett (1998)
"The Tale of Sweety Barrett" (original title)

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Ratings: 6.3/10 from 123 users  
Reviews: 4 user | 2 critic

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Title: Sweety Barrett (1998)

Sweety Barrett (1998) on IMDb 6.3/10

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Cast overview, first billed only:
Sweety Barrett
Flick Hennessy
Agnes Bernelle ...
Mrs. Walsh
Frankie McCafferty ...
Arthur Meany
Kevin Flood ...
Lynda Steadman ...
Anne King
Dylan Murphy ...
Conor King
Detective Bone
Dawn Bradfield ...
Mary the Waitress
Pat the Barman
Dean Griffin ...
Hey-Horse Kid
Raymond Kean ...
Uniform One
Mikel Murfi ...
Uniform Two


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Plot Keywords:

independent film


Crime | Drama


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Release Date:

16 April 1999 (Ireland)  »

Also Known As:

Sweety Barrett  »

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Production Co:

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Did You Know?


Friðrik Þór Friðriksson was originally considered as director. See more »


Baby Won't You Please Come Home
Written by Charles Warfield/Claranco Williams
Performed by Vic Damone
By kind permission of MCA Music and Redwood Music and courtesy of Capitol Records
See more »

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User Reviews

Miserable attempt at Irish _Slingblade_
22 April 1999 | by (Cork, Ireland) – See all my reviews

I should qualify my remarks by saying that the person sitting nearest me (that's "nearest" as opposed to "next to" or "beside") cried profusely at the film's denouement. This tale of a recently unemployed circus worker who gets involved with some poteen smugglers (poteen, in the unlikely event of this movie getting an international release, is an illegal liquor) left me wanting to cry only for the hour and a half of my life I had wasted. It's clear form the start of the film that Sweety, played competently by Brendan Gleeson, is a Gentle giant, and anyone who's seen _Slingblade_ or any other gentle giant movies know what eventually happens to them, especially when it's so clear who the bad guys are. If I had to think of something good to say about this film, it's that it deals with Irish crime without referring to the IRA, but this could also be said of _I Went Down_ also starring Gleeson, as well as including some wit and irony. With its emphasis on the sordid and moribund, it aspires to the profundity of Italian neo-realism but ends up looking more like a tacky British TV movie. How this film can headline at Irish multiplexes when witty, intelligent films like _Separation Anxiety_ and _Pete's Meteor_ await a release is a secret film distributors will probably keep under their cloven hooves.

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