The Borg travel back in time intended on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
While on a mission to observe the peaceful Ba'ku race, Lt. Commander Data suddenly behaves as if having to fear for his existence. The immortal Ba'ku, whose planet offers regenerative radiation and therefore incredible lifespans, live in harmony with nature and reject advanced technology. Their planet and their culture is secretly researched by the Federation associated with an alien race called the Son'a. But the Son'a intend to abduct the Ba'ku in order to take the planet for themselves and for the Starfleet officials who all would like to regenerate their bodies. But they did not think of the loyalty of Captain Jean-Luc Picard and the crew of the Enterprise-E to the Prime Directive. Written by
Julian Reischl <email@example.com>
Picard tells Anij that what they Baku have would be worth more to some than gold pressed latinum. But nothing would have a value in a society without money unless you needed to barter for it, in which case the value would be based on what the seller needs and is willing to give for it. See more »
[children playing hide and seek]
There he is. Let's get him, come on!
See more »
I would say that this movie rivals the skill of the first "Next Generation" movie, First Contact. If anything, the dialogue is more refined and the humour, of which there is a great deal, is well timed and raised smiles at suitable points in the movie. Many have criticised the writers for either making the humour too silly or, for not daring to take the jokes to the belly-laugh level. Personally, I think the film is richer for the homour, which seems natural, not forced, and generally hit its targets. After all though, it's not a comedy.
Insurrection is a movie which displays far more humanity than the cold, but nevertheless enthralling, First Contact. To compare the movies is difficult, as they are very different, and opinions will inevitably clash. Both movies have a different agenda, I think.
I would dare to say that Insurrection would do a better job at converting people to the Star Trek "cause" than would any of the other films. Before watching, I knew little about Star Trek, and it really stoked my interest in the series. In evaluating Insurrection I realised that the film has several outstanding set-pieces, some of which are very memorable, such as the high-speed chase between Picard and Data through the cloud layers, with The Captain trying to coax Data into performing a scene from Gilbert and Sullivan's HMS Pinafore. The scene is outrageous, and very surreal, and extremely well done. Another example would be the attack of the flying miniature transporter robots, where Worf really gets to prove how brave, and violent, he really is.
Finally, the acting is universally good, and Stewart puts in a performance of depth, although not as impressive as in First Contact. The plot of Insurrection is slight, and alone doesn't manage to hold the attention. But the other elements that go into producing a good movie, such as the script, acting, directing, and, dare I say it, special effects, add up to an entertaining whole.
I think that free of the limitations imposed by the "classic trek" rules, and the campy acting that dogged the earlier Trek flicks, the Star Trek franchise will flourish, and this movie shows how much a cast enjoying what they are doing adds to the fun and feel-good factor of watching the film with a cinema full of enthralled viewers. Well done Jonathan Frakes!
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