This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful...
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This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful author who obviously drinks too much and is starting to experience health problems. Living in France with his wife, daughter, and an adopted son, the family travels an unconventional road that leaves all of them as outsiders to others. Preaching a sexual freedom, his daughter's sexual acceptance begins at an early age and betrays her when the family moves to Hanover in America. Her sexuality is definitely not the normal for American teens and gives her a bad reputation and outcasts her. Meanwhile her brooding brother struggles with his own inner turmoils about his early desertion in life. Only within the tight knit confines of his family is he comfortable to even speak. Written by
John Sacksteder <email@example.com>
The family is watching Thunderbolt and Lightfoot on TV, which was not even released to theatres until 1974, but we later see a date on a gravestone of 1973 (which means the TV scene was probably set in 1972, since there was an intervening New Year's Eve scene). See more »
The cast part of the credits is divided into three parts: First "Billy" (1-27), Then "Francis" (28-41), and finally "Daddy" (42-51) See more »
This is an sensitive exploration of the family and place. I noticed that Bill Willis was the only father in the picture, Billy and Francis did not have fathers. As a coming of age movie it really worked- for not only does Channe lose some of her innocence- it starts in the tree house- she also is able to accept her coming into adult status- as is evidenced by dumping the jock and losing some of her self-centeredness. I loved the character of Francis- boy/not sexually threatening- yet freeing for Channe by the fact of his flamboyance. Most of the parts of this movie fit together well- there is enough dichotomy- the mother can throw sand in the sadistic teacher's face, but she also crumbles at the death of an unborn child. Like us the characters are both strong and weak. At first I was bothered by the lack of reference to Vietnam- then I realized neither Billy nor Channe would be that affected like those of us who lived through that period. Most of all, Soldier's Daughter moved me to thinking how parents really influence their children. Any movie that foregoes bombs for thought is tops in my book.
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