6.8/10
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195 user 94 critic

Snow Falling on Cedars (1999)

A U.S. Japanese fisherman may have killed his neighbor Carl at sea. In the 1950s, race figures into the trial. So does reporter Ishmael.

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Writers:

(novel), (screenplay) (as Ron Bass) | 1 more credit »

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Nominated for 1 Oscar. Another 5 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
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Hatsue Miyamoto (as Youki Kudoh)
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Anne Suzuki ...
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Nels Gudmundsson (as Max Von Sydow)
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Alvin Hooks
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Judge Fielding
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Sheriff Art Moran
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Susan Marie Heine
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Carl Heine Jr.
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Etta Heine
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Carl Heine Sr. (as Daniel Von Bargen)
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Hisao Imada
...
Fujiko Imada
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Storyline

It's 1950 on San Pedro Island in the American Pacific Northwest. Commercial fisher Carl Heine Jr.'s dead body is pulled out of the water in a fishing net by his crew, he who died of head trauma. Kazuo Miyamoto is charged with his murder. Carl and Kazuo were once friends, had known each other since childhood, but WWII has placed a strain on any sort of relationship between the ethic Japanese and Caucasian populations of the area, the Japanese population which was and is still substantial on the island. Carl had motive regarding a land dispute between the two families, land which Carl's mother eventually sold from under the Miyamotos and which Carl had just repurchased. Evidence also points to Kazuo being on the water with Carl probably sometime during his last voyage, evidence which Kazuo knew would put him in a bad light, adding on top of being Japanese, and thus decided not to disclose to the investigating sheriff at the time he was questioned. Kazuo and his wife Hatsue's fear come ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

First loves last. Forever. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for disturbing images, sensuality and brief strong language | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

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Release Date:

7 January 2000 (USA)  »

Also Known As:

Mientras nieva sobre los cedros  »

Filming Locations:

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$32,135 (USA) (24 December 1999)

Gross:

$14,378,353 (USA) (10 March 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ishmael never once pronounces the love of his life's name correctly. He always calls her "Hat-sue", when her name should be pronounced "Ha-Tsu-E". See more »

Goofs

While Ishmael Chambers is checking the coast guard records, a pen disappears from his mouth between shots. See more »

Quotes

Young Hatsue Imada: [snuggling] Do you think this is wrong?
Young Ishmael Chambers: Your friends would. Your dad would kill me.
Young Hatsue Imada: My mom is the problem.
Fujiko Imada: [remembering her mother's voice] Stay away from white boys. Marry one of your own kind, whose heart is strong and gentle.
See more »

Connections

Featured in Spotlight on Location: Snow Falling on Cedars (2000) See more »

Soundtracks

I Used to Love You (But It's All Over Now)
Written by Lew Brown, Albert von Tilzer (as Albert Von Tilzer)
Performed by Fats Waller
Courtesy of the RCA Records Label of BMG Entertainment
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User Reviews

 
Almost perfect
23 January 2000 | by (Sydney, Australia) – See all my reviews

Adapting this novel with its tricky, time-shifting narrative was always going to be a big task, but Scott Hicks' sumptuous and elegant film very nearly pulls it off. Hicks and co-writer Ron Bass move quickly into the courtroom and wisely use the trial to drive the plot, telling the backstory - the real story in this case - through a finely-woven complex of flashbacks. The difficulty is that this story is a rich, long and emotional tale which requires a fair degree of exposition for it to be satisfying. The screenplay is superbly economical in this regard, but there is no escaping the fact that the only way to cover so much ground in a film of tolerable length is to fly over it at 30,000 feet. The necessarily distant treatment this requires occasionally dilutes the emotional force which would have come from a more thorough and leisurely telling. Hicks strives valiantly to compensate with a powerfully emotive score - this works, but it doesn't always hit the mark. Rather than engendering emotion, James Newton Howard's musical is often so insistently overpowering that it locks the audience out. On occasions I felt strangely alienated by a wall of sound when I knew I should have been in tears. But that's a minor flaw in an otherwise excellent production. Overall, this is an intelligent and considered adaptation - probably the best that could be made from a novel which would have been incredibly difficult to bring to the screen. It's solidly acted, immaculately lit, and offers some of the most achingly beautiful imagery to illuminate the screen in years (the opening shots are magnificent). Most rewarding of all is the fact that Scott Hicks takes some real stylistic risks with this film. They don't always pay off, but when they do it's magical.


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