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Carl, a fisherman in the waters off Washington state, has been found dead, drowned in his own nets, but with a serious head wound. Was he murdered? Post-war anti-Japanese sentiments are still running high, and a murder suspect is found in the local Japanese-American community in the form of Kabuo, another fisherman, who had a grudge against Carl's family. Ishmael, the small town's newspaperman, may have the information that would acquit Kabuo, but can he ever put his jilted love for Hatsue (Kazuo's wife) aside? Written by
Martin Lewison <firstname.lastname@example.org>
Proves how editing can ruin a could-have-been-great-film
The directing, acting, story and cinematograpy were all absolutely beautiful. Too bad the editing ruined the film. The story is terribly pieced together in a manner which will leave the audience confused to the end. I understand what was trying to be done, a unique style of editing seen in The Limey and Ordinary People. However they just didnt pull it off. The story in Snow was just too complex to rely completely on that flashback editing style and is confusing.
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