Valentino is an Ex Adult film star very much in love with his girlfriend Mary Carmen....and boyfriend Gary. Things take a tragic turn when Valentino is rushed to the hospital after ... See full summary »
Charleston, South Carolina. The Odoms have lived a life of the traditions of the American south in their longtime, large family beach front home. That tradition is turned upside down when ... See full summary »
Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to... See full summary »
A teenage boy would like to meet with a very pretty, blonde girl who lives in the next door. His elder brother helps him with car and credit card to be successful. This simple story will be... See full summary »
In this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is... See full summary »
Louis Coline assists the head of advertising of a department store in decline. He has little to do, but seems content with his marriage to Nina, his visits to his mother and grandmother, ... See full summary »
Carl, a fisherman in the waters off Washington state, has been found dead, drowned in his own nets, but with a serious head wound. Was he murdered? Post-war anti-Japanese sentiments are still running high, and a murder suspect is found in the local Japanese-American community in the form of Kabuo, another fisherman, who had a grudge against Carl's family. Ishmael, the small town's newspaperman, may have the information that would acquit Kabuo, but can he ever put his jilted love for Hatsue (Kazuo's wife) aside? Written by
Martin Lewison <firstname.lastname@example.org>
Adapting this novel with its tricky, time-shifting narrative was always going to be a big task, but Scott Hicks' sumptuous and elegant film very nearly pulls it off. Hicks and co-writer Ron Bass move quickly into the courtroom and wisely use the trial to drive the plot, telling the backstory - the real story in this case - through a finely-woven complex of flashbacks. The difficulty is that this story is a rich, long and emotional tale which requires a fair degree of exposition for it to be satisfying. The screenplay is superbly economical in this regard, but there is no escaping the fact that the only way to cover so much ground in a film of tolerable length is to fly over it at 30,000 feet. The necessarily distant treatment this requires occasionally dilutes the emotional force which would have come from a more thorough and leisurely telling. Hicks strives valiantly to compensate with a powerfully emotive score - this works, but it doesn't always hit the mark. Rather than engendering emotion, James Newton Howard's musical is often so insistently overpowering that it locks the audience out. On occasions I felt strangely alienated by a wall of sound when I knew I should have been in tears. But that's a minor flaw in an otherwise excellent production. Overall, this is an intelligent and considered adaptation - probably the best that could be made from a novel which would have been incredibly difficult to bring to the screen. It's solidly acted, immaculately lit, and offers some of the most achingly beautiful imagery to illuminate the screen in years (the opening shots are magnificent). Most rewarding of all is the fact that Scott Hicks takes some real stylistic risks with this film. They don't always pay off, but when they do it's magical.
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