Documentary detailing the life of wrestling legend Dan Gable. Covers entire life story from childhood to NCAA to Olympics to becoming one of the most sucessful coaches (in any sport) in the... See full summary »
Neal is a good looking, smooth talking, killer deal closer, who can sell anything to anyone at any time. For Neal, sales is just a numbers game; you can't sell to everyone, but you make enough calls in one day and you will make money. For.
Based on a true story about two college wrestlers, T. J. "Teddy" Williams and Art Munson whose battle for the National AAU Wrestling Championship in 1958 resulted in a near fatal accident ... See full summary »
Go beyond the cage and behind-the-scenes of the Ultimate Fighting Championship with UFC Ultimate Insider. Each week, Jon Anik, brings you unprecedented access to the world of the UFC with ... See full summary »
Leo Leone has been wrestling since he was seven years old. As the only son of wrestling coach (and ex-state champion) Edward Leone, Leo's dedication to the sport was tied up in his love for... See full summary »
The 1986 World Series, the 83rd playing of the modern championship series in Major League Baseball, was a memorable battle between the New York Mets, were making their third World Series ... See full summary »
In 2005 Bombo Sports went looking for the phenomenon that is the Red Sox. And, through the eyes of several fans created "STILL, WE BELIEVE," a film which received distribution in over 85 ... See full summary »
It's 1950 on San Pedro Island in the American Pacific Northwest. Commercial fisher Carl Heine Jr.'s dead body is pulled out of the water in a fishing net by his crew, he who died of head trauma. Kazuo Miyamoto is charged with his murder. Carl and Kazuo were once friends, had known each other since childhood, but WWII has placed a strain on any sort of relationship between the ethic Japanese and Caucasian populations of the area, the Japanese population which was and is still substantial on the island. Carl had motive regarding a land dispute between the two families, land which Carl's mother eventually sold from under the Miyamotos and which Carl had just repurchased. Evidence also points to Kazuo being on the water with Carl probably sometime during his last voyage, evidence which Kazuo knew would put him in a bad light, adding on top of being Japanese, and thus decided not to disclose to the investigating sheriff at the time he was questioned. Kazuo and his wife Hatsue's fear come ... Written by
Ishmael never once pronounces the love of his life's name correctly. He always calls her "Hat-sue", when her name should be pronounced "Ha-Tsu-E". See more »
The movie is set in the Pacific Northwest. Twice, shots are shown of the Portland (Maine) Head Light which is on the Atlantic coast. See more »
I know you'll think this is crazy, but all I want to do is hold you, and I think that if you'll let me do that just for a few seconds, I can walk away, and never speak to you again.
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Adapting this novel with its tricky, time-shifting narrative was always going to be a big task, but Scott Hicks' sumptuous and elegant film very nearly pulls it off. Hicks and co-writer Ron Bass move quickly into the courtroom and wisely use the trial to drive the plot, telling the backstory - the real story in this case - through a finely-woven complex of flashbacks. The difficulty is that this story is a rich, long and emotional tale which requires a fair degree of exposition for it to be satisfying. The screenplay is superbly economical in this regard, but there is no escaping the fact that the only way to cover so much ground in a film of tolerable length is to fly over it at 30,000 feet. The necessarily distant treatment this requires occasionally dilutes the emotional force which would have come from a more thorough and leisurely telling. Hicks strives valiantly to compensate with a powerfully emotive score - this works, but it doesn't always hit the mark. Rather than engendering emotion, James Newton Howard's musical is often so insistently overpowering that it locks the audience out. On occasions I felt strangely alienated by a wall of sound when I knew I should have been in tears. But that's a minor flaw in an otherwise excellent production. Overall, this is an intelligent and considered adaptation - probably the best that could be made from a novel which would have been incredibly difficult to bring to the screen. It's solidly acted, immaculately lit, and offers some of the most achingly beautiful imagery to illuminate the screen in years (the opening shots are magnificent). Most rewarding of all is the fact that Scott Hicks takes some real stylistic risks with this film. They don't always pay off, but when they do it's magical.
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