Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.
Carl, a fisherman in the waters off Washington state, has been found dead, drowned in his own nets, but with a serious head wound. Was he murdered? Post-war anti-Japanese sentiments are still running high, and a murder suspect is found in the local Japanese-American community in the form of Kabuo, another fisherman, who had a grudge against Carl's family. Ishmael, the small town's newspaperman, may have the information that would acquit Kabuo, but can he ever put his jilted love for Hatsue (Kazuo's wife) aside? Written by
Martin Lewison <email@example.com>
Ishmael never once pronounces the love-of-his-life's name correctly. He always calls her "Hat-sue" not by her real Japanese name "Ha-Tsu-E". See more »
One scene shows a Coast Guard Petty Officer wearing a peacoat. His peacoat has his insignia of rank (red chevrons and white eagle) on the outside of the left sleeve. The US Navy and presumably the Coast Guard did not adopt the policy of wearing the insignia on the sleeve of the peacoat until the mid 1960s. See more »
Nominated for best cinematography, this film deserved to give American Beauty a better run for its money. Sadly savaged by many critics, who seemed to fail to grasp the depth of the story and the beauty with which it was told because they were too busy analyzing the parts. Snow Falling on Cedars follows a mixed race love that is complicated by the onset of war. The reactions of the two principle characters betrays not only how human love can transcend itself into something greater but how those involved can find fulfillment in themselves through its sacrifice. The exquisite symbolism (you could write a book on the different things snow could symbolize after watching this) is never overplayed - in other words, the viewer can enjoy the film as entertainment without having "deeper meanings" rammed down their throat - but they are there in abundance, from the way the scenery is developed to small details such as the main character's name ("Ishmael" - meaning "He whom God hears").
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