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Carl, a fisherman in the waters off Washington state, has been found dead, drowned in his own nets, but with a serious head wound. Was he murdered? Post-war anti-Japanese sentiments are still running high, and a murder suspect is found in the local Japanese-American community in the form of Kabuo, another fisherman, who had a grudge against Carl's family. Ishmael, the small town's newspaperman, may have the information that would acquit Kabuo, but can he ever put his jilted love for Hatsue (Kazuo's wife) aside? Written by
Martin Lewison <firstname.lastname@example.org>
This is one of those films that needs to be seen a second time to pick up on the subtleties of the plot. It is a feast for the eyes and features outstanding acting. It also has a sense of balance. It doesn't manipulate its viewer. The murder mystery isn't one that brings in forces that threaten the main character. The forces are prejudice and fear. The adversaries are not people carrying guns but rather the legal system that often overlooked the rights of people of another race or ethnic background. The internment camps are part of the backdrop. I know that people say this is slow, but so is the process these people faced. I loved the intellectual character of the young man who has to look past his own feeling and try to bring closure to someone he will never be able to have. The transitions are so breathtaking. The winter scenes are a portrait of softness and violence. My wife had read the book upon which this is based and said that the movie might be interesting. Apparently, the producers were unwilling to go the extra mile to get this noticed. It's a gem and deserves to be on a list of very fine movies.
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