Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Brian De Palma
When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting a unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.
Ricky Santoro is a flamboyant and corrupt Atlantic City cop with a dream: become so well connected that he can become mayor. In lieu of that, he'll settle for keeping his comfortable lifestyle. On the night of the heavyweight boxing championship, Rick becomes mixed up in the assassination of the Secretary of Defense, an assassination involving his best friend. Becoming the investigating officer in the case, Rick soon uncovers a conspiracy to kill the Secretary and a mysterious woman in white. The conspiracy was shocking, but not half as shocking as the identity of its mastermind. Written by
The Mystery Guest
The original ending, which was a massive special effects sequence created by Industrial Light and Magic, involved a huge tidal wave going through the casino. This ending was cut out in post-production. Numerous references to it still remain in the final film: a shot near the end of the film shows an ambulance driving down an ocean-side road with a wave about to crash into it before the film cuts to another shot; Nicolas Cage's character talks about almost drowning at the very end of the film; references to a storm are made throughout the entire film, which were all meant to build up to the action-packed climax that was cut out. See more »
Closing dialogue refers to alternate ending. See more »
You know they say, back two, three hundred years ago, pirates put phony lighthouses right out by those big rocks, right out there. Ships would set a course by the lights, crash on the rocks; then everybody'd go out and rob 'em blind. Only one thing's changed since then: lights are brighter.
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The end credits scroll over a construction site scene (presumably the new casino), closing in tighter and tighter until the final shot is of a bright red jewel embedded in a concrete pillar that the workmen are installing. Most of the time the jewel is hidden under the hand of one of the workers. The ring was worn by the red-haired woman/Navy agent who was part of Commander Kevin Dunn's scheme. See more »
Yes, I concur, the film has the feature that dooms any movie including Stanley Kubrick's only bomb: THE KILLING. When will directors figure out that temporal streaming or showing the movie from each individuals point of view then trying to tie them all together is an utter disaster. MOMENTO, VANTAGE POINT both suffered from the same fatal flaw. This is still a great movie. It has great moral depth like all of the master Brian De Palma's works. I love two images in this movie. When Rick sees the money on the floor covered in blood, he finally gets it. He understands the price that is paid for that money. What a piece of work, a handful of geniuses could use visuals like that: Leone, Kubrick and Hitch. The other when bleeding from the mouth Rick flings blood on Kevin's medals, see the anger of Kevin's face, yes that is how you got those. What intelligence in the use of imagery to save whole pages of boring dialogue. Also, in an amoral, decadent age it is quite wise to be cryptic. You are not allowed to be openly moral with pagan atavists.
You want to know the theme of the movie? Cage recites it at the end of the movie to Julia; he tells her hundreds of years ago pirates put lights on those rocks to lure ships to their doom. Then they would run out kill them and steal their goods. Rick says the only thing that has changed is that the lights are brighter. De Palma is always attacked for his sex and violence but his films are deeply moral. Everyone remember the black angel of death looming over Nancy Allen's head in BLOW OUT. She had caused another's death and had to be punished. Same with DRESSED TO KILL, watch the innocent little girl stare at Angie Dickinson before she is killed; her promiscuity sealed her doom. De Palma always is deeply moral beneath all the sex and violence like his master: Hitch. Here Kevin's patriotism will not save him from his impending doom, we watch as his masterful planning and meticulous using of people, including Rick, falls apart before his eyes.
Like Hitch, immoral people are punished by the hand of God, through deadly fate. Things just go apart on them. He was so sure Rick was venal beyond redemption; he never understood that, like many slightly evil people, they like the damage done to their advantage carefully kept out of sight. Rick knows what Kevin is saying is true; he knew all his corruption would come out and he would be destroyed but he stammers: I NEVER KILLED ANYONE BEFORE. Kevin tries to reassure him, just do what you do best, look the other way I will take care of it. This is when DePalma has Rick stare at the money soaked in blood upon the floor. What a work of art!!! Yes, I took three stars off for the temporal juxtaposition that wrecks what could have been another BLOW OUT. If you want to see a deeply moral, fast moving, exciting, suspenseful film made by one of our greatest directors, Brian De Palma, watch this movie. Hitch would have loved this movie.
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