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Seth Zvi Rosenfeld
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Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family? Written by
Natasha Lyonne has to play a woman uncomfortable with the attention she gets from growing large natural breasts. Lyonne was given fake prosthetic breasts made out of silicone to play this part. At first, she was excited to play the part while wearing them. Then, director Tamara Jenkins told her to walk around for a day while wearing them. Lyonne came back and told Jenkins, "I get it now." See more »
In the closing credits, the word "Soundtrack" is spelled incorrectly as "Sountrack". See more »
This movie is cinema distilled to its truest and purest essence
Now, I am a middle aged male movie buff, and although I like and have watched lots of movies, and all kinds of movies, comedies are not that high on my list, generally speaking. When I read the tv guide, it said this movie was a comedy. So I tuned in, expecting to not be too excited about the movie.
I tuned in about 10 minutes after the start of the movie, and gave the movie my partial attention. But within 2 or 3 minutes, this movie had my full attention. I could see right away this one was something special. It comes as close to depicting a genuine species of lower middle class family life as I have ever seen. It is a real gem.
And it is not really a true comedy, although it is quite funny sometimes. It sort of defies definition or categorization. Sort of wry and humorous exploration of the dynamics of a typical struggling, lower-middle class family.
No fancy camera angles. Not a special effect in sight (and I have enjoyed many movies with fancy camera angles and special effects--I am no snob). But this movie is cinema stripped to its bare essence. Just pure script and acting. And what a script.
Marisa Tomei is incredible. She should have won the Oscar for this one.
BTW, I cannot believe the lady who scripted and directed this one has not gone on to do more directing or writing! What a waste of talent!
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