Two brothers, Lex and younger Mick, are living in Harlem. Mick is a policeman, and Lex, who spent youth years in reformatory because of injustice after he confronted the cop who tried to ... See full summary »
Seth Zvi Rosenfeld
At an absurdly self-indulgent student film festival, the directors of the (mostly terrible) short films start getting killed off one by one and a budding British documentary filmmaker decides to investigate.
Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family? Written by
Rita's hair switches from over her shoulder to on her back when she speaks to Vivian before they tell Rita's parents what she has, or hasn't learned at nurses school. See more »
[Eliot and Viv are giving Rita a lift to her boyfriend's place]
All right, we're close. I know this neighborhood. I do a lot of business up here.
Really? What do you do?
He deals drugs.
Vivian! Will you mind not going around misrepresenting me like that? Jesus. I just don't want anyone to the get the wrong idea that I'm like some kind of school yard pusher.
Oh, I don't mind. In fact, do you have anything for my nerves? You know, just laying around?
Seconal, Demerol, Tuinal, Valium, ...
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This movie is cinema distilled to its truest and purest essence
Now, I am a middle aged male movie buff, and although I like and have watched lots of movies, and all kinds of movies, comedies are not that high on my list, generally speaking. When I read the tv guide, it said this movie was a comedy. So I tuned in, expecting to not be too excited about the movie.
I tuned in about 10 minutes after the start of the movie, and gave the movie my partial attention. But within 2 or 3 minutes, this movie had my full attention. I could see right away this one was something special. It comes as close to depicting a genuine species of lower middle class family life as I have ever seen. It is a real gem.
And it is not really a true comedy, although it is quite funny sometimes. It sort of defies definition or categorization. Sort of wry and humorous exploration of the dynamics of a typical struggling, lower-middle class family.
No fancy camera angles. Not a special effect in sight (and I have enjoyed many movies with fancy camera angles and special effects--I am no snob). But this movie is cinema stripped to its bare essence. Just pure script and acting. And what a script.
Marisa Tomei is incredible. She should have won the Oscar for this one.
BTW, I cannot believe the lady who scripted and directed this one has not gone on to do more directing or writing! What a waste of talent!
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