With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family? Written by
The film was going to be financed by the American Playhouse company but then it went out of business. The former head of Playhouse, Lindsay Law, became head of Fox Searchlight and was able to set this project up there. See more »
The address of the apartment complex where they stay is around 12000, but from the street the address is 425. See more »
You dropped out of high school?
It was an option. I wanted to join the workforce.
What do you do?
I sell pot.
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Give Up the Funk (Tear the Roof Off the Sucker)
Performed by Parliament
Courtesy of Mercury Records
By Arrangement with PolyGram Film & TV Music
Written by George Clinton (as George Clinton Jr.), Bootsy Collins (as William 'Bootsy' Collins), Jerome Brailey
Published by Bridgeport Music Inc. (BMI) See more »
Occasionally good, but mostly broad, comic timewaster
Bright performances are the reason to see Tamara Jenkins' Slums of Beverly Hills, since the situations offered up by the writing consist of the usual comedic complications writers call "quirky" and "zany." Following the nomadic existence of Murray Abramovitz (Alan Arkin), a 65-year-old wash-out father of two teenagers and their kid brother, the movie focuses on Vivian (Natasha Lyonne) the single-parent family's lone female. Vivian is exasperated by her newly sprouted breasts, and a significant measure of the film's comedy arises from this singular obsession. Most out of place is Marisa Tomei, who plays the flaky, pregnant, basket case of a cousin who comes to live with the family. Jenkins would have done well to leave out this completely unnecessary character and devote more time to the challenges faced by Vivian.
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