A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
An inksetter in New York, Quoyle returns to his family's longtime home, a small fishing town in Newfoundland, with his young daughter, after a traumatizing experience with her mother, Petal, who sold her to an illegal adoption agency. Though Quoyle has had little success thus far in life, his shipping news column in the newspaper "The Gammy Bird" finds an audience, and his experiences in the town change his life. Then he meets the widow Wavey... Written by
When Quoyle goes to his first car wreck, he views a car that had gone off the road onto rocks. However, the guard posts and cable around the curve where the car left the road are undamaged. The car could not have gotten into the position it rests in without damaging the posts and cable. See more »
[father teaching him literally to sink or swim]
I used to imagine that I'd been given to the wrong family at birth, and that somewhere in the world my real people longed for me. From where my father stood, my failure to dog-paddle was only the first of many failures. Failure to speak clearly, failure to sit up straight, failure to make friends every time we moved to another dreary upstate town. In me, my father recognized a failed life. His own.
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Having read the brilliant and seamless novel - and believing that movie adaptations of novels rarely succeed - I did not expect to like this movie. Much to my surprise, I found the film totally successful. Kevin Spacey - who seemed to be an odd choice for the role - is perfect as Coyle, capturing the true spirit of the character and proving himself to be one of the finest movie actors of his generation. Judi Dench is, as always, just right. Julianne Moore (I was not previously familiar with her work) is astonishing. The look of the movie...the tone...the screenplay all work - as an adaptation of the novel and as a film unto itself. I do not understand why this movie did not garner more recognition. I strongly recommend it to those who have read the novel and those who have yet to experience Annie Proulx remarkable prose.
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