In Nazi-occupied Paris, a young accompanist named Sophie Vasseur gets a job with famed singer Irene Brice. As Irene's husband Charles, a businessman collaborating with the Nazis, wrestles ... See full summary »
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe... See full summary »
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
Based on Nikolai Gogol's story with the location changed from Russia to Italy and the time changed to the present (1952), the story is about a poor city-hall clerk (Renato Rascel) whose ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
The extended Forsyte family live a more than pleasant upper middle class life in Victorian and later Edwardian England. The two central characters are Soames Forsyte and his cousin Jolyon ... See full summary »
Nyree Dawn Porter
An inksetter in New York, Quoyle returns to his family's longtime home, a small fishing town in Newfoundland, with his young daughter, after a traumatizing experience with her mother, Petal, who sold her to an illegal adoption agency. Though Quoyle has had little success thus far in life, his shipping news column in the newspaper "The Gammy Bird" finds an audience, and his experiences in the town change his life. Then he meets the widow Wavey... Written by
Reflected in the car window as Quoyle drives away from Wavey's house. See more »
[father teaching him literally to sink or swim]
I used to imagine that I'd been given to the wrong family at birth, and that somewhere in the world my real people longed for me. From where my father stood, my failure to dog-paddle was only the first of many failures. Failure to speak clearly, failure to sit up straight, failure to make friends every time we moved to another dreary upstate town. In me, my father recognized a failed life. His own.
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Another moving display of human sentiments from Hallström.
Lasse Hallström had created a number of great films that deliver serious introspective messages of human emotions, with masterful uses of filming locations and scenery to create the various moods of his films which is often pensive or thought-provoking. We have seen them in "Chocolat", "What's Eating Gilbert Grape?" and in "The Cider House Rules". His selection of novels he makes films based on is also brilliant. Here, "The Shipping News" is another master stroke from him which leaves the viewer quite in awe to the film's sentiments and atmosphere.
I haven't read the novel. And it's quite unlikely I'll find it in my local bookstores and I hate e-books. So I can never judge the film's quality of adaptation. All I can say is that the film offers us a wonderful story of a rather ordinary man named Quoyal who's brilliantly portrayed by Kevin Spacey. The character of Quoyal is still fascinating, extra-ordinarily ordinary. The best chemistry of Quoyal is not with his later love-interest Wavey, but with his aunt Agnis. This is a major touch of brilliance in the story. The story also tells us about Newfoundland and its people... and leaves us indeed fascinated by those facts. But in the end, emotions are same everywhere, be it Newfoundland or Indonesia, so the story is ultimately of grief, sense of loss, rediscovering one's self and love.
Julianne Moore is rather stiff in this film. I don't know whether it's for her role or she acted badly. Judi Dench is a pleasure to watch again. Cate Blanchett's extended cameo is awesome too. But actors don't carry the film. The major credit for the film goes to the director. There's a major flaw (perhaps) in the story in the end concerning the character Jack but Hallstrom pulls it off nicely so that the audience cannot react to it and accepts it temporarily. Hats off to you, Mr Hallström.
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