In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
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A black-and-white love letter to pre-gentrification New York City, Phil Hartman's NO PICNIC captures a remote time and place - the East Village circa 1985, a vibrant, seedy neighborhood ... See full summary »
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In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank. Written by
John Sacksteder <firstname.lastname@example.org>
This is a top-notch comedy at the most audacious level. I once heard someone say that door-slamming farcical comedy never works on film; and I think this is one of the movies that proves them wrong. It reminded me of the brilliant stage farce "Noises Off" (which was also turned into a movie with fairly successful results).
I thought the opening title gags were brilliant, especially Oliver Platt. I loved Billy Connolly as a camp tennis player and Allison Janney as a gangster's moll. I also thought Alfred Molina, Tony Shalhoub, Campbell Scott, Steve Buscemi and Matt McGrath were brilliant as well. The pastry shop scene and Tucci crying poor were also outstanding highlights.
My only slight criticism with this film is that the pacing seemed a tiny bit slow at times, but otherwise this is an exceptional storyline. This is definitely the sort of movie I'd like to see a lot more of. It also proves that they CAN make 'em like they used to.
17 of 22 people found this review helpful.
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