In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank. Written by
John Sacksteder <firstname.lastname@example.org>
The incident in which Alfred Molina's character slaps Mike Malloy's with a sword during a performance is based on a real-life incident in which actor Nicol Williamson struck a fellow actor on the buttocks with a sword during a performance of "I Hate Hamlet." Williamson also exemplified his disdain for the play and his cast mates by breaking character and badmouthing the material on and off stage. See more »
When Arthur puts his giant martini down on the counter, Happy can be seen in the background pulling it towards him. A second later when he and Emily are seen from the front talking, the martini glass is nowhere to be seen. It is too large to not be in the shot. See more »
[as they discuss an act which they did]
You stole my death.
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As the closing credits role, the entire cast performs a line dance, starting on the ocean liner set and working their way out of the soundstage. See more »
This is a top-notch comedy at the most audacious level. I once heard someone say that door-slamming farcical comedy never works on film; and I think this is one of the movies that proves them wrong. It reminded me of the brilliant stage farce "Noises Off" (which was also turned into a movie with fairly successful results).
I thought the opening title gags were brilliant, especially Oliver Platt. I loved Billy Connolly as a camp tennis player and Allison Janney as a gangster's moll. I also thought Alfred Molina, Tony Shalhoub, Campbell Scott, Steve Buscemi and Matt McGrath were brilliant as well. The pastry shop scene and Tucci crying poor were also outstanding highlights.
My only slight criticism with this film is that the pacing seemed a tiny bit slow at times, but otherwise this is an exceptional storyline. This is definitely the sort of movie I'd like to see a lot more of. It also proves that they CAN make 'em like they used to.
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