In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ...
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Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank. Written by
John Sacksteder <email@example.com>
When Arthur puts his giant martini down on the counter, Happy can be seen in the background pulling it towards him. A second later when he and Emily are seen from the front talking, the martini glass is nowhere to be seen. It is too large to not be in the shot. See more »
[as they discuss an act which they did]
You stole my death.
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As the closing credits roll, the entire cast performs a line dance, starting on the ocean liner set and working their way out of the soundstage. See more »
A very positive response to a rare viewing experience
Rented THE IMPOSTORS for the first time on Friday and by the end of the weekend had watched it 4 times - and yes, I do have a life. Blithe is the only word I can use to describe the experience of watching this video. In a world of multi-screen theaters that show a variation of 3 basic movies - mindless action, gross-out comedy, or big-screen version of the issue of the week - THE IMPOSTERS was a homage to an earlier genre - the silly, almost plotless comedies of Laura & Hardy. Homage - not remake - an important difference. This was definitely a 1990's movie - more quirky than slapstick, with slick production values. A series of vingettes, tied together to make a whole, yet each scene easily stands on its own as a comic gem - the initial credits being my personal favorite. One final word - all this and a great cast! and score. This movie was a rare 10.
9 of 9 people found this review helpful.
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