In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to ... See full summary »
This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank. Written by
John Sacksteder <email@example.com>
The incident in which Alfred Molina's character slaps Mike Malloy's with a sword during a performance is based on a real-life incident in which actor Nicol Williamson struck a fellow actor on the buttocks with a sword during a performance of "I Hate Hamlet." Williamson also exemplified his disdain for the play and his cast mates by breaking character and badmouthing the material on and off stage. See more »
The song, "Skokiaan" is used in the movie which takes place in the 1930s. However, "Skokiaan" was not released until 1947. See more »
[as they discuss an act which they did]
You stole my death.
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As the closing credits roll, the entire cast performs a line dance, starting on the ocean liner set and working their way out of the soundstage. See more »
A very positive response to a rare viewing experience
Rented THE IMPOSTORS for the first time on Friday and by the end of the weekend had watched it 4 times - and yes, I do have a life. Blithe is the only word I can use to describe the experience of watching this video. In a world of multi-screen theaters that show a variation of 3 basic movies - mindless action, gross-out comedy, or big-screen version of the issue of the week - THE IMPOSTERS was a homage to an earlier genre - the silly, almost plotless comedies of Laura & Hardy. Homage - not remake - an important difference. This was definitely a 1990's movie - more quirky than slapstick, with slick production values. A series of vingettes, tied together to make a whole, yet each scene easily stands on its own as a comic gem - the initial credits being my personal favorite. One final word - all this and a great cast! and score. This movie was a rare 10.
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