In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
NBC Saturday morning TV show. Fast paced, combining animations and live action, much like a "Laugh-In" for kids. Lots of splashy graphics, quick jokes, with some educational elements, too. ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank. Written by
John Sacksteder <email@example.com>
The incident in which Alfred Molina's character slaps Mike Malloy's with a sword during a performance is based on a real-life incident in which actor Nicol Williamson struck a fellow actor on the buttocks with a sword during a performance of "I Hate Hamlet." Williamson also exemplified his disdain for the play and his cast mates by breaking character and badmouthing the material on and off stage. See more »
The song, "Skokiaan" is used in the movie which takes place in the 1930s. However, "Skokiaan" was not released until 1947. See more »
[as they discuss an act which they did]
You stole my death.
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As the closing credits role, the entire cast performs a line dance, starting on the ocean liner set and working their way out of the soundstage. See more »
A very positive response to a rare viewing experience
Rented THE IMPOSTORS for the first time on Friday and by the end of the weekend had watched it 4 times - and yes, I do have a life. Blithe is the only word I can use to describe the experience of watching this video. In a world of multi-screen theaters that show a variation of 3 basic movies - mindless action, gross-out comedy, or big-screen version of the issue of the week - THE IMPOSTERS was a homage to an earlier genre - the silly, almost plotless comedies of Laura & Hardy. Homage - not remake - an important difference. This was definitely a 1990's movie - more quirky than slapstick, with slick production values. A series of vingettes, tied together to make a whole, yet each scene easily stands on its own as a comic gem - the initial credits being my personal favorite. One final word - all this and a great cast! and score. This movie was a rare 10.
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