An insomniac office worker, looking for a way to change his life, crosses paths with a alter-ego devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother... Written by
Tom Sizemore was battling a drug addiction during production. Steven Spielberg gave him an ultimatum that he would be blood tested on the set every day of filming, and if he failed the test once he would be fired and the part of Horvath would be recast and re-shot with someone else, even if it was at the end of production. See more »
When Miller's squad first enters the town of Neuville, Jackson's rifle has a short scope. When the squad comes under fire from the German sniper, Jackson now has much longer, narrower scope attached to his rifle. However, if you watch carefully, you will notice that for the entire movie so far, Jackson has been carrying a large cylindrical canister on his back, which contains the longer scope. In the town when he says "I wouldn't venture out there fellas, this snipers got talent" you can see him reaching behind him and opening the canister. In the next shot it shows him removing the small scope from the rifle and mounting the longer scope. See more »
[running to comfort his father]
[flashback to D-Day]
[shouting out the soldiers on the raft]
CLEAR THE RAMP! THIRTY SECONDS! GOD BE WITH YA!
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There are no opening credits after the title is shown. See more »
I have never been affected by a movie the way Saving Private Ryan affected me. That movie really took me out of my seat in the movie theater and practically had me believing I was really in the battle with John Miller. When somebody was dying in that movie, it felt as if you could almost feel their pain. Speilberg did an unbelievable job of putting realism into this movie with the camera-work and everything else. Simply amazing. An all time great.
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