In the distant future vampires have come out of the shadows and tried to live among people as a special and peaceful breed. When a series of murders happens, a cop and his vampire colleague... See full summary »
Count Dracula is in L.A., running a hideous club scene, and he's angry that a rogue vampire, posing as a streetwalker, is slashing. He's also unhappy that Dallas, a youthful undead and former protégé, is in town. The rogue slasher, Nico, serendipitously picks Dallas as a victim; after discovering each other's nature, they become lovers. In fear of the Count, Dallas's coterie urges him to kill Nico, but he refuses. Meanwhile, a Viennese vampire hunter, Van Helsing, arrives in L.A. and hires the Crips to help him. They're soon following Nico and Dallas. When they capture her, Dallas wants to deal: spare Nico and he'll lead the hunters to Dracula. It's time for stake and bake. Written by
At the end of the movie, when the gang is shooting the vampires at the nightclub, Time Bomb is shown shooting with two semiautomatic pistols, yet the slides were back, indicating that the guns were out of bullets. See more »
Hey, I'm the one holding the gun, okay? So, that makes me smart and you stupid.
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Only in America can vampires expect to call for garbage pickup. No messy disposal problems here. As a vampire author, I'd far rather see vampire movies that feature something new, rather than rehashing the old myths - no matter how well it's done. (For a similar new take on vampires, though hardly as funny, be sure to see Dance of the Damned) Actually, though Modern Vampires seems to strive to be intentionally bad, this makes it very funny, very hip though certainly not for everyone.
I loved it for the early humor (The scene with the bitchy salesperson in the dress shop was worth the rental price all by itself), and was sad to see the over the top end did not work quite as well as the first half.
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