Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A virus has escaped in a secret facility called "The Hive," turning the staff into hungry zombies and releasing the mutated Lab "Animals" that they were studying. The complex computer shuts down the base to prevent infection. The parent corporation sends in an elite military unit, where they meet Alice, who is suffering from amnesia due to exposure to nerve gas. The military team must shut down the computer and get out, fighting their way past zombies, mutants, and the computer itself, before the virus escapes and infects the rest of the world. Alice must also come to terms with her slowly-returning memories. Written by
When this film debuted, it had the largest opening weekend for a European-financed film. See more »
In the Red Queen's chamber, the guy gets cut up into little pieces. When Keplan goes in, he looks at the body and it's together. See more »
At the beginning of the 21st century, the Umbrella Corporation had become the largest commercial entity in the United States. Nine out of every ten homes contain its products. Its political and financial influence is felt everywhere. In public, it is the world's leading supplier of computer technology, medical products, and healthcare. Unknown, even to its own employees, its massive profits are generated by military technology, genetic experimentation, and viral weaponry.
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Near the end of the credits, we hear a line of dialogue from Michelle Rodriguez: "When we get out of here, I think I'm gonna get laid." See more »
I had to sift long and deep for a good comment on this. Why all the hostility? I think there was great chemistry on this production and it shows; the actors and crew involved loved the game and had a good time making this. This movie successfully recreated the feel of the game, and because it kept exposition to a minimum of what you needed to know for this particular story and didn't borrow from or revise any of the original characters or settings, it supported and strengthened the franchise. No story is retold here, no words are wasted, the setting, feel and pace is familiar to fans of Resident Evil and yet it's perfectly accessible to those unfamiliar with the broader storyline. Not giving the fan-boys their favorite characters was a good choice since characters tend to get mangled in adaptation, and yet the fan-boys still complain. With this film you have a good, watchable story that can partake of the Resident Evil cosmology, showing it due respect.
It did an excellent job establishing characters without too much unnecessary background, developing them just enough to make you want to know what they'll do next, to make you care before the sudden and gruesome happens to them. The acting was above par for a Resident Evil, certainly much better than the first game. The plot was no more comic bookish than any of the games. My one complaint was that the characters were too battle-trained, too slick, too good at fighting for them to be sympathetic horror subjects. This could've been balanced out with more reaction shots showing the soldiers wetting themselves. But Alice's over-the-top commando-style action made her too much of a super heroine to really make anyone concerned about her survival; characters made of Teflon make good action but apathetic horror subjects.
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