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Samuel L. Jackson,
In present day Montreal, a famous Nicolo Bussotti violin, known as "the red violin," is being auctioned off. During the auction, we flash back to the creation of the violin in 17th century Italy, and follow the violin as it makes its way through an 18th century Austrian monastery, a violinist in 19th century Oxford, China during the Cultural Revolution, and back to Montreal, where a collector tries to establish the identity and the secrets of "the red violin." Written by
Sean Gallagher <email@example.com>
Measured, thoughtful account of near-mystical instrument
Literally spanning centuries to unfold its mesmerizing tale, The Red Violin traces the unbelievable history of an acoustically flawless masterpiece crafted in the late 1600s by an Italian master. Co-screenwriters Francois Girard (who directed) and Don McKellar (who acts in the film) structure the movie around a wealth of richly detailed locales, including Vienna, China, and Oxford, and provide a unique modern-day Montreal framework which intertwines with the often tragic history of the instrument to provide the narrative with a rather unique element of mystery. The late-19th century English section shows the film at its most baroque, but each of the finely tuned tales reaches for some truth about music, life, love, and passion -- and that is commendable. Music lovers take note: the sounds that come out of the crimson treasure throughout the course of its journey are utterly thrilling and inspiring.
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